Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 49 Metascore
    • 40 Critic Score
    Unfocused but brisk.
  1. Props then to Affleck. Coulter contrived a neat behavioral trick by inducing his star to play a comparably big-jawed bad actor. Surrounded as he is by canny professionals--Lane, Hoskins, Smith, and Jeffrey DeMunn as an unctuous glad-handing agent--it's an unexpectedly touching performance.
    • 68 Metascore
    • 60 Critic Score
    For those who have let the war drift into the background noise of talking heads, Iraq for Sale is a much needed reminder of the criminal negligence of those who led the troops into this mess and those who have gotten rich off of it.
    • 53 Metascore
    • 50 Critic Score
    Perhaps you are wondering why a little-known band called Rocco DeLuca and the Burden merits a glossy feature-length documentary of its whirlwind European tour. After watching Manu Boyer's film, you may still wonder.
  2. Sherrybaby is by no means a terrible film...But we know exactly where the transparent action is going from word one.
  3. Beauvois, who co-wrote, seems hellbent on making the most realistic cop film of all time, shruggingly consumed with downtime, small talk, minor incident, and dead ends, and he's succeeded--the narrative wouldn't have cut it in a Kojak story meeting.
  4. Man Push Cart is a diminutive film, finally--vying for a neorealist vibe, it lacks the Italian history makers' narrative urgency, and the sociopolitical conflict at the heart of the immigration "issue" is hardly engaged.
    • 60 Metascore
    • 60 Critic Score
    Everything you'd expect from a frosh-indie effort: stilted dialogue, oversimplified relationships, sitcommy goofiness, and cringe-inducing romances. And yet Red Doors is so well-meaning, with such obvious affection for its characters, that it pleases nonetheless.
    • 62 Metascore
    • 50 Critic Score
    The repeated sight of cute roadside animals and kissing cousins doesn't much enliven the long trip, and while Graciana Chironi lends humanity to the role of the white-shawl-wearing, high-blood-pressure-battling Gramma, the movie rarely if ever crosses the border between familiarity and surprise.
    • 61 Metascore
    • 70 Critic Score
    Bush's stunning camerawork adroitly captures the majestic landscapes and icons of Buddhism. Not incidentally, the film also offers a compact primer in the ways of dharma. A tonic for Buddhists, no doubt, it offers many pleasures to atheists as well.
  5. Mychal Judge, the popular gay FDNY chaplain who perished in the fallen towers and was the day's first official casualty, has been so designated by this treacly, worshipful doc, something he would surely have deemed ridiculous.
  6. Lassie puts its trust in kids to be grown up, and appeals honestly (minus the usual knowing winks) to grown-ups by returning them to a state of childlike wonderment.
  7. It might be the most maturely conceived role in Burns's films, but the plot around it is flimsy, the visual storytelling simpleminded, and the general ideas for character one-note. At 78 minutes, the movie says howdy, rewards little, and does not test its welcome.
  8. Gently persistent in its ironies, "Funny Ha Ha" managed to be both charmingly lackadaisical and annoyingly smug; Mutual Appreciation, which Bujalski shot in grainy black-and-white in hipster Brooklyn (and is self-distributing), is even more so.
  9. Slow and pretty and duller than you'd hope for from an art-house sophisticate like Zhang.
  10. Any investigation into Hollywood inevitably mutates into a noir.
  11. Observing the close relationships they develop with clients, the openly gay Heymann becomes, both hilariously and wistfully, part of a community that possesses in spades what's missing in his own life--the gift of happiness and living well in unfriendly surroundings.
  12. Ten years later, Idiocracy’s real achievement isn’t how much of it has come true, but how much it continues to disturb.
    • 70 Metascore
    • 70 Critic Score
    With its outlandish stories, obsession with masculine ego, and focus on an absurd, forgotten subculture, A Cantor's Tale is the stuff Ben Stiller movies are made of: All that's missing is the part for Owen Wilson.
    • 86 Metascore
    • 90 Critic Score
    The result is an intellectual history of Warhol, bucking the trend toward the star-studded VH1-ization of biodocs and constructed with a mission to dispel the artist's own self-created image as high-fashion hobnobber in favor of a more profound depiction. Burns argues for a cogitating, agitating Warhol: deep thinker, cultural barometer, and world changer.
  13. Idlewild has a sober, loving respect for history and the old South, and thereby grants itself a measure of distinction.
  14. Invincible joins "Rocky" or "Hoosiers" or "Breaking Away" as one of the few satisfying sports movies in which the foundation built upon a heap of clichés holds strong.
  15. Thematically the movie never reaches beyond the ready-for-prime-time mentality that specializes in psychological shorthand.
    • 49 Metascore
    • 40 Critic Score
    The seasoned actresses are grand enough, but what a waste: Rather than elevate the material, they amplify its banalities.
  16. This witless satire dares to take on the culture of--get ready for this--reality TV! Arriving a stupefying five years out of date, Surviving Eden is a not particularly rigorous attempt at mockumentary.
    • 68 Metascore
    • 70 Critic Score
    A well-wrought, beautifully lensed but ultimately hopeless tale, Fratricide provides a less than optimistic allegory for the intractability of human conflicts: Even far away and decades later, old wars bring fresh miseries.
  17. LOL
    The characters are a bit too OCD for LOL to work as the definitive commentary on technology and human relationships that it strives to be...But the movie is unusually attentive to the ironies of communications technology.
    • 64 Metascore
    • 60 Critic Score
    De Aranoa never condescends to his subjects, and Caye's mixture of aggression and tenderness is appealingly authentic.
  18. Accepted is an inspired premise in search of a movie: What starts out as a scabrous takedown of academic bureaucracy ends up yet another modestly rousing underdog story about the little slacker that could.
    • 68 Metascore
    • 90 Critic Score
    Beautifully acted and handsomely mounted, this gorgeous period piece is an intelligent and intriguing exploration of "the dark arts" -- less dependent on mere hocus-pocus than on the convincing journey of the soul undertaken by its hero.

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