Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. W.
    A painful movie to endure.
  2. Equivalent to a crummy band with a monster of a drummer who convinces you to stay for the whole show anyways.
  3. There's an undeniably funky charm and abiding can-do spirit to this loose-knit portrait of three London flatmates trying to make their way in the world.
    • 51 Metascore
    • 50 Critic Score
    Two unnerving phenomena--the popularity of reality-TV competitions and the Walt Disney Company's ability to churn out entertainment starring the most squeaky-clean humans on earth--come together in Morning Light, a nightmarishly upbeat documentary.
  4. Only near the end does this likable but saccharine movie fleetingly complicate the "Gone With the Wind"–fed delusion that the love of poor, black nannies for their white charges was undiluted by bitterness.
    • 49 Metascore
    • 60 Critic Score
    Remains faithful to a portrait of teens as they see themselves.
  5. Tightly framed and tightly wound, Mary is a claustrophobic, incandescent, nutty 83 minutes with everyone in the cast teetering on the ledge of madness.
  6. Suh shows herself ever-happy to settle for the shallow rewards of pop documentary. Depending on your level of fatigue with The Other Campaign, this may be good enough.
  7. Its generic attributes (and title) notwithstanding, Scott's film may be the sharpest of all the post-9/11 thrillers--and also the most purely entertaining--in the way it maps the vectors and currents of the modern intelligence-gathering game without losing us in its dense narrative thicket.
  8. Cavanagh, best known for the TV show "Ed," is terrific--as is young Bernett, who steals the show without hogging it.
  9. Like all formulaic biopics, The Express sacrifices the details for the Big Picture--hagiography without the humanity.
  10. At the very least, the spectacle of Poppy's devotion and desire, not to mention her all-around sunny disposish, left this viewer feeling unaccountably happy--at least for the moment.
  11. Wittily, earnestly, gorgeously sets up the paradox he has returned to throughout his career--that of romantic memory as both scourge and succor.
    • 46 Metascore
    • 20 Critic Score
    For all the potential of this coming-of-age/political-awakening tale, Choose Connor undoes itself with an egregiously sordid turn.
  12. Very often, the "rawness" here seems like an inability to distinguish the essential from the banal (or elevate the banal to the essential). A good eye might help, but Swanberg and Gerwig's filmmaking is stubbornly disheveled.
  13. Sum total of scenes that deserved to stay in the final cut: Thandie Newton doing a little shimmying frug.
  14. A middlebrow domestic drama beating its wings against an experimental frame.
  15. Bill Maher's one-man stand-up attack on religious fundamentalism is a dog that has more bark than bite--a skeptical, secular-humanist hounding of the hypocrites, amusingly annotated with sarcastic subtitles and clips from cheesy biblical spectacles.
    • 45 Metascore
    • 40 Critic Score
    Unflinching at best and treacly at worst, the film unveils its apocalyptic scenario with visceral intensity, but lacks the emotional sophistication to rise above schadenfreude kicks.
  16. Greg Kinnear, usually kinetic, is unusually (and unbearably) dull.
  17. Weide's big-screen version is sitcom-drab.
  18. Plays like something crafted in a lab by 54-year-old hucksters trying to sell shit to the kids under the cheerless guise of "alternative." The only thing it's an alternative to? Good.
  19. It's obvious that Amer and Usman labor under the burden of making humor at once insider-cool and outsider-friendly. And it's hard to finesse "offensive" from a defensive crouch.
    • tbd Metascore
    • 30 Critic Score
    The movie serves up gory killings and kinky peripheral shenanigans without any satirical thrust, blunting its death-equals-profit subtext with a snickering tone better suited to an afternoon of Clue.
    • 84 Metascore
    • 90 Critic Score
    The conflicts, truths, and, ultimately, grace and dignity that bind these three together are brought to authentic life, without Hollywood-style exaggeration, through the quiet little miracles of performance that Hammer coaxes from his non-actors, especially the heartrending Riggs.
  20. Its hopelessly schematic road-trip arc (bond-fight-reconcile-repeat) grows increasingly tedious.
  21. Though director Ryan Little puts together a clean, professional package, at bottom this is a nearly-two-hour scrum of therapeutic direct encounters.
  22. You may begin to wonder if Lee really initiated this project or if it only fell into his hands after Roberto Benigni proved unavailable.
  23. They explain and explain again the genesis of Victor's demons, to the point where the novel and movie play almost like parodies of novels and movies in which a character has to get in touch with his feelings in order to become a better man.
    • 39 Metascore
    • 40 Critic Score
    Exhibits a certain amount of integrity in its dedication to being uncomplicated, unashamed romantic goo.

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