Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. This isn't so much a movie about sports as it is a riff on politics in the broad sense of the word, and the ways in which smart, insightful people play along to get along -- and then change the game for the better by following their gut.
  2. Just because you're paranoid doesn't mean your speculations are sound, your writing and filmmaking skills are passable, or that you're preaching to anyone but the fearfully converted.
  3. The film isn't without mirth and charm... But as Surnow steers into serious waters, the direction of the storytelling becomes increasingly misguided.
  4. Green's historical diligence proves rewarding... But the movie, shot largely in Milwaukee in 2009, can still be dry.
  5. Weaving numerous influences into a rich emotional tapestry, Alain Guiraudie's The King of Escape skillfully absorbs and updates its assertive cinematic forebears.
  6. Director Jason Naumann treats the characters with genuine affection and a portrayal of faith that actually has integrity.
  7. An insightful, often funny, never glib character-driven tale about class angst, withered dreams, and the costs of adulthood.
  8. While mostly well made, and certain to serve as a handy précis for the J-school set, A Fragile Trust is more a soiling reminder than a revelation for anyone already familiar with Blair's case.
  9. It's heartening to have a tony war film about PTSD and forgiveness; it would be grander still to have one that dedicated itself more fully to examining the courage it would take to offer that forgiveness, rather than dash its energies upon the dreary cowardice of the crime itself.
    • 44 Metascore
    • 50 Critic Score
    Stanley M. Brooks's directorial debut's attempt to make sense of what happened falters by laboring to tick every item off the timeline checklist instead of focusing on who these Bathtub Girls were underneath the dysfunction.
  10. Replete with superb performances led by a paranoid Sackhoff and unhinged Cochrane, it's the rare horror film to know how to tease malevolent mysteries and deliver satisfyingly unexpected, unsettling payoffs.
  11. Joe
    Joe is Cage's periodic reminder that he's one of his generation's great talents.
  12. Johnson doesn't seem to trust her star to unclench and act... In contrast, the rest of the cast, down to the gossipy local bank teller (Christine Lahti), feels electrically human.
  13. The film's success rests upon the interest engendered by these characters, but Hank and Asha fail to meaningfully engage us.
  14. Frost can play lovable losers in his sleep, but to succeed, Cuban Fury has to make him dance. A fat man falling down gets a cheap laugh; a fat man with magic feet makes us cheer. Director James Griffiths splits the difference between ridicule and respect, and the resulting comedy is as trite and cloying as a rum and coke.
  15. Miss Violence honors the thoroughly creepy work of Avranas's countrymen, but in his turn of the screw, Avranas marshals the abstract qualities of art cinema to comment upon concrete horror.
  16. Only Lovers Left Alive is silly and deeply serious at once, an elegy with a light touch and more than a dash of hope.
  17. Small details and incidents accrete into a pointillist rendering of despair.
  18. Hot Guys with Guns has the occasional spark of a clever comedy, but the lack of focus makes it too limp on laughs to fulfill its potential.
  19. Harris is wistful, funny, and articulate about his romantic neuroses and insecurities... Unfortunately, he sometimes fails to go deeper.
  20. Medalia, as an Israeli, knows this bumpy territory well and serves up her story sensitively, but with its difficulties unvarnished and unsolved. She focuses on a few children whom we get to know well enough to care very much about their progress.
  21. Carano’s badass-beauty charm notwithstanding, it’s a grim, formulaic saga in desperate need of some genuine B-movie fury and flair.
  22. The film is more an on-the-fly glimpse of the scene than a deep-dive exploration, but that doesn't make it any less electric.
  23. Watermark is a documentary filled with images both beautiful and wrenching, yet the film as a whole is a disappointment.
  24. The soapy material is at odds with the largely distant catastrophe, which often feels too abstract to be a real threat.
  25. Goldfine and Geller pace and structure The Galapagos Affair like the true-crime tale that it is, its mysteries rich and involving, its characters enduring in the imagination long after the film has ended.
  26. It's occasionally imaginative, and, most importantly, never boring.
  27. Very little in Under the Skin is clear at all. Its secrets unspool in mysterious, supple ribbons, but that's part of its allure, and its great beauty.
  28. Nymphomaniac is a jigsaw opus, an extended and generally exquisitely crafted riff. Story, theme, and character (despite Gainsbourg's captivations) bow to von Trier's gamesmanship, which makes his own promiscuities the film's true subject.
  29. Credit this spirited, uncommonly effective found-footage thriller for breaking the templates promised by its genre and title.

Top Trailers