Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The philosophical underpinnings of Swiss director Pierre Morath's well-paced documentary about the evolution of long-distance running evoke the motto of neighboring France: liberté, égalite, fraternité.
  2. Little of what happens will come as a surprise, but Corbet's narrative restraint coupled with his formal daring makes for a gripping experience. It's a slow burn, but the fuse attached had me holding my breath.
  3. Unsurprisingly, the film doesn't live up to its Beach Boys–quoting title. Things turn out all right, but there's little real emotional force.
  4. Yeon's patient direction and clever plot twists make Seok-woo's transformation from selfish antihero into brave caregiver consistently compelling.
  5. Wang's film allows the public activist to be privately human, showing Ye at home with her lively daughter, sharing moments of friendship with other women activists or clearing brush and describing the hard rural lives of her family.
  6. Mike Birbiglia's Don't Think Twice stands as the best, most revealing film about comedy people and one of the best about artistic collaboration. It's a boisterous and sensitive work of many facets.
  7. For the Plasma finds genuine, almost innocent-seeming delight in its own swerves in style and rhythm.
  8. For all of its wise, welcome focus on the libidinal, Summertime additionally succeeds in presenting the liberationist fervor of the time without devolving into school-play pageantry.
  9. The art of physical comedy is alive and well with Saunders and Lumley, who precisely calculate each well-timed tumble.
  10. When Sandberg isn’t spinning his wheels in the why, he’s capable of doling out a steady diet of scares.
  11. Star Trek Beyond might be the Star Trekkiest film of the new, J.J. Abrams–ified Trek era. That is to say, it's the one that feels the most like a turbo-loaded episode of the original series, and has at least some of that classic spirit of exploration and derring-do.
  12. With characters who range from mildly aggravating to out-and-out intolerable, and revolving around a game whose outcome is of no meaningful consequence, this underdogs-make-good fairy tale is a dramatic and comic rainout.
  13. Despite worthy performances from the entire cast, this movie’s a prime example of a director admiring some great movies but only having a cursory, superficial understanding of what it was that made them work.
  14. The movie meanders (Perkins seems as distractingly lost as Frost), but it can stir real sympathy.
  15. Jean-Loup Felicioli and Alain Gagnol's superhero story Phantom Boy is no April and the Extraordinary World — but still fine for what it is.
  16. Meyers allows takes to run long, staging naturalistic conversations on sidewalks and in apartments. The result is hit or miss: We may not know what the characters feel, but we're way up to speed on how many steps it takes them to walk to a bar.
  17. Israel's willingness to honor Frank's own vision powers the film.
  18. The film's most worthy detour is into the history and personal significance of masks.
  19. Unfortunately, as he performs the acting equivalent of triple backflips, Cranston isn't given much of a safety net from the script or direction.
  20. Our Little Sister often vibrates with such tenderness of feeling that it’s difficult to dismiss outright. The excellent performances from the four lead actresses help offset the occasional heavy-handedness of the script, with Kore-eda alive to their distinctive tics and gestures.
  21. [An] intense and dazzling new documentary.
  22. We're left with an idea of passion instead of a real depiction of it. And a movie that can't stop wallowing in its own emptiness.
  23. Lovely visuals, terrific performances, renewed ambition: There's enough good in Café Society to make it worth your while — and also to make you wish it were better.
  24. There is an easy camaraderie and chemistry among the central quartet, a harmony that continues when Chris Hemsworth, charmingly stupid, enters as the phantom-vanquishing squad's receptionist. Yet the main performers rarely get to display their individual idiosyncratic strengths.
  25. Even when it's ruining lives, bureaucracy is boring. And Indian Point, Ivy Meeropol's new documentary about a nuclear power plant of that name, is riddled with tiresome bureaucratic wrangling at local and national levels.
  26. King's decision to co-write the script and turn it into a CliffsNotes version of The Stand only makes things worse.
  27. While Fathers and Daughters has a strong cast (including a brief appearance by Jane Fonda), it largely saddles them with one-dimensional roles and too-obvious emotional cues.
  28. Despite the complexities, though, it's enjoyable, thanks to the crew's substantial expertise.
  29. This isn't a film about the Civil War; it's about the minds of white folks so removed from plantation life that they feel they have no stake in it at all. It's not about back then — it's about being.
  30. The Secret Life of Pets is an ADD-addled mess of a movie — and that, amazingly, is its charm.

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