Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 56 Metascore
    • 40 Critic Score
    Whatever political statement Ayer intended to make with his Gulf War veteran turned human time bomb is swamped by the movie's obnoxious badass envy, and Bale's gloating display of American-psycho fireworks, the kind of vein-popping show-boating that might as well be performed in a mirror.
  1. The rather unappealing character of Axel is indulged with every opportunity for redemption, as Spacey is indulged with every opportunity to showboat.
  2. A glorified informercial, complete with enough blandly upbeat guitar-cues to power all 22 seasons of "Real World" intros.
  3. Nicely rendered moments of casual intimacy between the men attest to the trip's therapeutic value, but very little of it transfers to the audience. The dull large-group scenes consist mostly of old standbys like writing problems on slips of paper and burning them.
  4. Spongy with equanimity and stronger on introspection than exposition, the movie amounts to a crude assembly of sincere testimony, somehow too long at 76 minutes and maybe actually a job for Werner Herzog instead.
  5. "Lady and the Tramp" all by its lonesome is worth a dozen of these meat-grinders -- crude commodities, plush toys and product placements in search of a story from which to hang their price tags.
  6. Aspires to nothing more or less than carrying along an audience through a string of unremarkable kills, often involving high-jumping fish.
  7. In due course skeletons will march out of closets, but the movie yields up its secrets with slow reluctance.
  8. A big, stupid bull with bodacious tits, but that's not to say it doesn't dish out some lite hardy-hars.
  9. A genuine consciousness-raiser, but it's less a social-realist narrative than a high-volume rally.
    • 41 Metascore
    • 40 Critic Score
    A culture-shock/daddy-meets-girl romantic comedy, WAGW is a sanitized adventure for the Mary Kate-and-Ashley set.
  10. Unconvincing, flawed matriarch Mendes and junior showboat Ramirez appear to be acting in entirely different movies.
  11. Strangers With Candy regularly lampoons junkie-reparation melodramas and after-school specials, but with so little focus it's never clear what the film, or even Sedaris's vaudeville buffoon incarnation, is supposed to be parodying. That may be its fascination for some--it's a satire without a baseline, free-floating in its own self-indulgent ether.
  12. Lacking Iron Man’s wit, the Hulk’s brains, and the Captain’s ideals, he’s in peril of going poof himself if the franchise doesn’t figure out how to capitalize on its most glorious hero.
    • 41 Metascore
    • 40 Critic Score
    Old annoying ethnic family stereotypes meet new annoying gay-relationship stereotypes in this candidate for "Kiss Me Guido's" heretofore uncontested niche.
  13. McCarthy gets bashed about like a Stooge, and she bashes back with riotous abandon. Sadly, the rest of the movie is a shambles. So, let it be said, this one time only: Here is a comedy that really could use more inter-gender violence.
  14. There's no consistent narrative thread to carry the film from start to finish, and A Fierce Green Fire fails to open any singular intellectual or psychological point of investigation.
  15. An hour of these repetitive, predictable disasters should wear down all but the most bailout-hating viewers.
  16. Despite such ubiquitous timidity, one can pluck out a few pleasing distractions here.
  17. At once chintzy and grandiose, awash in battlefield sentimentality and platoon clichés.
  18. This movie's got everything except gravity or a sense of emotional coherence.
  19. W.
    A painful movie to endure.
    • 57 Metascore
    • 40 Critic Score
    Her savvy for self-presentation, though admirable from a business standpoint, makes for a more boring movie. You never get the sense that the camera was ever allowed to see anything that Perry didn't want it to see.
  20. For some fans, the taste of on-location color matters most, but Nuñez's idea of the characters' ordinariness translates to flavorlessness.
  21. The humble Kyle onscreen is Kyle with his flaws written out. We're not watching a biopic. We're watching a drama about an idealized soldier, a patriot beyond reproach, which bolsters Kyle's legend while gutting the man.
  22. John Griesser’s film about Srila Prabhupada, founder of the Krishna movement, is not so much a documentary as it is a hagiography.
  23. The beauty of Sandler's performance -- a superbly modulated suite of crestfallen groans and grimaces -- is he often seems to be reacting not just to his crazy wife but also to the dismal movie he's stuck in.
  24. Refraining images of the mind-controlled sleepwalker Cesare from The Cabinet of Dr. Caligari seem to submit Adrien as a Svengali-like figure to the kids, even as his "Iggy used to say . . ." pickups to fresh-faced scenesters don't seem to pay off.
  25. There is such a thing as too sweet, and after this film, you'll feel a toothache coming on.
  26. For a film about the perils of too much talk, there's quite a lot of babbling presented as profundity. The political statements in Pontypool, much like those in another recent Canadian offering, Atom Egoyan's trite terrorism hand-wringer "Adoration," seem all the less provocative for appearing several years too late--McDonald's film might have had more punch if it were released when Bluetooth first rolled out.

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