For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Diana Clarke
Monk With a Camera hints at answers, but imposes nothing. Like a good photograph, or a wise abbot, it only presents the evidence and allows us to arrive at truth.- Village Voice
- Posted Nov 18, 2014
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Reviewed by
Alan Scherstuhl
This superb, suspenseful film, completed in 2009, opens as a playful comedy of vacationing couples and awkward romance, one that might be set in the French countryside, but by the end has become a moral drama likely to corrode your certainties.- Village Voice
- Posted Apr 7, 2015
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Reviewed by
Zachary Wigon
Ballet 422 is more visually sumptuous than most narratives you're likely to see this year, featuring careful compositions that make watching the film an aesthetic experience as much as an intellectual one.- Village Voice
- Posted Feb 3, 2015
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Calum Marsh
Reichert and Zaman level a perceptive, justly withering eye at the state of healthcare in the United States, careful to remind, if only implicitly, of the tragedy that necessitates these commendable acts of charity.- Village Voice
- Posted Nov 25, 2014
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Reviewed by
Alan Scherstuhl
Time Out of Mind is an experiment in empathy, an examination of bureaucracy and streetlife mundanity, and a movie that many will find a tough sit.- Village Voice
- Posted Sep 8, 2015
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Reviewed by
Alan Scherstuhl
The biggest suspense: As everything gets worse for everyone, will this consummate director's outraged worldview afford anyone any pity? At first you'll seethe — then your heart will ache.- Village Voice
- Posted Jan 13, 2015
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Reviewed by
Alan Scherstuhl
The Visit, M. Night Shyamalan's witty, crowd-jolting spook-house of an eleventh feature, is its writer-director's best movie since the tail-end of the last Clinton era. And it's the best studio horror flick in recent years, combining the but-what's-in-those-shadows? immersion of The Conjuring, James Wan's basement-wandering simulator, with the crack scripting and meta-cinematic surprises of Shyamalan's best early films.- Village Voice
- Posted Sep 9, 2015
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Bilge Ebiri
If only all blockbusters could be this exciting, engrossing, and beautiful.- Village Voice
- Posted Apr 12, 2016
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Alan Scherstuhl
If you can work up interest in such meager material, the film is a chilling, stirring, experiential immersion in what life-and-death drama might actually feel like.- Village Voice
- Posted Dec 11, 2015
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Reviewed by
Danny King
In Songs From the North, the South Korean–born, U.S.-based filmmaker Soon-Mi Yoo takes her camera to North Korea and, through a purposeful mix of on-location footage, poetic intertitles ("Is North Korea the loneliest place on Earth?"), and archival media, creates an empathetic snapshot of a country that is almost never depicted in such an accessible light.- Village Voice
- Posted Dec 9, 2014
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Reviewed by
Stephanie Zacharek
The movie Wenders and Juliano have made is a tribute that feels both grand and modest in scale: Just as Salgado's photographs do, it extends the notion of friends and family to include every citizen of the world.- Village Voice
- Posted Mar 24, 2015
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Reviewed by
Alan Scherstuhl
Forget its generic title, its breakup setup, and its indie-standard Brooklyn walk-and-talks: Writer/director Desiree Akhavan's Appropriate Behavior is the freshest comedy of life and love in the city since Obvious Child.- Village Voice
- Posted Jan 13, 2015
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Reviewed by
Zachary Wigon
This is a sure-handed, complex portrait of one woman's attempts to feel alive.- Village Voice
- Posted Jan 7, 2015
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Serena Donadoni
Valley of Saints is a marvel of neorealism, with nonprofessional actors facing the same hurdles as their characters and writer/director Syeed improvising in shifting circumstances.- Village Voice
- Posted Jan 7, 2015
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Reviewed by
Michael Atkinson
Textually, the setting's brutalist conflation between the far future and the distant past makes the film timeless, an elusive fable told with the viscous immediacy of a life on the diseased edge of civilization.- Village Voice
- Posted Jan 27, 2015
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Reviewed by
Amy Nicholson
[Wiig's] great, but the film's in the pocket of Powley's rib-high corduroys from the second she struts onscreen — and long after she takes them off.- Village Voice
- Posted Aug 4, 2015
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Reviewed by
Alan Scherstuhl
Part of what makes writer-director Rick Famuyiwa's Dope so fresh and joyous is that in many key ways it's not new at all.- Village Voice
- Posted Jun 16, 2015
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Stephanie Zacharek
In the early minutes you might not be sure what you're watching. Tangerine's a comedy, of course, laced with rambunctious, exuberantly ragged dialogue. But by the end, Baker and his actors have led us to a place beyond comedy — you may still be laughing, but your breath catches a little on the way out.- Village Voice
- Posted Jul 7, 2015
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Reviewed by
Stephanie Zacharek
The film works on its own terms, capturing, at least, the mournful vibe of O'Brien's book. What's more, Zobel's revision opens up plenty of space for the three actors who inhabit this circumscribed little world, all of whom are terrific.- Village Voice
- Posted Aug 25, 2015
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Reviewed by
Stephanie Zacharek
It gradually settles and deepens into something nuanced and moving, a character study that's not so much about aging, specifically, as it is about the great and awful process of getting to know yourself.- Village Voice
- Posted Aug 18, 2015
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Reviewed by
Alan Scherstuhl
Its central journey lives up to the title: Maclean finds time to savor rivers and starscapes and layers of light and mountainous land. The dialogue is flighty yet weighty, each line like some delicate woodcut.- Village Voice
- Posted May 12, 2015
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Reviewed by
Alan Scherstuhl
Garbus's film is a portrait of a soul torn apart by forces beyond it and within it.- Village Voice
- Posted Jun 25, 2015
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Reviewed by
Amy Nicholson
The Wolfpack is more like a diorama of the Angulos' unusual childhood than an explanatory documentary.- Village Voice
- Posted Jun 9, 2015
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Reviewed by
Alan Scherstuhl
There's something wonderful in how these scenes, so breezy and funny, reveal so much.- Village Voice
- Posted Sep 29, 2015
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Simon Abrams
Ronit's remarkable sensitivity makes Gett a tough but essential melodrama.- Village Voice
- Posted Feb 10, 2015
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April Wolfe
The complexity of feminism for young girls today is displayed with rare hilarity and insight.- Village Voice
- Posted May 19, 2016
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Reviewed by
Calum Marsh
The faults and merits of the free-school movement are elucidated with a steely, journalistic rigor. More surprising is that this candid glimpse plays as exhilarating drama.- Village Voice
- Posted Feb 17, 2015
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Michael Atkinson
Quite possibly the only film ever made focused on the centuries-long enslavement of the Romani in Eastern Europe, Aferim! plays like a sleight of hand, amusing us at a distance with vulgarisms and entrancing us with countryside while the bloody work of civilization grinds on out of the corner of our eye.- Village Voice
- Posted Jan 19, 2016
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Reviewed by
Diana Clarke
What a relief to watch this small, expert film — a pane of glass in a concrete wall — that whispers, that dares to stand still and witness ordinary human pain.- Village Voice
- Posted Feb 24, 2015
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Reviewed by
Ernest Hardy
What could have been an impossibly bleak viewing is actually made more unnerving through DeFriest's droll humor and acceptance of his fate — rather than being Zen-like, he's prickly and dark, with such dazzlingly high native intelligence that you mourn for potential needlessly wasted.- Village Voice
- Posted Mar 3, 2015
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