Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Somewhere in Agnieszka Wojtowicz-Vosloo's awkward debut feature is a macabre and almost quaint Gothic mystery begging to be left alone.
  2. Bloody and gory, but in a friendly way, this is a movie for old-school horror fans who understand that, sometimes, bad is good.
  3. An exercise in voyeurism, Maren Ade's provocatively titled, superbly performed, emotionally graphic Everyone Else is more fascinating than enjoyable.
  4. As subtle as a face-punch, La Mission nobly continues a necessary conversation about homophobia, but paves the way to hell with its own good intentions.
  5. This Down Under noir confuses incoherent body pileups with "twists."
  6. DiCillo overburdens When You're Strange, which is narrated by Johnny Depp, with a cliché barrage of achronological news events, including an unconscionable use of Robert Kennedy's death agony, but the archival Doors footage he has assembled is anything but banal.
  7. Goes from awful to insufferable.
  8. Jennifer M. Kroot's film opens up the careers that followed “Naked.” It's an accessible, professional job, with onscreen testimonials from Waters--whose work owes the most to them, and who has been their most faithful proselytizer--Guy Maddin, and Buck Henry.
  9. Often very funny, and the rolling remember-when vignettes trump the typical low-country wild-hairy-man sideshows.
  10. A strange, largely inert indie thriller, Don McKay has got good bones (inspired by Blood Simple, it has a solid cast and a strong pitch) but a terrible metabolism.
  11. First-time writer-director Shana Feste has made an uneven but often affecting film that requires its gifted cast to push hard against the script's schematic plotting to find moments of real emotion.
  12. His (Nelson) timing is off and his bullshit detector nonexistent. I don't much care for the Coens, but the sad truth is that their cynical nihilism is a lot less spurious than Nelson's earnest sentimentality.
    • 49 Metascore
    • 40 Critic Score
    It's a shock, then, that The Thorn in the Heart, Gondry's documentary about his own family, is so unimaginative and inaccessible.
    • 70 Metascore
    • 80 Critic Score
    Chan's old-fashioned, highly watchable mega-production comes complete with God's-eye surveys of mass carnage, the moist sounds of sword-skewering, and little or no discernible CGI.
  13. A low-budget romantic comedy that's smart and lively and, in the end, quite affecting.
  14. Gerima's film stands as a richly expansive portrait of a man caught between an untenable exile and the terrible consequences of his homeland's violent past.
  15. I can’t recall ever squirming as much as I did during Ronnie and Will’s first kiss; shiny, buff Hemsworth looks like he’s locking lips with an Andy Hardy–era Mickey Rooney in a wig.
  16. Clouds teases out the contradiction between the Lama's power as a symbol to the fiercely loyal Tibetan people, and that of his diplomatic voice, which he is using to push what they see as an impotent agenda.
    • 63 Metascore
    • 70 Critic Score
    A fundamentally lazy comedy that will probably make you laugh like an idiot.
  17. Thanks to Egoyan's trademark mix of detachment and prurience, the fun is more cheesy than queasy.
  18. The Eclipse is a curious Irish ghost story that fiddles with the recipe just enough to produce interesting results.
  19. Adequate but unremarkable animated tale.
  20. Tying it all together is Hahn's transparent love for the art of animation and for Disney--its history and once geek-heavy in-house culture. Hahn balances that love with a critical eye that allows him to sing the praises of unsung heroes while letting the a--holes hang themselves.
  21. Psychologically rich, unobtrusively minimalist, at once admirably straightforward and slyly comic, Catherine Breillat's Bluebeard is a lucid retelling and simultaneous explanation of Charles Perrault's nastiest, most un-Disneyfiable nursery story.
  22. We get white folks ruminating lyrically on the peasant Asian's role as a kind of grand jeté bridge between East and West, and long performance sequences that are dazzling to behold but quite troubling to contemplate.
  23. The tone fits the material and the performances are surprisingly measured, but Saitzyk's sappy pontifications on loss, redemption, and zealotry don't register as headily as they're meant to (every character gets at least one melodramatic speech), and the spirituality invoked feels about as sincere as the Christian who only attends Christmas mass.
  24. When a heart attack causes Neil to isolate himself in the wild and get his eating under control, Lbs. acquires a more distinct, insightful texture, emerging--along with its star, who actually lost 170 pounds over the course of a two-year shoot--as a creature with sharper angles than it first appeared.
  25. The movie shares this premise with 2008's "Repo!: The Genetic Opera." It would be worth researching who ripped off whom if both weren't ghastly.
  26. Sweet and funny at either end, but in between, it sags with endless repetition of gross bodily functions.
    • 76 Metascore
    • 80 Critic Score
    May be a shallower experience than the book, but it has a headlong velocity all its own. Catch it before the inevitable U.S. remake.

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