Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Hou uses very few close-ups here, preferring to tell his story mostly through movement: combat, dance, the act of passing through a landscape of satiny green firs or silvery birch trees and just watching. Shu conveys complicated feelings — longing, regret, anxiety — with little more than the tilt of her chin or the set of her shoulders.
  2. The movie, wry and melancholy, doesn't linger over its artistry.
  3. Colombian director Ciro Guerra's Embrace of the Serpent is a legitimate stunner, a river-trip that will mesmerize and jack with you, leaving you not quite certain, at its end, how to go about the rest of your day.
  4. Cartel Land is interested in how idealism becomes corrupt.
  5. Terrific documentaries are a dime a dozen; ones this multifaceted are to be cherished.
  6. Chi-Raq is a marvel. It's Lee resurrecting his voice — angry, impassioned, and funny as hell — right when we need to hear it.
  7. The experience of watching this film is one of reflective exuberance. It's a movie about people who arrive sure of themselves and depart in the quiet confidence that all they know is that they know nothing.
  8. As we switch sympathies from scene to scene, Muylaert forces us to think big about the clash between idealism and acceptance, a philosophical war that spills beyond the walls of this small story into every corner of our own lives.
  9. Spotlight feels both timeless and modern, a dexterously crafted film that could have been made anytime but somehow feels perfect for right now.
  10. However you enjoy its nearly four hundred minutes, I expect you'll be held rapt till the last second by a film of abundant wit and generous heart.
  11. The stories have an almost dreamlike sweep and imaginative energy, and the film never exhausts that exuberance. More extraordinary still is its emotional depth.
  12. This is a masterpiece not because it culminates in some redemptive catharsis or clinching argument for social change, but because, by disavowing such facile ends, it meets the mess of life on its own clear and true terms.
  13. Kaufman builds an emotional world we're nervous to enter, one we're already living in.
  14. It's a work of community portraiture that slowly develops into collective drama
  15. No matter how rigorously worked out each shot and its action might be, Neon Bull always honors the chaotic looseness of everyday living — the way that, unlike in the movies, few of the moments we inhabit seem to be about just one thing.
  16. Perhaps the best film yet set against the mess of the ongoing Middle Eastern wars, Tobias Lindholm's latest is a scrupulous, unglamorized examination of battlefield decision-making — and its potentially devastating impacts, both there and back home.
  17. The film, a hard jewel of beauty and reportage, demands and rewards that second viewing.
  18. The Russian Woodpecker is very much like Fedor himself — eccentric as hell, smart as a whip, and, at the end of the day, a heartbreaker.
  19. As personal as it is political, Olson's meditative project offers a profound lesson on intimacy and history — and the ways in which both are distorted and remade by memory.
  20. As excellent a documentary about politics as you will ever see.
  21. From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won't say — Kubo and the Two Strings sears itself into your brain.
  22. Nolan fully embraces the power of visual storytelling in Dunkirk.
  23. Sachs, a clear-eyed humanist, honors all his characters' pained perspectives.
  24. Certain Women is a kind, loving, and deeply moving portrait of bighearted small-town people.
  25. A poignant, surprisingly hilarious depiction of death, grieving, and small-town life.
  26. Newtown is an act of memorialization, a demand that this most distractible of countries look close and continue to care.
  27. In his sympathetic and intelligent Dickinson biopic, A Quiet Passion, Terence Davies honors his subject by remaining true to this observation from the poet herself: "To live is so startling, it leaves but little room for other occupations."
  28. I walked out of After the Storm wanting to be a better person — and further convinced that Hirokazu Kore-eda isn't just one of the world's best filmmakers, but one of its most indispensable artists.
  29. Mike Birbiglia's Don't Think Twice stands as the best, most revealing film about comedy people and one of the best about artistic collaboration. It's a boisterous and sensitive work of many facets.
  30. The film is restful and exhausting, inviting us into contemplation: of Tibet's epic-scale natural beauty, which has rarely been filmed with such you-are-there patience and intimacy, each new horizon these pilgrims reach a reward for their perseverance — and yours.

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