Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Without deploying reductive backstory or simplistic psychology, this fearless movie -- easily the year's best debut feature -- illuminates Esther's pathology as an extreme response to the mind-body split.
  2. Cryptic, pseudo-poetic asides come across as merely pretentious: Repeated cutaways to statues will not make your film "Contempt," nor will fleeting references to serial killers make it "Don't Look Now."
    • 50 Metascore
    • 40 Critic Score
    Pretty much everything here -- tow surfing, hydrofoil boards, token bit on women surfers -- already appeared in this summer's equally halfass "Step Into Liquid."
  3. Dissolving four characters' lives into the dank smoke of the bitterest of torch songs, Gloomy Sunday fashions an apocryphal, pretty, and somewhat pat biography of the title ballad.
    • 66 Metascore
    • 40 Reviewed by
      Ed Park
    Elf
    Works best as a rapid-fire series of sight gags and absurd remarks.
  4. When he isn't overreaching for absurdity, Curtis can write bouncy patter, but each character gets about 60 seconds before the movie jumps deck to the next love-seeker and the next moony pratfall.
  5. John H. Smihula's compelling video documentary aims for both hearts and minds.
  6. No less than the rankest demagogue, The Matrix Revolutions insists on the primacy of faith over knowledge. Once it locks and loads, however, the triumphant visuals short-circuit anything resembling abstract thought.
  7. In addition to reporting a scoop, Bartley and O'Briain do an excellent job in deconstructing the Venezuelan TV news footage of blood, chaos, and rival crowds.
  8. Alternately tense and cheesy.
    • 54 Metascore
    • 80 Critic Score
    Though Natasha Lyonne as bratty daughter and Philip Baker Hall as the disposable spouse impress, it's Busch's heartfelt Joan Crawford homage that enthralls. Busch can transcend even the smog, making hazy camp seem fresh.
  9. The Sarsgaard slow burn is only marginally more compelling than the Christensen simper; like its subject, the movie is self-important yet insipid.
  10. Playing the young Coleman with the requisite intelligence and ambiguity, Wentworth Miller contributes the sole viable characterization.
  11. A masterpiece of poetic horror and tactful, tactile brutality.
  12. Despite similar excess, Garbus's follow-up to 2002's "The Execution of Wanda Jean" provides another powerful glimpse inside the American justice system.
  13. Perhaps if Sister Helen had been released when filming was completed in 2000, its tough-loving Irish nun, who gives hell to male drug addicts in a Mott Haven "safe house," might have passed for endearing.
  14. The problems come in the shadow world, where everything's a jumble, where Dark's compositional strategy ("all clues and no solutions") eventually becomes wearing, and Gordon's direction can't hold it all together.
    • 38 Metascore
    • 20 Reviewed by
      Ed Park
    Based-on-a-true-story kitschfest.
  15. Tykes may giggle at the Rick Moranis/Dave Thomas–voiced moose, but there's little for adults.
  16. Flagrantly artistic and transfixed by its own enigma, Elephant is strongest on evoking a succession of specific, "empty" moments and weakest on motivation.
    • 49 Metascore
    • 60 Critic Score
    Vigorously date- and time-stamped, Scary Movie 3 boasts a cultural half-life of about five seconds, but for those seeking a return on their weekly multiplex pilgrimages, this movie is The One.
  17. It all becomes little more than feel-good-about-feeling-bad window dressing, like an issue of "Utne Reader" in Dolby Surround Sound.
  18. Hoffman has no particular argument to make, and neither does the movie -- just befuddled disgust with The System in general and the right wing in particular.
  19. Aggressively grim and gory.
    • 76 Metascore
    • 80 Critic Score
    Gripping, relentlessly tragic retelling of life in revolutionary times.
  20. A film of considerable ambition and period piquance.
  21. A handsome, mostly tasteful production on par with 2001's Bayley-Murdoch impersonation "Iris."
  22. A pre-programmed mediocrity, a slave to its clichés.
  23. Not nearly enough time is spent in court--that is, on the movie's ostensible subject. (Besides, the down-to-the-wire deliberation scene is risibly unconvincing and abbreviated.)
  24. An overproduced, video-director remake, slick and grue-marinated and loud as a sonic boom.

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