Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Like his onetime mentor Luis Buñuel, Ripstein favors sparse, naturalistic settings populated by pathetic-yet-zany characters and eschews anything that might be considered traditionally beautiful. Instead, he unearths beauty in the mire of his characters' social conditions and in their dedication to each other.
  2. Quite possibly the only film ever made focused on the centuries-long enslavement of the Romani in Eastern Europe, Aferim! plays like a sleight of hand, amusing us at a distance with vulgarisms and entrancing us with countryside while the bloody work of civilization grinds on out of the corner of our eye.
  3. Stone-faced martial-arts star Donnie Yen does a lot with a little in wuxia weepy Ip Man 3, the rare kung fu film whose sentimental dialogue scenes are just as good as its stripped-down action sequences.
  4. Nothing in Moonwalkers matches Perlman's performance, but he frequently elevates desperate-to-please gags to stoner-comedy greatness.
  5. Sadly, The Benefactor proves less rich and engaging as it settles into its actual genre: It's yet another troubled-dude-starts-pulling-it-together tale.
  6. The directors of Band of Robbers, brothers Aaron and Adam Nee, have set out to modernize the stories of Mark Twain but end up with a cutesy caper that isn't as memorable as you might hope.
  7. A Perfect Day is a wry salute to the hard-drinking, eye-rolling aid workers of the world, men and women whose high ideals get crushed by global bureaucracy and local recalcitrance.
  8. Like your smartphone, it's a testament to the theory of interchangeable parts, a perfectly engineered product that, if you're charitable, you might also think of in terms of art....But every time I started to believe that there's some parodic impulse behind the filmmakers' recasting of clichés, Cube's character would punch a suspect in custody or commit some other violation of civil liberties that the film invites us to cheer.
  9. Before devolving into the same series of demonic faces and jump-scares we've seen time and again, The Forest is a genuinely unnerving mood piece.
  10. Kwek's refreshing focus on his terrorized protagonists' pre-abduction lives keeps Unlucky Plaza afloat once it invests in generic ticking-clock thrills.
  11. O'Brien's slow-motion-heavy staging is graceless, and his script is twice as unwieldy. With characters stuffed full of clichéd platitudes about fate, love, honor, and other topics the film isn't capable of addressing in any mature way, it's a fiasco of frontier-wide proportions.
  12. HGBP too often relies on caricature.... Yet Cone, who is bighearted toward but not uncritical of his Bible-thumping characters, has a keen sense of seemingly incongruous details.
  13. This ungainly B movie makes virtually no sense in terms of either mythology or basic plotting.
  14. In a manner so sly you could overlook it, Porumboiu invests this tissue-thin premise with the shadows of Romanian history.
  15. The film is most illuminating on the prehistory of Land Art.
  16. This isn't hard-times reportage or a deep-dive ethnography. It's a life-as-it's-lived picture, a chance to meet and loiter with the people in the places the interstates zip past.
  17. Anesthesia doesn't cast judgment. Instead, Nelson slowly reveals awful things about his characters after we've decided to like them. I admire the film's vigor, even if at times it feels like a cruel, clumsy trick.
  18. Two second-act revelations alter its tired dynamic for the better, but those changes are undone by cheap scares and a climactic revelation that's more ho-hum than horrifying.
  19. Nothing ever feels like it's at stake — the drama here is whisper-thin.
  20. Like Gia Coppola's Palo Alto (2013), a lyric and biting evocation of contemporary well-to-do teendom, Gabrielle Demeestere's Yosemite mines Franco's fiction for its most vital quality: his unsentimental depiction of youthful insecurity, this time among fifth-graders.
    • Village Voice
  21. It's both an important part of Ghibli's history and a gem in its own right.
  22. There are two rules that no version of Point Break should disobey: Don't skimp on surfing and never be boring. That’s two unpardonable strikes against new helmsman Ericson Core, who also photographed this stiff, humorless, tension-free remake in drab 3D.
  23. Kaufman builds an emotional world we're nervous to enter, one we're already living in.
  24. For all the big-budget spectacle on display, it's the scenes that look to have been shot on a GoPro that most excite -- only in these few sequences does The Himalayas begin to distinguish itself from its blockbuster ilk.
  25. Joy
    Russell enthusiasts — and I consider myself one — often applaud the director's abiding interest in the messiness of his characters' lives, most vividly on display in American Hustle, a movie animated by flamboyant dissemblers and depressives. But the disorder found in Joy is a reflection not of any quicksilver dynamics among the actors but of the odd tonal shifts in the film itself.
  26. With 45 Years, [Haigh] has created not only a searching examination of a long-term marriage — and the myths that sustain it — but also a compassionate portrait of a woman reconciling herself with those false notions.
  27. Concussion isn't much of a movie, but it's a fascinating bellwether for where the National Football League currently stands on chronic traumatic encephalopathy (CTE), the degenerative brain disease associated with many of its former players.
  28. The performers are all skilled enough to make something of this tired material.
  29. Like the ravings of a keyed-up screenwriter, there's conviction, if not logic, in its madness, and that makes it fun and fascinating.
  30. So gosh-darn terrible in so many ways, the film defies a unified thesis.

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