Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. On treks through the city, camera in hand, Weber's expertise, tenderness, and taste for the absurd become clear. Wechsler runs with it, interspersing decades of Weber's often gritty photographs with expert cinematography.
  2. In The M Word, Jaglom smartly sees a parallel between midlife hormone upheaval and sudden workplace superfluousness, but his unstructured-gabfest approach makes rather a mess of it.
  3. Kieran Turner's Jobriath A.D. is an exceptional example of this subgenre, a cubist portrait of an unknowable man and a dramatic whodunit about an artist-victim who died by a thousand cuts.
  4. Ida
    Ida unfolds partly as chamber play and partly as road movie, following the two women on a search for their dead beloveds' anonymous graves.
  5. You can sense the director, Sarah Smick, gearing up to make a point. It proves rather obvious: Real connections are meaningful and too much Facebook is bad. But isn't the real problem more insidious?
  6. Gaudet and Pullapilly have a background in documentaries, and there's a convincing naturalism to their storytelling.
  7. Bad Johnson is probably the most thoughtful movie possible about a penis that takes human form.
  8. There's a great story here, but Asante — who has made one previous feature, the 2004 drama A Way of Life — can't quite harness its power.
  9. Never a disaster but only fitfully inspired, The Amazing Spider-Man 2 doesn't quite end well, but it does end promisingly.
  10. The Other Woman doesn't give these actresses much to do except look ridiculous, if not sneaky and conniving.
  11. If characters are going to ignite into blazes of unchecked emotion every five minutes or so, you've got to make sure your actors have the chops. These, unfortunately, aren't sharp enough to bite.
  12. This film shows what was clearly a profound set of experiences for both Ndibalema and Kenney, but it is not much more than a well-made vacation slideshow or an extended Facebook post, complete with exclamation points.
  13. As with many other WWII films, it takes genuinely stirring source material -- a young Hungarian man poses as a Nazi to find his dislocated family -- and reduces it to its most shopworn components.
  14. If you find other people worth your time and attention, Next Goal Wins will stir you.
  15. Shot in '70s naturalism, the film's cinematography only invites unfavorable comparisons to the more ambitious, psychologically searching interpersonal dramas of that era.
  16. While his obsessiveness seems neurotic, and watching this film is not always comfortable, it also seems to be all part of the process.
  17. Vargas lingers for long stretches over his personal story and his complicated relationship with his mother, still in the Philippines -- a place he dare not visit for fear of being unable to return. But his story is a vivid illustration of the pickle we're in.
  18. None of the reliably irritating qualities of the social issue documentary gall quite so acutely as the tendency to venerate mere awareness.
  19. With each of these movies, Klapisch reiterates a core sentiment behind all the romantic comedy: that lives are continuously pieced together, broken, and rearranged in different settings. All that screwing and screwing up in between? Totally necessary.
  20. The virgin-whore dichotomy between the two female characters flattens the film into something much less interesting than it could have been, and the tonal discrepancies occasionally threaten to take it into experimental territory.
  21. Ultimately, this is all about Caroline, and it's refreshing to see an optimistic story about an older woman who is funny, smart, and desirable, even if her happy life doesn't leave much room for conflict.
    • tbd Metascore
    • 70 Critic Score
    Bible Quiz may sometimes feel tentative, but it's also vulnerable and charming.
  22. Ape
    Potrykus offers a variety of intriguing suggestions about the relationship between laughter and violence, performance and destruction.
  23. Sincere and unexpectedly good.
  24. There's little new information here, and the structural monotony of The Anonymous People's voiceover and talking-head presentation often makes it feel less like dynamic, insightful filmmaking and more like a well-intentioned PSA.
  25. Young & Beautiful is more interesting once Isabelle's secret is out, when it's more about the way other people react to this prematurely jaded girl who seems to have stepped out of a Lorde song.
  26. It all remains cohesive, even poetic, and puts what had to have been formidable reporting to excellent use.
  27. If the proceedings prove far too familiar, director Caradog W. James delivers a few striking images... as well as a sinister cautionary-tale finale made all the more unsettling by its use of a sterling John Carpenter-style synthesizer score.
  28. What director Knight excels at is continually inventive framing and composition, at suggesting, through layers of window and reflected traffic, the mental state of Locke, the hero.
  29. The whole never becomes greater than the sum of its parts.

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