Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The film’s strength derives from how Wasikowska makes Davidson’s seemingly suicidal wanderlust relatable.
  2. A movie isn’t a cliché when it can sing like this.
  3. Buirski clearly shows that the spark that made her great couldn't be snuffed out so easily.
  4. Making this kind of thriller has all but become a lost art, yet Mira clearly believes that high style is worth bothering with.
  5. This is a film for which the landscape, both social and material, is paramount.
  6. The Rocket's ample pleasures come from Mordaunt localizing this tested formula rather than trying to reinvent it.
    • 57 Metascore
    • 80 Critic Score
    Brook offers himself as a teacher whose goal is to help his students discover brief, ephemeral moments of bliss.
  7. On the strength of Gyllenhaal's performance, Nightcrawler works best as a character study. It's chilling, but also wickedly funny and strange, like a good, dark Brian De Palma joke — in short, it's everything the stolid and humorless Gone Girl should have been.
  8. Now we know just what to expect from Coogan and Brydon, although as long as you're willing to settle in for the ride, that's not necessarily a bad thing.
  9. Carol is a film you want to reach out and touch, if only you could reach anywhere near the top of the pedestal it's perched on. It is itself an unattainable love object, the goddess Venus disguised as a movie.
  10. Glendon Swarthout’s 1988 novel offered a rare approach to those Old West stories by shifting the focus to the women and children who often bore its brunt the worst, and Jones has — for the most part — successfully captured this, often in devastating fashion.
  11. Connect with the kineticism of Song to Song, and it might just leave you breathless.
  12. Much of what happens in Infinitely Polar Bear could be unbearably painful, but Forbes sees the cracked humor in everything
  13. Because her tale is so fascinating, movie-making formula is all that's needed.
  14. The old footage — newsreels, scraps of home movies — is entrancing, and even those familiar details eventually accrete with the fresh ones into something grand and stirring, especially near the conclusion.
  15. While some of the workers' chitchat is translated via subtitles, long passages of it are not. Oreck's imagery of the forbidding Arctic landscape through its seasonal transformations (the movie covers roughly a year) is eloquent enough.
  16. What lingers in Nathan's documentary isn't the swaggering trails of diesel fumes. It's the sadness of watching Pug narrow his options.
  17. Charlie Victor Romeo shows us how much of life's weight and meaning can be packed into one second of thought or action; it's a work of shivery intimacy.
  18. Though this movie waltzes to its own strange rhythm, del Toro hits every note.
  19. A Walk Among the Tombstones is an uncommonly well-made thriller.
  20. Jalil Lespert's Yves Saint Laurent tries to sweep the evanescent butterfly Yves into its net: The movie isn't enough, but it's something.
  21. The kind of movie fans will be quoting for the rest of their lives, Shoot Me, from director-producer Chiemi Karasawa, is as much a playdate as portrait, a jumble of salty highlights attesting to the pleasure of her company.
  22. In the thoughtful and touching coming-of-age tale The Cold Lands, writer-director Tom Gilroy examines self-reliance as a philosophy and way of life.
  23. With striking compositions and cuts that reveal a deep appreciation of cinema's possibilities, Valeria Golino's Honey could be about anything at all and still demand and hold your attention; that the narrative is as moving as the film is aesthetically precise is an added delight.
  24. This film is like another work in the canon of baseball poetry.
  25. We see Phil's sons honoring him while going their own ways in a years-long effort to find the right pitch.
  26. In the end, this morphing of ideas and styles is more deadpan romantic than sociocritical, and sweeter for it.
  27. Credit this spirited, uncommonly effective found-footage thriller for breaking the templates promised by its genre and title.
  28. What Yeger stirs up is profoundly unsettling and deeply moving.
  29. The tension never lets up.

Top Trailers