Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Donald Trump is the face of America here, representing all of us and demonstrating our values abroad. Hopefully this sharp rendering, or something very much like it, is the legacy for which he and his family will be remembered.
    • 53 Metascore
    • 60 Critic Score
    The high-sheen Australian drama Burning Man leans heavily on a scrambled chronology, and likewise feels tonally mixed up, but it certainly does keep you guessing.
  2. While a movie such as last year's "Like Crazy" let its early promise gradually give way to sun-kissed montages and tedious melodrama, Jackson's mini-indie not only stays the course but also gets better throughout.
  3. There's material from a phone-in psychoanalysis center, the dumping grounds of London's surveillance-camera feed, and the detox tent at some massive biergarten - like much of the film, mordantly funny in a kind of pursed-lips, arched-eyebrows way.
  4. First-time feature director Anne Émond's Nuit #1 lingers on the combination of hunger and awkwardness that attends the best one-nighters, showing the unsexy details that most movies elide.
  5. Chen's attention to character over spectacle pays minimal dividends and is compounded by the fact that his battles - full of standard-issue slow motion and hacked-off limbs - are as dull as an overused blade.
  6. Raunchy dude comedy is hardly the sole province of American cinema, as Klown all too dispiritingly reconfirms.
  7. Fluid, open-ended documentaries that demand more of an audience than foregone assent or fleeting bouts of passive outrage are rare these days, which is what makes Malik Bendjelloul's Searching for Sugar Man such a gift.
  8. An unadorned, unsentimental portrait of a marriage, Yi Seung-jun's documentary Planet of Snail celebrates the daily life of an exceptionally collaborative couple.
  9. A hideously funny tabloid noir.
  10. She (Kazan) also wrote the screenplay, which begs interpretation as a frustrated actress's commentary on the way that even ostensibly serious writers write women - that is, for maximum convenience. Still, the direction, from Jonathan Dayton and Valerie Faris (Little Miss Sunshine), is never more than workmanlike.
  11. Stirrings of dignified outrage via the eponymous well-digger eventually go a long way toward energizing the film, which improves markedly once it shifts its focus from the World War I–era milieu toward how quickly a naive young girl can turn into a fallen woman and the ways in which that fallout affects her father, her family, and apparently most importantly, her name.
  12. It remains a rousing portrait of creative renewal and, specifically, the way in which - by attempting something daring and new in the face of an opera culture deeply invested in tradition - Lepage proves that classic art can survive and flourish in a marriage with modern technology and imagination.
    • 72 Metascore
    • 80 Critic Score
    Murphy has never been a typical rock star, and Shut Up is by no means a conventional rock documentary.
    • 80 Metascore
    • 60 Critic Score
    I've seen The Queen of Versailles twice, and both times the audience laughed frequently at the Siegel family's sheer tackiness.
  13. Hara-Kiri: Death of a Samurai is more than just another bid for respectability, like "13 Assassins" -it may well be Miike's best film, a patient, ominous piece of epic storytelling that conscientiously rips the scabs off the honorable samurai mythology.
  14. It is absolutely terrible.
  15. The Dark Knight Rises is a shallow repository of ideas, but as a work of sheer sensation, it has something to recommend.
    • 57 Metascore
    • 60 Critic Score
    In the hands of Winterbottom, who has frequently shown a knack for infusing red flag sex with dread without sapping it of sexiness, the master-slave dialectic is made grossly, appropriately literal. The dialectic itself is never discussed.
  16. Nick Sandow's Ponies can claim the not negligible achievement of bringing one of the more irritatingly objectionable characters in recent cinema to the screen.
  17. The film's emotional and psychological textures suffer for those losses, but Family is still riveting viewing.
    • 75 Metascore
    • 70 Critic Score
    An unexpectedly gripping portrait of how MLB's sausage gets made.
  18. Calling the movie simply Buddhist, in form as well as context, might be just another way of saying it's awesome, as in it inspires legitimate awe.
  19. It's quibbling to draw up columns denoting what Lanthimos, a difficult but undeniable talent, does right and does wrong. He's seemingly working intuitively here, and whatever missteps he makes while feeling his way forward, he manages to pass quite near to one of the essential conundrums of being human.
  20. Much as I want to believe in Cortés, who is clearly talented and ambitious, there is just too much in Red Lights that encourages agnosticism.
  21. The pleasure of Jacquot's film is in watching various strains of discreet, heated, and deluded passionate attachment performed.
  22. Deconstructing Dad might be a messy biography, but it is a fascinating primer on Scott's work.
  23. By ultimately softening its stance toward McIver, Grassroots disingenuously has it both ways, reducing politics first to a David-versus-Goliath adventure, and then to an everyone-is-cool bowl of mush.
  24. Thick with reenactments and cute cutaways, the movie evolves into a cultural inquisition, following this stranger through the strange land of bad-news America, where the truth is still waiting to be exhumed.
  25. A hit in its native Sweden as "Snabba Cash," the English title is a piece of cheap irony; this is a crime thriller where no one gets away clean, and every action has its irrevocable reaction.

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