Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The whole thing's poised uneasily somewhere between urban fairy tale and actual human psychodrama, never really landing in one place or the other.
  2. Though Save Me never quite surmounts its schematic scenario, scene by scene, beat by beat, it's pretty damn good.
  3. One of those charming little documentaries that make you question whether the human race is really worth preserving.
  4. Writer-director Daniel Barnz's film is profoundly stirring, if also occasionally maddening.
  5. There's nothing earth-shattering going on here, but it's a film you'll want to befriend.
  6. Harris and his collaborators are playing it straight with a timeless male fantasy--horse, hat, six-shooter--a traditional approach that will please moviegoers like my dad and yours.
  7. Cavanagh, best known for the TV show "Ed," is terrific--as is young Bernett, who steals the show without hogging it.
  8. At the very least, the spectacle of Poppy's devotion and desire, not to mention her all-around sunny disposish, left this viewer feeling unaccountably happy--at least for the moment.
  9. Though multi-director projects are patchy by definition, Fear(s) of the Dark hits with an all-star batting average.
  10. Funniest movie of '08? Close enough, for those who don't mind monkeying around.
    • 78 Metascore
    • 70 Critic Score
    Reticker offers perhaps a too-narrow focus on this historical moment, but Pray the Devil remembers the golden rule of moviemaking--rather than tell, it shows, and what it shows is quietly affecting.
  11. Mac and Jackson carry the show--particularly Mac, who's at his crackly, cranky best here. As swan songs go, Soul Men is pretty sweet.
  12. In the spirit of its title, Nothing but the Truth pivots on a plot twist that's both good and fair. And kudos to the ever-earnest Beckinsale for surviving a prison brawl as splatterific as anything Mickey Rourke had to endure in "The Wrestler."
  13. While never less than fascinating, Katyn alternates between scenes of tremendous power and sequences most kindly described as dutiful. It's as if the artist is never certain whether he is making this movie for himself, his father, or the entire nation.
  14. Charming and unexpectedly perceptive portrait cum procedural proves the DIY-authentic corrective to Unzipped, a warts-and-all chronicle of McCarroll’s yearlong preparation for his inaugural show at New York Fashion Week.
  15. Ideas beam out from Astra Taylor's engaging new philoso-doc Examined Life; the viewer basks in the intelligence on-screen and, occasionally, soaks up the rays.
  16. Mutants abound as each episode trips the light fantastic.
  17. The film is pleasingly meandering, till the more typically Majidian soulful and teary-eyed climax.
  18. Far more entertaining than it deserves to be, unless you're a 10-year-old boy, in which case it's only the greatest movie ever made.
    • 76 Metascore
    • 70 Critic Score
    For Chorus Line fans, though, the documentary--is a singular sensation.
  19. Though it's a little slow to start and some of the humor clunks, the film features a wholesome charm, some truly dazzling effects (the Lincoln Memorial alone is worth it), and enough mild, parent-nip in-jokes to keep all but the stone-hearted happy.
  20. The intersection of food and identity is briefly explored, and the prep/exam sequences have a tension and charm that keeps the film moving toward its literally rewarding climax.
  21. For writer-director Coppola, Tetro is a cri de coeur, one more from the heart.
  22. A free-form splash of jaw-dropping graphs, impressively accredited talking heads, and sumptuously shot portraits of natural beauty and decay, overdramatically scored to symphonic and other intense musical attacks.
  23. Marking follows the finalists around on the last leg of their PR campaigns and captures something sweetly goofy, with an edge of creepy, about their aping of smarmy American self-promotion (kissing babies, etc).
  24. Takes too long to get to the meat of its matter, but captivates once it does.
  25. Celebratory but clear-eyed portrait of Gertrude Berg.
  26. Without ever trivializing his characters' meager circumstances or resorting to the rags-to-riches fantasy of "Slumdog Millionaire," Meadows has made a lovely film about the ability of the imagination to offset the harshness of reality.
  27. Eimbcke's droll rhythms are reminiscent of early Jim Jarmusch and Aki Kaurismäki--here stylistically appropriate for a film about social and emotional inertia.
  28. The Dardennes retain a company of returning players: Jérémie Renier, Fabrizio Rongione, and Olivier Gourmet. Such loyalty is rare and touching.

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