Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Ahearn's maddening game of connect-the-dots is content to collapse inward with honking, preening abandon.
  2. The self-conscious acting and use of direct address bespeak an aesthetic less orthodox Dogme than MTV's Real World, with a nod to Jerry Springer.
  3. A crystalline curio of dumbshit nihilism shot through with fleeting pathos, Koury's home movie often evokes "The Decline of Western Civilization Part III."
    • 33 Metascore
    • 30 Reviewed by
      Ed Park
    The story has too many characters, about whom we know too little.
  4. Fawzi shoots the proceedings in clumsy, gotch-eyed spurts, and the level of incoherence is impressively high.
  5. Some dogs can bark.
  6. Eisenstadt has nowhere to go with her catalogue of relaxed urban crazies, and at 79 minutes, the movie is padded out by four song interludes too many.
  7. Hoffman has no particular argument to make, and neither does the movie -- just befuddled disgust with The System in general and the right wing in particular.
  8. Fraught with sophomoric lost-innocence metaphors and schematic oedipal tensions.
    • 35 Metascore
    • 30 Critic Score
    All the stylistic flourishes can't hide the lack of an actual plot, character development, or point. Like Gerardo, we wait, hoping something will happen, knowing nothing will.
  9. A stifling chamber piece laced with Repulsion-style foreboding and an undercurrent of kink.
    • 45 Metascore
    • 30 Reviewed by
      Ed Park
    The acting is deliberately bad, directed to an ostensibly dreamlike flatness; and it's also just plain bad.
    • 53 Metascore
    • 30 Critic Score
    Long-winded, jokingly self-deprecating, and clichéd.
  10. This is more than self-amused irony; this is kitsch as religion.
  11. Screwball it isn't, but it has screwy down pat.
    • 14 Metascore
    • 30 Critic Score
    Writer-director Mark Wilkinson gracefully elides backstories while arranging his converging narratives into a neat fugue, but the overall preciousness of his conception is suffocating.
    • 51 Metascore
    • 30 Critic Score
    A Letter to True could provide a corrective reminder that bad taste emerges in high-class forms as often as low. The film's failures cannot be faulted to inexperience.
  12. Time and again words fail Weber. He's a loquacious but unilluminating host.
  13. The film outs itself as a shallow indie "Rambo."
    • 57 Metascore
    • 30 Critic Score
    Stilted lines alternate with ominous pauses and an annoying Pure Moods score tinkling around an oppressive sound design.
  14. The even faintly informed will see only a cut-rate vision of flabby white men defending their own bloodthirsty opportunism.
    • 43 Metascore
    • 30 Critic Score
    Director Stolhand gets a high-quality look on a minimal budget, but the script and acting are so amateurish.
  15. Takes a potential hot-button premise--the callous indifference of the Indian medical bureaucracy toward the lower classes--and dramatizes it in the most shameless way possible.
    • 53 Metascore
    • 30 Reviewed by
      Ed Park
    Most of the action is tedious, and the less you pay attention to the dialogue, the less you'll feel your hand inadvertently twitching as if with joystick.
  16. 10 on Ten is less illuminating than pedantic, as well as tediously self-absorbed.
    • 41 Metascore
    • 30 Critic Score
    The only thing more inexplicable than the loathsome score is the story's determination to impregnate all its major female characters. Fuggedaboudit.
  17. Dishwater-dull period melodrama.
    • tbd Metascore
    • 30 Critic Score
    Billed as a "satirical comedy about the American dream," La Visa Loca doesn't have anything to say about that eternal subject and is excruciatingly unfunny.
    • 36 Metascore
    • 30 Critic Score
    On a spare stage set, Dresser's clever script is allowed breadth for contemplation; here it's sodden with animated sludge. Watch it with your eyes closed.
    • 52 Metascore
    • 30 Critic Score
    The real subversion is director Michael Meredith's insistence on not capturing interactions between human beings in a frame; with some forethought he could have filmed the actors individually and spliced.

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