For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Nick Schager
Writer/director Ursula Meier uses a stripped-down, naturalistic aesthetic full of well-organized compositions that pay close attention to shifts in character mood, comportment, and behavior.- Village Voice
- Posted Oct 2, 2012
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Marsha McCreadie
Not for the first time in films, noble intent is at odds with aesthetics.- Village Voice
- Posted Oct 2, 2012
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Outside of a final shot that's more poetically convenient than emotionally convincing, Avé follows a progression that feels intimate even as it mimics things iconic. They, we, move and are moved.- Village Voice
- Posted Oct 2, 2012
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Reviewed by
Jonathan Kiefer
When not contriving to get Efron out of his clothes, The Paperboy gropes for familiar movie language of its period setting: Soul music swells up excitedly over a jumble of jerky zooms, befuddling cuts, and spatial vagueness. But sometimes hot messiness has its charms.- Village Voice
- Posted Oct 2, 2012
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In too many of the shorts, bad acting quickly undermines the "authenticity" the aesthetics labor to achieve.- Village Voice
- Posted Oct 2, 2012
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Reviewed by
Melissa Anderson
What's riveting and attention grabbing in Jarecki's recapitulations of failed policy are some of the talking heads he has assembled, including "The Wire" creator David Simon and historian Richard Lawrence Miller.- Village Voice
- Posted Oct 2, 2012
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Simon Abrams
Heathcliff does not get the revenge he wants because he wants to escape the specific traumas of his adolescent past, shown in the film's first half. And because Arnold traps her viewers with Heathcliff's murky version of events. There's no room for enriching subtext in this version of Wuthering Heights because all the information we need is inscribed on the film's glassy surface.- Village Voice
- Posted Oct 2, 2012
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A road movie using undeveloped land as a blank screen on which to project a dark deconstruction of masculinity and manifest destiny.- Village Voice
- Posted Oct 2, 2012
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Reviewed by
Chris Packham
The Oranges, an extremely dry comedy directed by Julian Farino, is kind of like a takedown of the suburbs written by the people who designed the menu at Olive Garden: It's inoffensive, forgettable, and you don't actually have to chew anything.- Village Voice
- Posted Oct 2, 2012
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Jonathan Kiefer
A slow-food procedural, commendably devoted yet still underdone.- Village Voice
- Posted Oct 2, 2012
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Chris Packham
Frankenweenie, scripted by John August, and based on a screenplay by Lenny Ripps from Burton's original story, is tight and brief, hitting all the marks you'd expect from an animated kid's film, and enlivened by Burton's visual style. The man should make more small movies like this one.- Village Voice
- Posted Oct 2, 2012
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Reviewed by
Michael Nordine
Following the celebrity guru into Thailand for his ordainment as a Buddhist monk, the film is at its best when Gotham can't help but see through his father, who seems entirely restless without an audience and a smartphone through which to be reminded of their adoration of him.- Village Voice
- Posted Oct 2, 2012
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Chris Packham
Now he's famous, and the production of the documentary Bel Borba Aqui, practically a montage of color, music, and Borba's constant laughter, coincides with his local acclaim.- Village Voice
- Posted Oct 2, 2012
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Reviewed by
Michael Atkinson
In the end, we glimpse footage of the real Augiéras, but by then, the film wanders off into its own set of suggested Cagean possibilities, and what you get feels closer to a fable-essay about the meaning of art than a narrative. Sweet stuff.- Village Voice
- Posted Oct 1, 2012
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Reviewed by
Michelle Orange
Triumph follows tragedy as the case unfolds and history is caught repeating, but the larger, more complicated story underlying this brief but bracing missive still feels untold.- Village Voice
- Posted Sep 28, 2012
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Reviewed by
Nick Pinkerton
On every level this production - from Robinson's callow performance to Vila's hackneyed handheld camerawork, punching beats in the stead of the actors - remains firmly on the level of the obvious.- Village Voice
- Posted Sep 28, 2012
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Reviewed by
Nick Schager
All the while, Fisher and his kin's incessant, contentious bickering exposes the ongoing difficulty of reconciling with inherited trauma, though such squabbling's protracted prominence also, ultimately, suggests the need for a bit more editorial trimming.- Village Voice
- Posted Sep 28, 2012
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Melissa Anderson
In Davis's case, marveling at yet another fine performance doesn't stop you from wishing that her first leading role was in a worthier vehicle- Village Voice
- Posted Sep 26, 2012
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West of Thunder is not a tedious watch at all. In fact, it is oddly absorbing, just not the way writer and star Dan Davies probably meant it to be.- Village Voice
- Posted Sep 25, 2012
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Atwill and other scholars maintain that the Romans were ingenious in pulling off the pacifist hoax, so useful to the ruthless men who administered the Roman empire. They were able to "create a type of Judaism that was benign," says one commentator.- Village Voice
- Posted Sep 25, 2012
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Reviewed by
Chris Packham
The film is funny, weepy, and hairy all the way to the barrel-chested-and utterly predictable-end.- Village Voice
- Posted Sep 25, 2012
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Michael Nordine
Although it presents itself as merely the story of a professional basketball player named Kevin Sheppard, who, never quite making it to the NBA, has spent his career playing in lesser leagues overseas, The Iran Job ends up being quite a bit more: an underdog sports story, a fish-out-of-water tale, and an outsider's perspective on Iran's almost-revolution of early 2009.- Village Voice
- Posted Sep 25, 2012
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Chris Packham
To Western audiences, the most interesting part of director Vikram Bhatt's Raaz 3 will be the Bollywood-narrative conventions--overamplified melodrama, romantic montages, elaborately choreographed dance numbers. But as a horror film, it's about as ambitious as R.L. Stine.- Village Voice
- Posted Sep 25, 2012
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Reviewed by
Nick Schager
The result being a film that, devoid of both laugh-out-loud humor and the righteous indignation that characterizes most agitprop efforts, winds up being just a voting-for-dummies primer.- Village Voice
- Posted Sep 25, 2012
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Reviewed by
Michael Nordine
Harvest of Empire is never quite wrong, but it's effectiveness is inversely proportional to how hard it's trying.- Village Voice
- Posted Sep 25, 2012
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Chris Packham
The broadness of the film's comedy might be largely attributable to the conventions of Hong Kong cinema, but to American audiences, the film has an exaggerated notion of its own raunchiness.- Village Voice
- Posted Sep 25, 2012
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Jonathan Kiefer
What makes The Waiting Room worth visiting is how well it does without the usual narcotizing documentary tactics.- Village Voice
- Posted Sep 25, 2012
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Pete Vonder Haar
Watching Sabonis and company deliver comeuppance to their former rulers on the hardwood, I fully expect The Other Dream Team to join "Do You Believe in Miracles?" and "Undefeated" in your inspirational-sports-doc rotation.- Village Voice
- Posted Sep 25, 2012
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Marsha McCreadie
The movie permanently downshifts to moralizing melodrama and retrograde Stella Dallas–like maternal sacrifice when Bobby has an accidental run-in with real estate magnate Kent (Bill Pullman).- Village Voice
- Posted Sep 25, 2012
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Reviewed by
Chris Packham
The stories are quick, tiny surveys of a given culture's conventions told as monomythic, Joseph Campbell–ish pastiches and animated with fluidity and deliberateness that nearly excuses the film's slightness.- Village Voice
- Posted Sep 25, 2012
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