Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. [Sparrow] zigs where you expect her to zag (not always in the best of ways), and though I Remember You ends up exactly where you expect it to, the windy, circuitous path it takes doesn't feel like time misspent.
  2. It's smart in surprising ways, daring in a few minor ones, moving in the right ones.
  3. Creed wants all of the Rocky drama but invests in none of the smarts.
  4. [A] vivid and enlightening documentary.
  5. Though at times too splintered by its various points of interest, Bernardo Ruiz's up-close-and-personal documentary is nonetheless harrowing in its details.
  6. Oz is the best-known novelist in Israel, notorious for supporting a two-state solution. If you don't yet understand why he does, watch this film. If you're already on Oz's side, keeping the wound open might be worth it.
  7. [A] tender and low-key documentary.
  8. The film proves a piercing character study whose narrow view frustrates complete empathy.
  9. As excellent a documentary about politics as you will ever see.
  10. Lesbian coming-of-age tales can be sensationalistic and leering, but this film (directed by a woman, Alanté Kavaïté) casts a sensitive eye on the understated story of Sangaile (Julija Steponaityté), a shy, troubled girl who begins a relationship with the more ebullient Auste (Aisté Dirziuté).
  11. Informative, revelatory, and full of astonishing photography, Frame by Frame is about embedded journalists (the photographers) fighting the power, not kowtowing to it.
  12. The energy never falters as the film jumps from talking-head testimonies to on-the-streets footage of rallies and riots.
  13. The script veers from comic, narrated episodes to surprising violence, planting early narrative seeds that yield some effective surprises later, a dynamic range that's pretty comfortable to old hands Travolta and Travolta's Chili Palmer wig after all these years.
  14. Legend reminds us how easily a pretty star can get us to feel for people we'd deplore in real life — a monster's a monster, no matter how big its heart or soulful its strut.
  15. Not every gamble works: The girls' intrusive Bejeweled-like social-media game annoys at every turn, and the plot itself is murky. But #Horror mesmerizes nonetheless, filled with tension, cruelty, and can't-look-away style.
  16. In her provocative documentary Drone, Tonje Hessen Schei shows how, actually, the U.S. and its military-industrial complex treat war like a video game.
  17. Carol is a film you want to reach out and touch, if only you could reach anywhere near the top of the pedestal it's perched on. It is itself an unattainable love object, the goddess Venus disguised as a movie.
  18. Most astonishingly, with the franchise's powerful climax, Lawrence has managed to align her parallel Hollywood lives and reinvent the prestigious popcorn flick, a crowd-pleaser with intelligent class.
  19. At first the laughs are Hangover III–spare and the picture is too shambling to lunge for them. But these leftovers warm up eventually. The usual setups at last develop variations, and you might be reminded of why audiences first responded to Rogen back in Knocked Up.
  20. Viko Nikci's undeniably poignant doc surprisingly chooses to follow threads of hope and forgiveness over the angers of injustice.
  21. So what do the tea leaves say? They're hard to read through the over-the-top grossness and weak acting, but it's probably that gentrification is good, poor people and assorted lowlifes don't deserve prime real estate, and Sean Penn's baby girl needs a better agent.
  22. What a difference a comma makes — or would make, in the case of Jessie Nelson's lumpy, wretchedly unfunny Love the Coopers, whose title commands us to love people it's impossible even to like.
  23. The story spins out in painful directions that feel surprising yet inevitable.
    • 69 Metascore
    • 70 Critic Score
    Pegg's comic chops elevate even the most juvenile of jokes, but it's Bell's daring and impolite performance that steals the show.
  24. The movie's flair for soap-opera-style pile-on becomes emotionally draining rather than moving.
  25. While Bornstein stumbles along his rocky road to redemption, Addiction lacks the narrative focus to make it more than a glorified home movie.
  26. It's an exploitation film that never gets its audience off, even with cheap thrills — what a dud.
  27. Guzmán and Cárdenas present this tropical island as both Anne's romantic refuge and Noelí's exploitative landscape, a beautiful, enchanting — and realistic — Eden where snakes are merely snakes.
  28. Entertainment is a painful, poetic watch.
  29. Funny Bunny may be effectively alienating, but never in a commendable way.

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