Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Monk With a Camera hints at answers, but imposes nothing. Like a good photograph, or a wise abbot, it only presents the evidence and allows us to arrive at truth.
  2. This superb, suspenseful film, completed in 2009, opens as a playful comedy of vacationing couples and awkward romance, one that might be set in the French countryside, but by the end has become a moral drama likely to corrode your certainties.
  3. Ballet 422 is more visually sumptuous than most narratives you're likely to see this year, featuring careful compositions that make watching the film an aesthetic experience as much as an intellectual one.
  4. Reichert and Zaman level a perceptive, justly withering eye at the state of healthcare in the United States, careful to remind, if only implicitly, of the tragedy that necessitates these commendable acts of charity.
  5. Time Out of Mind is an experiment in empathy, an examination of bureaucracy and streetlife mundanity, and a movie that many will find a tough sit.
  6. The biggest suspense: As everything gets worse for everyone, will this consummate director's outraged worldview afford anyone any pity? At first you'll seethe — then your heart will ache.
  7. The Visit, M. Night Shyamalan's witty, crowd-jolting spook-house of an eleventh feature, is its writer-director's best movie since the tail-end of the last Clinton era. And it's the best studio horror flick in recent years, combining the but-what's-in-those-shadows? immersion of The Conjuring, James Wan's basement-wandering simulator, with the crack scripting and meta-cinematic surprises of Shyamalan's best early films.
  8. If only all blockbusters could be this exciting, engrossing, and beautiful.
  9. If you can work up interest in such meager material, the film is a chilling, stirring, experiential immersion in what life-and-death drama might actually feel like.
  10. In Songs From the North, the South Korean–born, U.S.-based filmmaker Soon-Mi Yoo takes her camera to North Korea and, through a purposeful mix of on-location footage, poetic intertitles ("Is North Korea the loneliest place on Earth?"), and archival media, creates an empathetic snapshot of a country that is almost never depicted in such an accessible light.
  11. The movie Wenders and Juliano have made is a tribute that feels both grand and modest in scale: Just as Salgado's photographs do, it extends the notion of friends and family to include every citizen of the world.
  12. Forget its generic title, its breakup setup, and its indie-standard Brooklyn walk-and-talks: Writer/director Desiree Akhavan's Appropriate Behavior is the freshest comedy of life and love in the city since Obvious Child.
  13. This is a sure-handed, complex portrait of one woman's attempts to feel alive.
  14. Valley of Saints is a marvel of neorealism, with nonprofessional actors facing the same hurdles as their characters and writer/director Syeed improvising in shifting circumstances.
  15. Textually, the setting's brutalist conflation between the far future and the distant past makes the film timeless, an elusive fable told with the viscous immediacy of a life on the diseased edge of civilization.
  16. [Wiig's] great, but the film's in the pocket of Powley's rib-high corduroys from the second she struts onscreen — and long after she takes them off.
  17. Part of what makes writer-director Rick Famuyiwa's Dope so fresh and joyous is that in many key ways it's not new at all.
  18. In the early minutes you might not be sure what you're watching. Tangerine's a comedy, of course, laced with rambunctious, exuberantly ragged dialogue. But by the end, Baker and his actors have led us to a place beyond comedy — you may still be laughing, but your breath catches a little on the way out.
  19. The film works on its own terms, capturing, at least, the mournful vibe of O'Brien's book. What's more, Zobel's revision opens up plenty of space for the three actors who inhabit this circumscribed little world, all of whom are terrific.
  20. It gradually settles and deepens into something nuanced and moving, a character study that's not so much about aging, specifically, as it is about the great and awful process of getting to know yourself.
  21. Its central journey lives up to the title: Maclean finds time to savor rivers and starscapes and layers of light and mountainous land. The dialogue is flighty yet weighty, each line like some delicate woodcut.
  22. Garbus's film is a portrait of a soul torn apart by forces beyond it and within it.
  23. The Wolfpack is more like a diorama of the Angulos' unusual childhood than an explanatory documentary.
  24. There's something wonderful in how these scenes, so breezy and funny, reveal so much.
  25. Ronit's remarkable sensitivity makes Gett a tough but essential melodrama.
  26. The complexity of feminism for young girls today is displayed with rare hilarity and insight.
  27. The faults and merits of the free-school movement are elucidated with a steely, journalistic rigor. More surprising is that this candid glimpse plays as exhilarating drama.
  28. Quite possibly the only film ever made focused on the centuries-long enslavement of the Romani in Eastern Europe, Aferim! plays like a sleight of hand, amusing us at a distance with vulgarisms and entrancing us with countryside while the bloody work of civilization grinds on out of the corner of our eye.
  29. What a relief to watch this small, expert film — a pane of glass in a concrete wall — that whispers, that dares to stand still and witness ordinary human pain.
  30. What could have been an impossibly bleak viewing is actually made more unnerving through DeFriest's droll humor and acceptance of his fate — rather than being Zen-like, he's prickly and dark, with such dazzlingly high native intelligence that you mourn for potential needlessly wasted.

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