Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. When isn't it a good time to show a movie tracing the development of a kind, charismatic yellow Labrador retriever from frolicsome puppy to devoted seeing-eye companion to weary senior?
    • 33 Metascore
    • 30 Critic Score
    A bonkers tragicomedy that blandly mocks the red-state family-values charade.
  2. There are so many complicated political, religious, and cultural issues swirling around Yoni's story, and Follow Me keeps them on the sidelines. It is pure hagiography.
  3. A loving, exhaustive, warts-and-all look at the man who spent years battling his own alcoholism before a spiritual experience in the hospital set him on the course to help others.
    • 73 Metascore
    • 70 Critic Score
    An insightful new geek documentary, well directed by first-timers Lisanne Pajot and James Swirsky.
  4. Weaver's story slowly begins to buckle under the weight of its own self-seriousness and familiarity, concluding with a showdown and resolution marked by one implausible and unsatisfying been-here-done-that twist after another.
  5. Proceeds as a tedious, clumsy diddle, constantly reminding viewers how much progress has been made since the Victorian era.
  6. At heart, the film is no more (or less) than a brilliantly executed lark, but it's not often that we're reminded with such potency that movies are most delightful as sensory experiences.
    • 74 Metascore
    • 70 Critic Score
    The strange, unsettling juxtapositions, even when mashing up the mawkish and mockery, are full of life.
  7. While making a priority of squeezing in every usable bit of celebrity face-time, Mansome passes by potentially interesting digressions without more than a wayward glance.
  8. All of this builds into the film's last image, Elena's family finally welcomed into Vladimir's apartment, as the cautious, controlling, abstemious bourgeoisie are overtaken by the heedlessly fertile lower orders, the temporary inheritors of a terribly weary earth.
  9. And when the F-14s came out for a triumphant flyover, I looked around the room to find the moron who was applauding only to realize that it was me.
    • 41 Metascore
    • 10 Critic Score
    For all the fear, loathing, and overthinking that Murkoff's bedside text engenders, its journey ends with the hopeful beginning of a new life, whereas the movie leaves you hoping for a swift end to your own.
    • 58 Metascore
    • 50 Critic Score
    Even in its manufactured boundary-pushing - a flash of full-frontal Baron Cohen, another scene set partially inside a birth canal - The Dictator never really risks anything.
  10. A few striking performances - Ritter, Preston, and Canterbury are especially great - smooth out what might have been a much bumpier ride.
  11. Overlapping story threads, voices, and imagery result in an atmosphere of disquieting psychological confusion.
  12. Shea's documentary is a well-arranged if rather drawn-out parade of talking heads telling Wally's story, including a trenchant and funny Morley Safer, never missing a chance to knock the art world.
    • 41 Metascore
    • 40 Critic Score
    The authenticity baked into the production doesn't redeem the absurdly improbable premise, the attractive actors don't do anything to make the caricatures they're playing feel real, and the aggressive hipness of the film is queasily dated - it's the cinematic equivalent of the clearance corner at Urban Outfitters.
    • 60 Metascore
    • 40 Critic Score
    Like the hashish-laced pastries the ladies make to sedate the male population, the film feels like it has been dosed with sugar to mask its distressingly bitter taste.
  13. Call it a haircut of "Psycho" with ectoplasmic additives, The Road still has a whispering menace and visual grandeur all its own.
  14. There are hints of humor and depth early on, but about halfway through, Sleepless Night clicks into something funny and warm without sacrificing its edge.
    • 80 Metascore
    • 80 Critic Score
    I Wish makes us feel like we are watching these kids discover each new sensory pleasure of youth for the first time, or that we're experiencing it ourselves.
    • 65 Metascore
    • 70 Critic Score
    Bonsái seems like a veritable thicket of illuminating references and correspondences. A kind of poetry sprouts up even in some of the inevitable sad-twee flourishes.
  15. The Color Wheel is funny, but it has a dark streak that takes it into increasingly creepy territory as the siblings face down a procession of people who are even more screwed-up than they are.
  16. The interplay between Murray and Barr is closely and carefully handled, but when the monotonous squib-popping subsides, the movie is often static and talky, lapsing into criticism-hedging qualifications and anti-everything speechifying.
  17. Unfortunately, its tale is so slight and simple that it also fails to say anything particularly poignant about life.
  18. Unconvincing, flawed matriarch Mendes and junior showboat Ramirez appear to be acting in entirely different movies.
    • 34 Metascore
    • 40 Critic Score
    Chuldenko doesn't aspire to hard realism, but a lifestyle comedy with hard-to-buy fundamentals and a central couple you can't invest in is a dubious proposition nonetheless.
  19. "Wood" is still by far Depp and Burton's best collaboration, exhibiting the balance of tone between kitsch parody and zealous fantasy that's missing in Dark Shadows, less a resurrection than a clumsy desecration.
  20. Too odd to be funny, too cold-hearted to be tragic, Hick is an infuriating muddle.

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