Wall Street Journal's Scores

  • Movies
  • TV
For 3,961 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Les Misérables
Lowest review score: 0 The Limits of Control
Score distribution:
3961 movie reviews
  1. The movie is counterfeit too, a coarse imitation of a stylish star vehicle for stars who deserve the real thing.
    • Wall Street Journal
  2. Whatever thematic clarity the added footage may confer is prosaic or didactic and intrusive; this stuff hit the cutting-room floor the first time around for good reason.
    • Wall Street Journal
  3. My Homo sapiens brain was boggled by the movie's clumsiness, while my heart was chilled by the chance that otherwise mature members of my species might mistake this disjointed botch for summer entertainment.
    • Wall Street Journal
    • 44 Metascore
    • 60 Critic Score
    Amusing enough, especially with its uniquely credible premise of a media fraud, to recommend.
    • Wall Street Journal
    • 85 Metascore
    • 100 Critic Score
    This extraordinary flight from the humdrum is not to be missed.
    • Wall Street Journal
  4. Smart, surpassingly odd, extremely funny and mysteriously endearing at the same time.
    • Wall Street Journal
    • 42 Metascore
    • 40 Critic Score
    Exemplifies Hollywood's standard practice of stomping a brilliant concept beyond recognition.
    • Wall Street Journal
    • 71 Metascore
    • 40 Critic Score
    Lacks a crucial element of the heist subgenre: ingenuity.
    • Wall Street Journal
    • 59 Metascore
    • 80 Critic Score
    Thanks to Ms. Witherspoon's artful portrayal of a winning, if beachless, Gidget, I found Legally Blonde very enjoyable.
    • Wall Street Journal
    • 45 Metascore
    • 50 Critic Score
    My problem is that the lack of narrative structure deprives the film of any suspense, and without suspense the film eventually collapses from its own heat like a soufflé that has been in the oven just a few minutes too long.
    • Wall Street Journal
    • 49 Metascore
    • 30 Critic Score
    Although packaged as a movie, is in reality a clever 106-minute promo for Sony's PlayStation II games.
    • Wall Street Journal
  5. The intentional and unintentional absurdities of the plot do pay off, with a happy ending that's outlandish enough to be entertaining.
    • Wall Street Journal
  6. Mr. Li is a master not only of martial arts, but of composure; no one does nothing better. The film itself is no great shakes.
    • Wall Street Journal
  7. The silliness of Jump Tomorrow takes your breath away, and I mean that as high praise.
  8. Grindingly tedious.
    • Wall Street Journal
  9. An expertly developed farce that's very funny and surprisingly affecting in the bargain.
    • Wall Street Journal
  10. A grim disappointment for grown-ups, and far too violent for young kids. I found it to be clumsy, misanthropic and intractably lifeless.
    • Wall Street Journal
  11. Spellbinding on its own terms, a modernist fable with a madly romantic soul.
    • Wall Street Journal
  12. Shrewdly conceived, confidently executed and outrageously entertaining.
    • Wall Street Journal
  13. Ever so slightly defective in the area of coherence; it plays as if it should have been written by a committee but they didn't bother to convene one.
    • Wall Street Journal
  14. A good subject has been ill-served by Ms. Greenwald's cliched script and clumsy direction.
    • Wall Street Journal
  15. Remarkably joyless, even though Ms. Jolie is a formidable presence with the potential for becoming a witty one.
    • Wall Street Journal
  16. Appeal lies on the bright, shiny surface of its ostensibly simple plot, and in its rat-a-tat-tat language, which often sounds like Mamet-visits-Spyne.
    • Wall Street Journal
  17. Bears no resemblance to the smarmy fraud that Roberto Benigni perpetrated in "Life Is Beautiful."
    • Wall Street Journal
  18. An ugly exercise in big-budget carnage.
    • Wall Street Journal
  19. The special effects are variable, but even when they're good they don't have much impact because Evolution, with its self-trashing spirit, turns moviegoers into bemused bysitters.
    • Wall Street Journal
  20. Like so many parties, this one goes on too long.
    • Wall Street Journal
  21. Qualifies as a pleasant time-killer, but it's 20,000 leagues beneath what it might have been.
    • Wall Street Journal
  22. Ms. Wynter's performance is only one of many failings in a heavily accented costume drama that Bruce Beresford has directed turgidly from Marilyn Levy's amateurish script.
    • Wall Street Journal
  23. If this adds up to a full-fledged feature film, I'm a monkey's uncle.
    • Wall Street Journal

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