Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The even faintly informed will see only a cut-rate vision of flabby white men defending their own bloodthirsty opportunism.
  2. Enjoyable if light, until it becomes apparent that Breillat is not simply waxing narcissistic but fashioning a simultaneous critique, explication, and demystification of the lengthy, near-single-take defloration that is Fat Girl's centerpiece.
  3. The question of whether this is a movie about reincarnation or fate or middle-aged delusion remains unaddressed far beyond our capacity to care. Many of the admirably long conversational scenes are pointless; some, like Harden and Linney's climactic bitch-fest in a hotel room, are flat-out absurd.
  4. Pressing on in grimly introverted "One Hour Photo" mode, Williams only stirs nostalgia for his slapstick days (ghastly '90s roles notwithstanding)--he's such a natural-born ham he manages to overdo understatement.
  5. This has to be the most richly entertaining movie anyone has ever made on the subject of female genital mutilation.
  6. If the recurring gag about Grandma's suicide attempts doesn't have you rolling in the aisles, there's always the domineering aunt whose husband sits at the kiddie table.
  7. Bening's comic gifts make the most of Ronald Harwood's witty screenplay, though she falls flat in her character's rare moments of sincerity.
  8. The thin backstory hints at a conflict between the religious convictions of the hero (helpfully named Deacon) and the demands of combat, but it never fully materializes; as it is, we mainly know that he's a Mormon because he doesn't smoke or drink coffee.
    • 47 Metascore
    • 40 Critic Score
    While Suo's original was hardly a masterpiece, it featured a subtle performance from Koji Yakusho. Gere doesn't even compare, playing the part of a despondent lawyer with the empathy of a mannequin.
  9. Team America is at once grandiose and tacky, elaborate and deflationary.
    • 39 Metascore
    • 60 Critic Score
    Overreaching in many of its laudatory appraisals, the film is mostly GOP-boosting rhetoric in the guise of a dull History Channel special.
    • 73 Metascore
    • 80 Reviewed by
      Ed Park
    E J-Yong's transposition illuminates, with satisfying crispness, the hyper-Confucian high society of the time, as well as the underground Catholic movement.
  10. Vera Drake puts the passion in compassion. Building up to a shattering conclusion, Leigh's movie is both outrageously schematic and powerfully humanist.
  11. Veers deep into male-weepie territory.
  12. Saleem, a Paris-based Kurd, displays the visual confidence and subtle screwball rhythms of a master, exploiting offscreen space, deadpan compositions, and deft visual backbeats, as well as attaining a breathtaking fidelity to real light and landscape.
    • 41 Metascore
    • 50 Reviewed by
      Ed Park
    It's all an excuse for some daft production numbers, however, and a chance to relive the vanished Holland of your youth. Yes Nurse? No Nurse? Maybe Nurse!
    • 58 Metascore
    • 50 Critic Score
    Go Further meanders--narratively as well as geographically--all over the map.
  13. Sumar's debut feature could scarcely be more relevant to Pakistan's present, or, given this country's history of backing such repressive regimes, to ours.
  14. Most frustrating, Stage Beauty fumbles XX/XY politics at every turn.
  15. Director Peter Berg, an actor himself, gets quietly excruciated performances from the team members.
  16. Primer unites physics and metaphysics in an ingenious guerrilla reinvention of cinematic science fiction.
  17. The God-squad answer to Todd Graff's "Camp."
  18. Kai S. Pieck's debut feature finds a plaintive, compelling route to the pathology of 1960s German child-killer Jürgen Bartsch.
    • 73 Metascore
    • 70 Critic Score
    Refreshing and depressing.
    • 48 Metascore
    • 70 Critic Score
    Ingenious but relatively tame thriller.
  19. A tale of sadness and hysteria so raw that it bleeds.
  20. Throughout this Americanization of the Luc Besson–scripted French hit, Latifah itches to check her watch, Fallon appears mortified, and only Ann-Margret mainlines any comic adrenalin.
  21. We never get to see the dailiness of coupled life or learn what made these relationships tick--and why they are so worthy of legal validation.
  22. I got a charge out of Going Upriver, but as more than one person has noted, the movie's ideal spectator would be Kerry himself.
    • 55 Metascore
    • 40 Critic Score
    Feels part reality show, part mockumentary, part Jakes promo video.

Top Trailers