Wall Street Journal's Scores

  • Movies
  • TV
For 3,944 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Les Misérables
Lowest review score: 0 The Limits of Control
Score distribution:
3944 movie reviews
  1. The writer-director Adrienne Shelly, who died in New York City late last year at the age of 40, took such perishable ingredients as wit, daring, poignancy, whimsy and romance, added passionate feelings plus the constant possibility of joy, decorated her one-of-a-kind production with pastel colors and created something close to perfection.
  2. Problemista is a brilliant comedy of the surreal and the absurd, and it finds no shortage of either in the bureaucratic processes of immigration.
  3. Rarely have age and shining youth been juxtaposed more affectingly, but that’s only one of many moments of grace in a movie that mines its resonant mythology while moving its story ever forward.
  4. If Timbuktu — a nominee for this year’s foreign-film Oscar — were politically astute and nothing more, it would still serve a valuable purpose. But the film throbs with humanity, and abounds in extraordinary images.
  5. An astonishing combination of spectacle, suspense, martial-arts flash, sublime silliness, anti-gravity action and passionate intensity -- before and after everything else, it's a grand love story.
    • Wall Street Journal
  6. One of the hallmarks of contemporary Danish filmmaking is a seemingly effortless naturalism that springs from superb acting and skillful direction.
  7. Heart and soul—those two concepts beaten to death by lyricists—suffuse every scene of this modest, perfect picture.
  8. Toward the end of this loose-jointed and endearing new film, a freshman says to her boyfriend, “It’s kind of beautiful that we get to feel passion in this world—about anything.” She and he, and everyone around them, have passion to burn, and we get to feel great about them.
  9. Please see this movie, and take any kids old enough to read subtitles. It's one of a kind.
    • Wall Street Journal
  10. Casts a spell and then some -- a ringing testament to the power of motion pictures.
    • Wall Street Journal
  11. A thrillingly funny and casually profound film.
  12. Elegantly crafted and filled with flawless performances, this mysteriously charged drama comes alive in its very first frames.
  13. Tom Hardy, the actor who plays him, is by turns spellbinding, seductive, heartbreaking, explosive and flat-out thrilling. At a time when the studios are spending vast sums of money on a bigger-is-better aesthetic, here's a chamber piece with the impact of high drama.
  14. The result of the intricate interplay is a fairy tale for adults that is violent, sometimes shocking, yet utterly engrossing. And eerily instructive; it deepens our emotional understanding of fascism, and of rigid ideology's dire consequences.
    • Wall Street Journal
  15. Computer travel may not be the real thing, but IMAX makes this an astonishing trip all the same.
  16. Her
    Mr. Jonze approaches perfection in the department of deadpan humor. In other hands, his premise could have been a clever gimmick and little more. But he draws us into Theodore's world, then develops it brilliantly, by playing everything scrupulously straight.
  17. This superb film, by Kent Jones, adds three more layers to the book’s alluvial wisdom: stunning clips from Hitchcock features, audio clips from the original conversations and fascinating comments by contemporary directors.
  18. It’s a new and emotionally complex model of an old-fashioned audience-pleaser, with wonderful performances by Christian Bale and Matt Damon and a resonant soul to go with its smarts.
  19. This film is cunningly crafted in every detail--direction, script, performances, comic timing, special effects--from thunderous start to delicious finish.
  20. The whole production speaks well for the power of film; it’s a serious stunner.
  21. Once in a great while a film seems right in every detail. Andre Techine's Strayed ("Les Egares") is such a film.
    • Wall Street Journal
  22. Working on a scale that's minuscule by studio standards, the Dardenne brothers have made yet another movie that does what Hollywood used to do - keep us rapt, and leave us grateful.
  23. As a work of nonfiction, it deserves its own nomenclature. "Docu-poem" is too inelegant; "masterpiece" works, although it's been used before.
  24. It keeps you fascinated, even enthralled; elicits astonishment, even wonderment, and makes you grateful for the chance to meet someone remarkable.
  25. It’s a puzzle play, with one of the best closing shots in memory. Film is its subject. So is life. With Mr. Almodóvar behind the camera and Mr. Banderas in front of it, film and life are synonymous.
  26. The characters are irresistible -- why would anyone want to resist a hero who so gallantly transcends his rattiness? -- the animation is astonishing and the film, a fantasy version of a foodie rhapsody, sustains a level of joyous invention that hasn't been seen in family entertainment since "The Incredibles."
  27. How long has it been since a movie left you literally speechless?
  28. It's nothing less than a miracle that the director, Craig Gillespie, and the writer, Nancy Oliver, have been able to make such an endearing, intelligent and tender comedy from a premise that, in other hands, might sustain a five-minute sketch on TV.
  29. Benjamin Button is all of a visionary piece, and it's a soul-filling vision.
  30. By turns funny, elegiac and thrilling, it’s a tale of brotherhood and family that takes in the harsh beauty of the land, the elusive nature of right and wrong and the quirky delights of human connections in a time of bewildering change.

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