Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Dalle, with a mouth that could devour the world, unravels inexorably but with decadent dignity, and Chiha's singular film never relies on cliché in its examination of illness, disappointment, and abandonment.
  2. Its elegantly simple structure filled in with startling, understated force, I Will Follow is a modestly framed portrait of grief in its first season.
  3. El Velador still sharply conveys what life is like in a traumatized nation.
    • 81 Metascore
    • 80 Critic Score
    Feels like a timeless blast from the past.
    • 77 Metascore
    • 80 Critic Score
    While Little Fish takes a turn for the generic in its final act, solid acting, an atmospheric soundtrack, and flare-filled cinematography more beautiful than an Apple screensaver are enough to keep the film afloat.
  4. As always with Guiraudie’s films, Staying Vertical shrewdly (and often hilariously) captures both the seriousness and the absurdity of sex.
  5. Unexpectedly bridges genres -- it's a buddy movie, a horror story, a boy's-own adventure, and a near metaphysical meditation on the limits of human endurance.
  6. Skillfully directed and adroitly acted.
  7. The first 10 minutes of Dee Rees's funny, moving, nuanced, and impeccably acted first feature, in which coming of age and coming out are inseparable, sharply reveal the conflicts that 17-year-old Alike (Adepero Oduye) faces.
  8. Sometimes exerts the gross-out fascination of reality TV's muckier specimens--its arc suggests a slow-motion "Fear Factor," or "Extreme Makeover" in reverse.
  9. Thrusts us into a high school senior year like no other.
  10. Nothing is forced in Ryan Gielen's deceptively simple story, with the pressures bubbling forth as naturally as the good cheer that defines so much of the film.
  11. Pitch-perfect performances and a light-handed but razor-sharp script keep this satire brisk and biting.
  12. The verbal jousts are droll and the countryside is splendid, although the food - an endless succession of fussy little presentations - may be an acquired taste.
  13. The show that Horrocks puts on when she finally takes to the stage is more than worth the wait.
  14. What makes 5 Broken Cameras stand out is its insistence on nuance and its refusal to get caught up in the self-defeating war of words over who is the bigger victim.
  15. A superbly crafted science-fiction fairy tale that's both Grimm and grim.
  16. The Last Bolshevik, considered by some to be Marker's masterpiece.
  17. It's entertainment that never lets us off the hook.
    • 71 Metascore
    • 80 Critic Score
    Nothing like a traditional social-issue doc, Patterson's one-of-a-kind hybrid captures a socio-historical moment with the kind of charged authenticity that only comes from a willingness to embrace contradictions: It's discursive and hypnotic, laconic and urgent.
  18. Matching the precision of the film's title, remembrances of things past-whether destructive or salutary, quickly mentioned or dilated upon-are shaped by just enough exacting detail.
  19. An old-fashioned Mediterranean coming-of-age story set in the young heart of the Levant, The Matchmaker combines the tender tone of a film like "Cinema Paradiso" with a clear-eyed, street-level vantage on Israel's summer of the Six-Day War.
  20. MacFarlane's comedy may not be sophisticated on its face, but the mechanisms behind it are delicately calibrated.
    • 69 Metascore
    • 80 Critic Score
    Serves up a gripping look at skate history through an investigation of one of its darker moments.
  21. Alberto Lattuada's tricky-to-parse Mafioso dates from 1962 but, with its abrupt tonal shifts and disturbing existential premise, this nearly forgotten dark comedy could be the most modern (or at least modernist) movie in town.
  22. Nothing here is hurried, but it does fascinate.
  23. Built to outrage, appall, and indict.
    • 97 Metascore
    • 80 Critic Score
    The great merits and great defects of the age-old Anglo-American jury system are examined with conscientiousness and considerable drama. [22 May 1957, p.6]
    • Village Voice
  24. Almost buoyant in its creepiness and positively bejeweled in its disgust -- the movie can be enjoyably considered as a self-conscious fiction in the convoluted tradition of Raul Ruiz or Brian De Palma's "Raising Cain."
    • 82 Metascore
    • 80 Critic Score
    Gigi has more imaginative use of cinema than all our recent pseudo-realist movies put together.
    • Village Voice

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