Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. [A] tender, humane, gently probing film.
  2. It's still a feat of period filmmaking. More than that, Overlord's revivification of a wasteland Europe offers up a powerful whip lesson for the postwar complacent: that the waging of war, even this most romanticized of conflicts, means bringing a corpse-mountain hell to someone's home neighborhood.
  3. The artificial look of the added footage, counterpointed by the commentary of inmates and survivors, only underscores the unending shock of the film's unadulterated images, even though we have seen them in other Shoah documentaries.
  4. As we watch this woman lose her family, her status, and maybe even some part of her pride, we sense both the horror and the intoxication of freedom.
  5. Grand Budapest is Anderson's most mature film, and his most visually witty, too. It's playful without being self-congratulatory, and somehow lush without being cloying.
  6. This patient, beautiful, painful, engrossing film pits husband and wife against each other and their world in a series of extended conversations/confrontations.
  7. Poitras shows us history as it happens, scenes of such intimate momentousness that the movie's a must-see piece of work even if, in its totality, it's underwhelming as argument or cinema.
  8. Recoing's meta-performance is an unemphatic marvel, his placid countenance stretched tight over telltale flickers: a quickly suppressed smirk of incredulous delight, a nervous twitch of chagrin, an abrupt pang of guilt.
  9. It's a precociously assured and mature work, at once humble and bold, that keeps faith with Munro's precise, graceful prose while tailoring its linear progression into shapely cinematic form.
  10. Alberto Lattuada's tricky-to-parse Mafioso dates from 1962 but, with its abrupt tonal shifts and disturbing existential premise, this nearly forgotten dark comedy could be the most modern (or at least modernist) movie in town.
  11. The Fallen Idol has been overshadowed by the noir comedy, giddy style, and Cold War thematics of Reed and Greene's subsequent sensation "The Third Man," but (in similarly dealing with the nature of betrayal) The Fallen Idol is actually a superior psychological drama.
  12. Maoz is as good at youthful languor as he is at the process of grief. This middle section of the film abounds with insights and moments of surprising desert beauty.
  13. Clayton's filmmaking, mustering frisson by both candle and blazing daylight, could serve as an object lesson in its genre.
  14. There's not much sense that the system can be voted out-not least because Barack Obama, shown campaigning on the crisis and elected in part to change the game, recruited his economic advisers from those who enabled the disaster.
  15. Thornton delicately peels back all the layers of Aussie injustice in this film, but what’s most unnerving is that the story proves to be so universal.
  16. Granik films with subtlety and quiet grace, but Leave No Trace explodes in the mind.
  17. A combination of "Barnyard Follies" and "Schindler's List."
  18. Obsessives will be familiar with the "new" material (almost all available on the original DVD), which elaborates on the time-travel metaphysics and tightens the emotional screws. Donnie (Jake Gyllenhaal) shares one additional tender exchange with each family member
  19. A well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor.
  20. When the movie just sits with the characters on front porches or in backyards, Mackenzie's generous, hands-off approach with his actors — most of the conversation scenes play out in long takes with minimal camera movement — yields poignant rewards.
  21. Up
    The first 10 minutes of Up are flawless; the final 80 minutes, close enough. (Though, note this: Do not see Up in 3-D. It's inessential to the tale and altogether distracting.)
  22. The result is a poetic documentary of quiet American surfaces and intimately eavesdropped people.
  23. This lusty, heartfelt movie has a near Brueghelian visual energy and a humanist passion as contagious as its music.
  24. Brazil might not want you to know it, but Aquarius is something special.
  25. The kitsch is back in full bloom.
  26. Written by Coogler and Joe Robert Cole, Black Panther brings grounded history — in Black History Month, no less — to a fantastical story, carefully considering the world in which the characters reside.
  27. As is his custom, Weerasethakul addresses his nation's martial history with the lightest of touches.
  28. The film serves as an authentic examination of the mid-twentieth-century immigrant experience — and an intimate exploration of one woman's attempt to understand who she is and where she wants to belong.
  29. It's a heart-sundering vision of preadolescent helplessness that rivals passages of "Landscape in the Mist" and "Ponette."
  30. Jackson's movie is one portentous happening after another -- not unreasonable in that his source, J.R.R. Tolkien's trilogy, is basically the fantasyland equivalent of a world war against absolute evil.

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