Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 36 Metascore
    • 30 Critic Score
    On a spare stage set, Dresser's clever script is allowed breadth for contemplation; here it's sodden with animated sludge. Watch it with your eyes closed.
    • 55 Metascore
    • 40 Critic Score
    Only true opera diehards will appreciate the backstage psychodrama, a catalog aria of the singer's multiple neuroses.
  1. It's all fascinating, but must Kalatozov's careening angel of cinema be laid bare?
  2. A movie refreshingly lacking in social graces, Piggie uses the transparency of video to x-ray the psyches of characters obsessed with the essence of things.
    • 65 Metascore
    • 60 Critic Score
    Wisely eschews standard anti-corporate bombast for measured tones.
  3. The Weeping Meadow shares the awed sense of solemn apocalypse with his (Angelopoulos) signature films, but it's lighter, more musical and folktale-ish.
    • 64 Metascore
    • 90 Critic Score
    A dreamlike travelogue that transforms a mundane world into something strange and new.
  4. Fuu . . . cryin' out loud, this movie's dumb.
  5. As with the director's other films, all that keeps Unfinished from being a complete, treacly bore is its robust performances.
  6. Derrickson's flick can sour your stomach with piety, which is a shame -- its moments of jolt wattage rate with many J-horrors.
  7. Keane is a painfully specific figure but at the same time a totem, lean and frightening, for a morass of modern anxieties. That might be this phenomenal film's emergent achievement: Its raw hopelessness is its universality.
  8. Whether it's the guitar-strum soundtrack, "lyrical" cornfield shots, or arrhythmic performances, Steal Me has at least one indie-film cliché too many.
  9. The timelier elements of Campfire, which cleared house at Israel's Academy Awards this year, are too salient to dismiss.
    • 55 Metascore
    • 50 Critic Score
    Hunnam, whose cockney ranges from dodgy to downright Caine-ian, mutes Gary Oldman's bestial mouth-froth (in Clarke's 1988 The Firm), becoming the prettiest, most articulate, bloodthirsty thug ever to put lip to lager.
    • 56 Metascore
    • 30 Critic Score
    If you value plausibility in movies, skip Kamikaze Girls; this is the sort of picture where getting run over by a truck gives a character gorgeous hair instead of a broken hip.
    • 67 Metascore
    • 70 Critic Score
    A revealing portrait of painfully withdrawn artists navigating the tug between the divine harmony of an orchestral synthesis and the sweaty glow of individual experimentation.
    • 75 Metascore
    • 80 Critic Score
    A love letter to New Orleans, Make It Funky! reminds us of what has been lost in the flood, and of an artistic spirit that will never dissipate.
    • 23 Metascore
    • 20 Critic Score
    "School Ties" heartthrob Randall Batinkoff and the rest of the cast make do with wooden lines and a plot that fails to jell.
  10. Lively, intelligent look at the art of film editing.
    • tbd Metascore
    • 60 Critic Score
    Flush with evidence of Harrington's trademark blend of the strange and the sublime.
  11. It's rare that a documentary conveys an artist's worldview so compellingly, but then Glennie is no ordinary musician.
    • 56 Metascore
    • 50 Critic Score
    Choreographer Corey Yuen's use of a fire hose is far more creative than anything in the stale kidnapper plot.
  12. The movie recovers from a sluggish opening act to pack some real suspense in its second half.
    • 19 Metascore
    • 10 Critic Score
    British bliss czars, the doughnut-loving LAPD, and bitchin'-hot Spanish profs, no matter how many, how fat, or how bitchin' hot, can't make up for easy double entendres and zero character development.
    • 40 Metascore
    • 10 Critic Score
    Assassin is the listless signature on her career-long comedic suicide note.
  13. For those so inclined, this lulling, banal, and rather pleasant film cultivates a mood of zone-out voyeurism. In the absence of a larger purpose, Morel is content to ogle, perhaps rightly assuming that his viewers will be too.
    • 66 Metascore
    • 60 Critic Score
    All scrunched together into a dense marathon of optical-cranial overload, this mental puzzle-box arrives three decades too late for what would have been an inevitable midnight movie run, but undoubtedly there are American otakus popping this one into multi-region DVD players right now amid the glorbeling of bong hits.
  14. Although le Carré's story may seem predictable and unduly focused on the plight of a pale, wealthy Old Worlder adrift in a sea of needy East Africans, the movie's human material is masterfully manipulated.
    • 71 Metascore
    • 90 Critic Score
    Unlike American counterparts "Kids" or "Dangerous Minds," this highly intelligent comedy (which cleaned up at this year's Césars) doesn't seek to shock or inspire, but merely documents teen moodiness in all its tedious unpredictability.
    • 69 Metascore
    • 80 Critic Score
    Subtle, elegant documentary.

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