Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 36 Metascore
    • 30 Reviewed by
      Ed Park
    A shamelessly recycled vision of decrepit high tech.
  1. Manipulative and cloying, Pieces of April turns into something altogether creepier, even pathological, whenever first-time filmmaker Peter Hedges (screenwriter of "What's Eating Gilbert Grape" and "About a Boy") brings up race.
  2. The film scores points needling the guys' lingering insecurities.
    • 55 Metascore
    • 40 Critic Score
    In its own quiet if overly studied way, Porn Theatre mourns a time when, for better or worse, we could all get off together.
    • 52 Metascore
    • 50 Critic Score
    The premise (does modern neurochemistry debunk love?) is fresh enough, but too much would-be banter falls flat, and the story is woefully schematic.
  3. Not to imply that our Claude's gone native, but here his unabiding fascination with bourgie-style repetition compulsion bears some resemblance to sympathy.
    • 49 Metascore
    • 50 Critic Score
    Former SNL-ers Molly Shannon and Kevin Nealon play the kid's Stepford parents in this Jim Henson Pictures happy meal.
    • 28 Metascore
    • 30 Critic Score
    It's all gleefully over the top, but neither particularly campy nor scary. For those who like a little t&a with their blood and gore, however, Flesh for the Beast serves up ample portions of each.
  4. Zeta-Jones is merely ravishing, but Clooney owns the film. Ordinarily best at sardonic, man's-man confidence, he strides through Intolerable Cruelty with fantastic screwball zest. To see Clooney tenderize, season, grill, and serve this ham hock of a role is to see an old-fashioned virtuoso in perpetual motion.
    • 53 Metascore
    • 10 Critic Score
    The situations begin tamely, but escalate to drunken vomiting and drugged rapes—all played for yuks. Or is it yucks?
  5. Fun and smart, but undeniably thin, the first installment of Tarantino's action epic is a fanboy fever dream. The clichés are out in maximum force, tempting any critic fool enough to go one-on-one with the master. (The prize: a Ph.D. in Tarantinology.)
  6. Despite its affinity for whimsy over realism, Small Voices effectively captures the embittered desperation and ragged dedication of its exploited teachers.
  7. Tense, engrossing, and superbly structured, Bus 174 is not just unforgettable drama but a skillfully developed argument.
  8. An urban crime thriller of considerable gravitas.
  9. Casting Tokyo as a neon wilderness thick with aged "perverts" and teenage pimps, the movie frames a critique of socially permissible pedophilia as indelible as Harada's eavesdropping mise-en-scène.
    • 42 Metascore
    • 20 Critic Score
    Shot on crummy DV and told via flashbacks, the film largely plays out like a Reagan-era "Citizen Kane." Common sense wrecks even the film's funniest bit, and the director's nausea-inducing camera observes the hysteria in perpetual pan-and-scan.
  10. In apparent atonement for whatever wayward thinking led him down the Freeman-Judd path, Franklin has transformed Out of Time into a highly felicitous comedy of infidelities and busted-up romances.
    • 82 Metascore
    • 80 Reviewed by
      Ed Park
    Both a heartwarming tribute to the late Beatle and a study of hair patterns in the aging British male, Concert for George, recorded at the Royal Albert Hall a year to the day after Harrison's death, manages both reverence and joy.
  11. Manages to explore the darker facets of friendship without being dark.
  12. Jonesing for headlines and gossip-buzz, Wonderland is too look-Ma for its own good -- the simple story of a doomed hop-hog over his head in bad shit could've hit the nerve if left to tell itself.
  13. Jack Black is consistently hilarious--and not just in his dreams of moshpit glory.
    • 39 Metascore
    • 40 Critic Score
    The script doesn't give the cast much to play aside from vague eccentricity, and movies like this one rise and fall on the vividness of their weirdos.
  14. Too amateurish to lampoon or evoke either film industry, Bollywood/Hollywood is a movie that owes its presence in theaters to a certain ethnic soccer comedy still circulating like a virus.
    • 57 Metascore
    • 50 Critic Score
    What's annoying and eventually absurd is writer-director Isabel Coixet's decision to have her heroine keep the diagnosis a secret.
  15. Unfortunately, despite pretty-on-the-inside performances from the four kickass Clamdaddies, too many extra shake-ups end up crowding out the characters, and distract from the easy camaraderie and slice-of-life intimacy that lures us into their van to begin with.
    • 50 Metascore
    • 60 Reviewed by
      Ed Park
    A bitter little fable of rent control and its discontents, Duplex moves rapidly into darkness and claustrophobia.
  16. To call this action gambit formulaic is to sell it short: The Rundown runs down more formulas than a month's worth of complimentary premium cable service.
    • 52 Metascore
    • 30 Critic Score
    Only Sandra Oh, as the wisecracking lesbian Asian pregnant best friend, provides a bright spot. Get this sidekick her own sitcom!
    • 57 Metascore
    • 40 Critic Score
    Though unpainfully entertaining, its greatest dose of otherworldly mojo must have been spent warding off straight-to-video status.
  17. How did this rude monk, prey to depression and satanic hallucinations, change the course of history? Luther offers scant illumination, for the big brown eyes that served Joseph Fiennes so well in "Elizabeth" are little help with the spirit of Reformation.

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