For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Nordine
[Sparrow] zigs where you expect her to zag (not always in the best of ways), and though I Remember You ends up exactly where you expect it to, the windy, circuitous path it takes doesn't feel like time misspent.- Village Voice
- Posted Nov 24, 2015
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Alan Scherstuhl
It's smart in surprising ways, daring in a few minor ones, moving in the right ones.- Village Voice
- Posted Nov 24, 2015
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Amy Nicholson
Creed wants all of the Rocky drama but invests in none of the smarts.- Village Voice
- Posted Nov 24, 2015
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- Village Voice
- Posted Nov 19, 2015
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Reviewed by
Nick Schager
Though at times too splintered by its various points of interest, Bernardo Ruiz's up-close-and-personal documentary is nonetheless harrowing in its details.- Village Voice
- Posted Nov 19, 2015
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Diana Clarke
Oz is the best-known novelist in Israel, notorious for supporting a two-state solution. If you don't yet understand why he does, watch this film. If you're already on Oz's side, keeping the wound open might be worth it.- Village Voice
- Posted Nov 19, 2015
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- Village Voice
- Posted Nov 17, 2015
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Reviewed by
Nick Schager
The film proves a piercing character study whose narrow view frustrates complete empathy.- Village Voice
- Posted Nov 17, 2015
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Alan Scherstuhl
As excellent a documentary about politics as you will ever see.- Village Voice
- Posted Nov 17, 2015
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Abbey Bender
Lesbian coming-of-age tales can be sensationalistic and leering, but this film (directed by a woman, Alanté Kavaïté) casts a sensitive eye on the understated story of Sangaile (Julija Steponaityté), a shy, troubled girl who begins a relationship with the more ebullient Auste (Aisté Dirziuté).- Village Voice
- Posted Nov 17, 2015
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Ernest Hardy
Informative, revelatory, and full of astonishing photography, Frame by Frame is about embedded journalists (the photographers) fighting the power, not kowtowing to it.- Village Voice
- Posted Nov 17, 2015
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Monica Castillo
The energy never falters as the film jumps from talking-head testimonies to on-the-streets footage of rallies and riots.- Village Voice
- Posted Nov 17, 2015
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Reviewed by
Chris Packham
The script veers from comic, narrated episodes to surprising violence, planting early narrative seeds that yield some effective surprises later, a dynamic range that's pretty comfortable to old hands Travolta and Travolta's Chili Palmer wig after all these years.- Village Voice
- Posted Nov 17, 2015
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Reviewed by
Alan Scherstuhl
Legend reminds us how easily a pretty star can get us to feel for people we'd deplore in real life — a monster's a monster, no matter how big its heart or soulful its strut.- Village Voice
- Posted Nov 17, 2015
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Rob Staeger
Not every gamble works: The girls' intrusive Bejeweled-like social-media game annoys at every turn, and the plot itself is murky. But #Horror mesmerizes nonetheless, filled with tension, cruelty, and can't-look-away style.- Village Voice
- Posted Nov 17, 2015
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Daphne Howland
In her provocative documentary Drone, Tonje Hessen Schei shows how, actually, the U.S. and its military-industrial complex treat war like a video game.- Village Voice
- Posted Nov 17, 2015
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Stephanie Zacharek
Carol is a film you want to reach out and touch, if only you could reach anywhere near the top of the pedestal it's perched on. It is itself an unattainable love object, the goddess Venus disguised as a movie.- Village Voice
- Posted Nov 17, 2015
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Amy Nicholson
Most astonishingly, with the franchise's powerful climax, Lawrence has managed to align her parallel Hollywood lives and reinvent the prestigious popcorn flick, a crowd-pleaser with intelligent class.- Village Voice
- Posted Nov 17, 2015
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Reviewed by
Alan Scherstuhl
At first the laughs are Hangover III–spare and the picture is too shambling to lunge for them. But these leftovers warm up eventually. The usual setups at last develop variations, and you might be reminded of why audiences first responded to Rogen back in Knocked Up.- Village Voice
- Posted Nov 17, 2015
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Aaron Hillis
Viko Nikci's undeniably poignant doc surprisingly chooses to follow threads of hope and forgiveness over the angers of injustice.- Village Voice
- Posted Nov 16, 2015
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Ernest Hardy
So what do the tea leaves say? They're hard to read through the over-the-top grossness and weak acting, but it's probably that gentrification is good, poor people and assorted lowlifes don't deserve prime real estate, and Sean Penn's baby girl needs a better agent.- Village Voice
- Posted Nov 16, 2015
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Reviewed by
Stephanie Zacharek
What a difference a comma makes — or would make, in the case of Jessie Nelson's lumpy, wretchedly unfunny Love the Coopers, whose title commands us to love people it's impossible even to like.- Village Voice
- Posted Nov 16, 2015
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Reviewed by
Alan Scherstuhl
The story spins out in painful directions that feel surprising yet inevitable.- Village Voice
- Posted Nov 12, 2015
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- Critic Score
Pegg's comic chops elevate even the most juvenile of jokes, but it's Bell's daring and impolite performance that steals the show.- Village Voice
- Posted Nov 12, 2015
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Reviewed by
Monica Castillo
The movie's flair for soap-opera-style pile-on becomes emotionally draining rather than moving.- Village Voice
- Posted Nov 10, 2015
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Serena Donadoni
While Bornstein stumbles along his rocky road to redemption, Addiction lacks the narrative focus to make it more than a glorified home movie.- Village Voice
- Posted Nov 10, 2015
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Reviewed by
Aaron Hillis
It's an exploitation film that never gets its audience off, even with cheap thrills — what a dud.- Village Voice
- Posted Nov 10, 2015
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Reviewed by
Serena Donadoni
Guzmán and Cárdenas present this tropical island as both Anne's romantic refuge and Noelí's exploitative landscape, a beautiful, enchanting — and realistic — Eden where snakes are merely snakes.- Village Voice
- Posted Nov 10, 2015
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- Village Voice
- Posted Nov 10, 2015
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Reviewed by
Simon Abrams
Funny Bunny may be effectively alienating, but never in a commendable way.- Village Voice
- Posted Nov 10, 2015
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Reviewed by