Village Voice's Scores

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For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
  1. Positive: 4,708 out of 11162
  2. Mixed: 4,553 out of 11162
  3. Negative: 1,901 out of 11162
11162 movie reviews
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  1. Only Yesterday (1991)
    It's both an important part of Ghibli's history and a gem in its own right.
  2. My Dog Tulip
    His gift-and the film's-is to transform the seemingly banal relationship between pet and owner into something singular, inimitable, sacred.
  3. Dina
    Dina is a story about resilience and a woman’s indomitable will to seek out her best life.
  4. In Praise of Love
    A sustained immersion in gorgeously austere street photography and casual portraiture, the images punctuated by bits of black leader and gnomic intertitles, the action propelled by sweetly pulverized music and an effortlessly layered soundtrack of enigmatic conversations. Poetry is really the only word for it.
  5. Two Days, One Night
    What anchors Two Days, One Night, and eases its gaps, is Cotillard's extraordinary performance.
  6. I Served the King of England
    A mischievously hedonistic, Chaplinesque farce, the film buoyantly but seriously traverses the horrors of World War II with a subtlety and sophistication that most American comedies cannot grasp.
  7. The Painting (Le Tableau)
    With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.
    • 96 Metascore
    • 90 Critic Score
    Nashville
    I think that the power and the theme of the film lie in the fact that while some characters are more “major” than others, they are all subordinated to the music itself. It’s like a river, running through the film, running through their life. They contribute to it, are united for a time, lose out, die out, but the music, as the last scene suggests, continues.
  9. American Revolutionary: The Evolution of Grace Lee Boggs
    This film is one of our best documents of the civil rights era, but it is also a portrait of someone with a singular perspective, a big mind, and a joyous aptitude for conversation.
    • 68 Metascore
    • 90 Critic Score
    Casino Jack and the United States of Money
    Indispensable viewing.
  11. Z for Zachariah
    The film works on its own terms, capturing, at least, the mournful vibe of O'Brien's book. What's more, Zobel's revision opens up plenty of space for the three actors who inhabit this circumscribed little world, all of whom are terrific.
  12. Smashed
    Movies about drugs and alcohol might be a dime (bag) a dozen, but James Ponsoldt's Smashed is so beautifully shot and well acted as to transcend the genre.
  13. Leviathan
    This is a dense, multilayered picture, one firmly rooted in a specific landscape, a dramatic coastal spot dotted with the carcasses of decrepit fishing boats, as well as the magnificent skeleton of one long-dead whale.
  14. The Flat
    In families, this fascinating film suggests, acknowledging or denying the darker truths of one's legacy is a choice that must be made again and again, each and every day.
  15. Go Down Death
    Schimberg, in this debut, demonstrates rare assuredness in shooting and staging scenes, coaxing unexpected but true-feeling flourishes from his cast of mostly amateurs blessed with extraordinary faces.
  16. 2046
    Mood is everything, trumped up by a score so rich with pop songs, bossa nova drama, and symphonic mournfulness it's almost a movie on its own. 2046 may be a Chinese box of style geysers and earnest meta-irony, but that should not suggest there aren't bleeding humans at the center of it.
  17. John McEnroe: In the Realm of Perfection
    Faraut’s film doesn’t just put us courtside — it steeps us in the legend’s boiling mind.
  18. Pistol Opera
    Suzuki has made the ultimate meta-movie, a self-parodying, surrealist gangster daydream as intoxicating and insubstantial as an absinthe swoon.
  19. Harmonium
    Just as in the best old-school, Cain-style noir, Fukada’s film is eloquent about the fragile privileges of modern urban life and the hidden lies it can be built upon.
  20. Get On Up
    Get On Up isn't a perfect-picture; there are moments of awkwardness, little gambles that don't quite pay off. But it's one of those experiments that's both flawed and amazing, a mainstream movie (with Mick Jagger as one of its producers) that fulfills old-fashioned, entertainment-value requirements, even as it throws off flashes of insight.
    • 89 Metascore
    • 90 Critic Score
    Quai des Orfèvres [re-release]
    The visual style has an expressionistic undertow, rich in shadowy chiaroscuro compositions.
  22. How I Live Now
    Tender, humane, and searing, How I Live Now stands as something all too rare: a movie about young people that young people may love — but not one that lies to them, and not one built for them alone.
  23. Pee-wee's Big Holiday
    Manically imaginative and very funny.
  24. A Woman's Life
    The ending is a joy and a heartbreaker, but what lingers from this revelatory life is that compact world Jeanne inhabits, and how each tragedy, each happiness, and each everyday gesture together accrete into the woman we discover again and again.
  25. Neil Young Trunk Show
    Removing even stage banter, the focus is entirely on performance, save for a few "candid backstage" bits--Young getting a cracked nail filed down, etc. Devotees will thrill to rarities like "Kansas" and "Mexico."
  26. Summertime
    For all of its wise, welcome focus on the libidinal, Summertime additionally succeeds in presenting the liberationist fervor of the time without devolving into school-play pageantry.
  27. Memories of Murder
    It's an altogether remarkable piece of work, deepening the genre while whipping its skin off, satirizing an entire nation's nearsighted apathy as it wonders, almost aloud, about the nature of truth, evidence, and social belonging.
  28. The Mend
    It's a tough film to shake, a slice-of-life that slices, knifelike. It's a funny drama of brothers that first makes you hate its prickly leads but then, after steeping you in their bottomed-out day-to-day, might inspire you to hope for them.
    • tbd Metascore
    • 90 Critic Score
    The Lips
    With a minimum of dialogue and backstory, the lead actresses (winners of a single special prize at Cannes 2010) movingly portray the depth of these colleagues' compassion, and their struggle to maintain a front of data-gathering objectivity. Unfolding in a remarkably organic fashion, The Lips pays plaintive tribute to the work.
  30. How to Make Money Selling Drugs
    It's a smart, funny, tough-minded film crammed with data and personal anecdotes, each illuminating the other, each sketching in the staggering costs—and not just financial—of the ways authorities in this country have shaped the drug issue. It's far from glib.
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