Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Mainly, Fix the World is about the beauty of the riff. The Yes Men are funniest when addressing a straight audience, making outlandish claims in favor of the free market and the benefits of unregulated catastrophe--the Black Plague gave us capitalism!
  2. A tactful but probing and richly satisfying study of an entire family thrown into self-doubt by a teenager venturing into risky territory as she struggles to find her way.
  3. From the virtuoso 10-minute single shot that encompasses the initial phone call, to a long, traveling shot of Davy all but running from a humiliating sexual encounter, Alvarez trusts Geraghty's fear-and-wonder-filled eyes to tell the tale. These two need to make more movies together.
  4. A master of smash-mash montage and choreographed chaos, Greengrass is the best action director working today, adroit at producing the sense of everyone converging and everything happening simultaneously.
    • 76 Metascore
    • 80 Critic Score
    May be a shallower experience than the book, but it has a headlong velocity all its own. Catch it before the inevitable U.S. remake.
  5. Greenberg is a movie of throwaway one-liners and evocatively nondescript locations. The style is observational, the drama is understated, and, when the time comes, it knocks you out with the subtlest of badda-booms.
  6. Director Robert J. Siegel allows the characters to inhabit their world without cleaving to a narrative arc. It's a luxurious hangout; spaces burgeon with goofy love and generous confusion.
    • 74 Metascore
    • 80 Critic Score
    Johnny's analysis and will carry the film. Of course they didn't get along--they were a rock group.
  7. Absorbing documentary portrait.
  8. An action film at once baroque and austere, hypnotic and opaque.
  9. The daring of the conception is matched only by the brilliance of the execution.
  10. A movie of long, expressive silences, Divine Intervention articulates things that have never been articulated, at least on the screen.
  11. However schematic, the movie percolates with immediacy and genuine warmth.
  12. The movie's best moments evoke the thrill of doing something new. Pollock convincingly retails the beauty and originality of the painter's best work -- it may not be an intellectual adventure, but it does represent one.
  13. An austere and fascinating documentary.
    • 45 Metascore
    • 80 Critic Score
    Flawlessly acted, Strange Fits of Passion could be a female equivalent of "The Year My Voice Broke," only in contemporary gear.
  14. The Last Bolshevik, considered by some to be Marker's masterpiece.
    • 79 Metascore
    • 80 Critic Score
    It's worth shelling out to see this doc on a theater screen: The enthralling archival footage of Germany in the 1930s is rare stuff indeed, of superb photographic quality.
  15. The show that Horrocks puts on when she finally takes to the stage is more than worth the wait.
  16. Without condescension, Debrauwer offers comic glimpses into their separate dreams of grandeur, but he lets Pauline's touching simplicity unite them.
    • 85 Metascore
    • 80 Critic Score
    The tales told are bitter, horrific in detail...yet often leavened with irony and humor. Rupert Everett's low-key narration serves the film well.
  17. You're paying for the view, and it's truly breathtaking.
  18. Made with intelligence and formal sophistication.
  19. Josh Aronson's thoroughly engrossing documentary Sound and Fury is as much about children's rights as it is about the impact of cochlear-implant technology on a family in which deafness runs through three generations.
  20. Rampling has never been as beautiful, not to mention as emotionally naked, nuanced, and affecting as she is here.
  21. What a world we'd live in if Argento's Hollywood counterparts -- say, Sarah Michelle Gellar, or even Christina Ricci -- had this much imagination and nerve. Few of them, at any rate, have Argento's reserves of lonesome passion and unspigoted woe.
  22. Noteworthy for its rich characterizations and startling plot twists, including a delightful surprise ending that is both a sexual double entendre and a matriarchal triumph.
  23. Inoffensively glib and innocuously arty.
  24. Takes its shape from (Viard's) performance, which is as big as life.
  25. Bittersweet, haunting, and as original and eccentric as homage movies get.

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