Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Maggie's Plan is a fun light comedy with memorable characters, from a writer-director who lives up to her lineage (Arthur Miller's her dad), but it relies heavily on Gerwig's predictable charm and sometimes seems more Woody Allen than Rebecca Miller.
  2. I've seen Mottola's movie twice, and both times, it has inspired feelings of joy, sadness, and a profound yearning for the unrecoverable past.
    • 76 Metascore
    • 70 Critic Score
    For Chorus Line fans, though, the documentary--is a singular sensation.
  3. Alicia Vikander (Ex Machina), simultaneously poignant and powerful as Vera Brittain, the writer who fought her way into Oxford then chucked that to go to the front as a nurse, gives another indelible performance.
  4. The movie's sense of immutable desire resonates well after the lights have come up.
    • 76 Metascore
    • 90 Critic Score
    Despite the passive-aggressive bickering, Beats, Rhymes & Life is not, thankfully, hip-hop's "Some Kind of Monster."
  5. Inside Man certainly functions as a genre film, but the backbeat of inane banter and schoolyard trash-talking serves to promote an infectious sense of levity.
  6. Our subject retains a noticeable streak of pride in his expertise, though falters when discussing the killing of women. Hoping for his own salvation, the converted killer now claims the scales have fallen from his eyes, but his executioner's hood remains in place to the end - as does the mephitic air of timeless evil that hangs over El Sicario.
  7. The lovely ball-&-socket meeting of the two artists' sensibilities is what makes the doc sing, even if it is a chronicle of a death foretold.
  8. The result has only a loose resemblance to Valdés's story - though real-life figures including Charlie Parker, Dizzy Gillespie, Chano Pozo, and a Cuban songstress who bears some resemblance to Rita Montaner are featured as characters - but it's a dazzling thing to behold.
  9. In Something in the Air, that past—a version of Assayas's own—is rendered in visuals so specific and evocative, it's perpetually alive.
    • 76 Metascore
    • 80 Critic Score
    Despite Whitaker's best attempts, Rebirth never persuasively builds to catharsis, and that's entirely for the best. Forget transcendence: The quintet's return to normal, quotidian lives is the most inspiring development of all.
  10. Gunn has to juggle so many plot elements — so many booming galactic battles, so many whisker-close brushes with death — that it's little wonder he loses his grip on the thing. He inserts occasional moments of wonder but doesn't bother to smooth over the seams.
  11. A fiction film that documents the unpredictable, unscripted actions of its pint-size lead, Nana offers new ways of thinking about childhood, or, at the very least, about children in movies.
  12. Perverse, funny, and ultimately profound.
    • 76 Metascore
    • 100 Critic Score
    This is one of the most fully rounded, unsentimental portraits of an artist you'll ever see on film.
  13. Filmed during the months leading up to the 2009 presidential election in Iran, The Hunter still seethes with fury - and anticipates the blood that would spill after the vote.
  14. Shortland draws fine work from her actors, particularly the haunting Rosendahl, who manages to seem by turns a perfectly unbending Nazi youth, a frightened little girl forced to grow up too quickly, and a sensuous young woman bursting into bloom.
  15. A Prayer Before Dawn feels scarily authentic, and may be too much for some. But there are moments of grace amid the setting’s despair.
  16. Though Maclean uses every trick available to make up for the missing inner voice, we never get into Crudup's mellow loser like we should. Maclean's got an incisive eye, but it's poised on the outside of the terrarium looking in.
  17. Like a kid playing make-believe, In America is blithely confident of its own contrivances; it only benefits from a certain unselfconscious naïveté. And as with a misjudged Christmas gift or a mawkish sympathy card from a kindly relative, one can hardly doubt its uplifting intentions.
    • 76 Metascore
    • 80 Critic Score
    Gripping, relentlessly tragic retelling of life in revolutionary times.
  18. Hara-Kiri: Death of a Samurai is more than just another bid for respectability, like "13 Assassins" -it may well be Miike's best film, a patient, ominous piece of epic storytelling that conscientiously rips the scabs off the honorable samurai mythology.
  19. Virginie Ledoyen stars as Missak's impossibly lovely, stalwart wife, and a troupe of supporting players give life to the men and women who died not for the miserable France of that moment, but for the vision of what it could be.
  20. In this ecstatically fanciful film, Russian filmmaker Andrey Khrzhanovsky brings the acclaimed Nobel Laureate back home via his sonorous verse and a montage of archival footage, wickedly doctored photos, re-enactments, and puckish animation featuring two crows and a very large cat.
  21. Dirty Wars is essential viewing for anyone who wants to know how we wage war right now; it's also a chilling prologue for what's likely a global future of endless war and blowback.
  22. Machuca is still a half-measure. Wood is fastidious about period set design, but not much else; rather than burning with experience, the film feels opportunistic.
  23. As an introduction to its arresting, charismatic subjects, Night School is invaluable.
  24. The movie's best performance belongs to Peter Fonda. Tough, terrific, and totally unrecognizable as a bounty hunter, this cantankerous old hippie is so leathery he deserves his own line of rawhide apparel.
    • 76 Metascore
    • 90 Critic Score
    Fukunaga has made his Jane Eyre an intimate, thoughtful epic, anchored by strong lead performances and the gorgeous, moody 100-shades-of-gray cinematography of Adriano Goldman.

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