Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Though hobbled by its anxious impulse to teach history to an audience that by now surely knows the basic contours of Rwanda's tragedy, the script apportions blame where it belongs (on high), while leaving smaller fry--including an admirably un-cute BBC journalist--dangling, however sympathetically, on the hook.
  2. Antoine Fuqua's propulsive, elegantly written police thriller, offers the unsettling spectacle of Denzel Washington.
  3. Berlinger covers lots of territory, including heartrending accounts from the family members of some of Bulger's victims. The whole exercise is fascinating, if vaguely unsatisfying.
  4. I like what I Am Big Bird is trying to do — I just wish it were a little less Bird-nice, and a little more Grouch-frank.
  5. Levy's deeply sorrowful but wonderfully affectionate doc depicts the wistful link between humanity and celebrity.
  6. Often thrilling almost-feelie.
  7. Engaging, if ultimately wearisome.
  8. Warmhearted but never sentimental or condescending, Home finally proves most affecting as an unsparing glimpse into the psychology of poverty.
  9. Nothing speaks more elegantly to the bewilderment of the locals than a long shot of newly built windmills lining a distant hilltop while a villager, made tiny by Álvarez's framing, looks on in the foreground, swallowed up by the forces of history.
    • 71 Metascore
    • 70 Critic Score
    This enjoyably breezy portrait of genius architect Frank Gehry is drawn doodle-style by first-time documentarian Sydney Pollack.
  10. For most of the film, Lartigau creates the tension of a Hitchcockian thriller solely through Paul's interior struggle.
  11. If only Baker and the gang had fleshed out horny hero Pikelet’s journey with the same earthy details that make Pikelet and Loonie’s friendship seem real enough to be worth mourning.
    • 71 Metascore
    • 70 Critic Score
    It's likely the best anti-Christmas Christmas movie since "Bad Santa."
    • 71 Metascore
    • 50 Reviewed by
      Ed Park
    A nimbler approach to border crossing, German-born director Fatih Akin's In July resembles a shaggier "Serendipity," with a similar moony conflation of coincidence and destiny.
  12. The movie takes shape as an entertaining psychological armwrestle between rank belligerence and blustery condescension.
    • 71 Metascore
    • 80 Critic Score
    A deft, ambitious exercise in old-school socialist agitprop crafted with the precise multimedia flair of a corporate PowerPoint presentation, Travis Wilkerson's An Injury to One retells the gritty class struggles of the previous century through smoothly contemporary digital means.
  13. Will test the ideological mettle of law-and-order conservatives and lefty peaceniks alike.
  14. Black Book, which takes its title from a secret list of Dutch collaborators, is an impressively old-fashioned yet fashionably embittered movie.
  15. Malcolm D. Lee’s comedy, written by Kenya Barris and Tracy Oliver — the same creative team behind last year’s uneven Barbershop: The Next Cut — pops with next-level ribaldry and smack talk, especially in its first half. But in the remaining hour, the laughs arrive less often as the gender politics grow weirder.
  16. If you find other people worth your time and attention, Next Goal Wins will stir you.
  17. The shuffling of who's an important/close friend transcends the specificity of being gay and disabled, and that experience is rarely depicted as realistically as this. But the film crosses into self-parody.
    • 71 Metascore
    • 80 Critic Score
    Tony Goldwyn, making his directorial debut, lets his cast do the work for him, and they hold up well.
    • 71 Metascore
    • 80 Critic Score
    Nothing like a traditional social-issue doc, Patterson's one-of-a-kind hybrid captures a socio-historical moment with the kind of charged authenticity that only comes from a willingness to embrace contradictions: It's discursive and hypnotic, laconic and urgent.
  18. Reichert and Zaman level a perceptive, justly withering eye at the state of healthcare in the United States, careful to remind, if only implicitly, of the tragedy that necessitates these commendable acts of charity.
  19. [Depicts] the end of life not as an isolated horror (as in Michael Haneke's Amour) or as the contested site of legal and political factions, but as a complex social phase, its wobbly moral scale hinging on empathy.
  20. Skipping across ages and genres, this cine-essay beguilement from Russian Ark director Alexander Sokurov considers the Louvre — and the miracle of the transmission of art and culture across its history.
  21. Edwards is content with presenting Mavis as she sees herself: as the conduit for a song's message, and a voice to uplift the weary.
  22. With dexterity and care, Swanberg illuminates our muddled perceptions of our own relationships. He fixates on the minutiae of hanging out, the stuff of little loves and lies, the feints and thrusts we make in sorting matters of head and heart.
  23. The film is striking, at times even piercing, for the way it infiltrates some universal realities of marriage.
  24. The film's Endsville, when we reach it, is almost an anticlimax, thanks to the masterfully orchestrated ensemble acting and the countless dramatic mini-explosions unleashed along the way.

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