Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. At once subtle and visceral, the film never succumbs to the trap of the maudlin or tearful, offering instead with its unflinching gaze a measure of faith in the future.
  2. These self-imposed limitations prevent Teddy Bear from having the breadth of a great work, but they give it the coherence of a good tale, simply told.
  3. A worthy documentary tribute to the drag queen icon.
  4. Heathcliff does not get the revenge he wants because he wants to escape the specific traumas of his adolescent past, shown in the film's first half. And because Arnold traps her viewers with Heathcliff's murky version of events. There's no room for enriching subtext in this version of Wuthering Heights because all the information we need is inscribed on the film's glassy surface.
    • 70 Metascore
    • 70 Critic Score
    Intermittently hilarious.
  5. Recognition (and compensation) proved elusive in Lamarr’s lifetime, but in this marvelous documentary, a brilliant woman — “I’m a very simple, complicated person” — finally gets her due.
  6. Watts, who has the most difficult scenes, is splendidly mercurial; what's surprising is that those professional storm clouds Penn and Del Toro are here as powerfully restrained as she is electrifying.
  7. This material might be familiar to Frontline viewers and magazine readers, but Kenner's telling of the stories proves independently dramatic.
  8. It's an honest and incisive and peppery examination of one of his life's strangest but most enduring relationships — and the way that timidity and kindness often work out to being the same thing.
    • 70 Metascore
    • 60 Critic Score
    Affecting, straightforward presentation of tightly knit, contrapuntal interviews and crosscut rally footage--Hamzeh's film eschews voice-over to allow the more despicable characters to embarrass themselves with their ludicrously foolish invective.
  9. Mostly, though, it wins with excellent performances: Strauss never overplays his character's internal tension, nor does Danker camp up his youthful virility.
  10. The supporting cast is uniformly fine, but the film rests on the delicate shoulders of Bonnaire, who carries it with a soulful, magnetic presence.
  11. Beauty-parlor romantic comedy has been done to death and beyond, but what Caramel lacks in originality is redeemed by its exuberant sensuality and astute commentary on the way Lebanese women sit uncomfortably in the crosshairs of their country’s clash between patriarchal tradition and Westernized modernity.
  12. Mad conspiracy rules in Korean writer-director Jang Jun-hwan's snazzy, playful, some-what gory, often hilarious, and generally unpredictable first feature.
    • 70 Metascore
    • 70 Critic Score
    Here the director pulls off the formidable task of marrying two unwieldy performances: Harrelson's, a volatile and vulnerable feat of showboating, and Ellroy's, whose writing voice is unmistakably the voice of the movie.
  13. With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.
  14. A fascinatingly mean-spirited erotic comedy.
  15. In her absorbing, alarming investigation into the HIV/AIDS epidemic in the nation's capital, Koch cuts a cross-section through a bitter D.C. winter, following about half a dozen local victims, caregivers, family members, and activists as they grapple with a disease without the benefit of social awareness or political will.
  16. Racing handheld camerawork and a pulsing rock score energize Roque's bargaining and bribing for the sake of changing an institution's antiquated customs.
  17. In this stylish documentary, Cattelan talks effusively on camera about his career, his work, and his private life in unexpectedly candid interviews.
  18. Stirring documentary.
  19. This Canadian cheapie plays like an above-average "Buffy the Vampire Slayer" episode, filtered through the sensibility of early David Cronenberg.
  20. Resnais's lightheartedness is infectious as he dispenses with the cinematic "reality" he never quite trusted, shooting the six-person farce on obvious sets, with curtains for doors and flat theatrical lighting.
    • 70 Metascore
    • 70 Critic Score
    For the most part, the film is charming in its insouciance, the comedy by turns easy, funny, and slapstick. [23 May 2018]
    • Village Voice
  21. Seasonally it's more appropriate as a May Day bacchanal, but in any month Demy's movie makes for an evocative globe-paperweight tableau of its place and time, and a concise demonstration of the disquietude inherent in classic fairy tales.
  22. A Town Called Panic, which has more strident colors and less synopsizable action than a year's worth of comic-book adventures, embodies a sensibility that might be termed "extreme quirk."
  23. Moves briskly, unfolding as one lively sit-down after another with artists, scholars, and curators who established themselves at the height of second-wave feminism.
    • 70 Metascore
    • 80 Critic Score
    If Contagion truly is the first leg of Soderbergh's retirement victory lap, this harrowing film is a potent reminder of what we stand to lose.
    • 70 Metascore
    • 40 Critic Score
    Vancouver-based writer-director Andrew Currie leads us to stop expecting actual jokes while squandering the talents of an overqualified cast
  24. After guiding his fate, the filmmakers step back and dispassionately capture a series of frustrated caregivers passing the baton, each nudging Anton toward a new life. This decision makes Almost There a richer, more compassionate portrait.

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