Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. To watch this movie (shot in breathtaking widescreen by cinematographer Ian Jones) is to enter into a whole new language of symbols and meaning, the likes of which I have rarely encountered in cinema outside of the African tribal films of Ousmane Sembene.
    • 82 Metascore
    • 90 Critic Score
    Devos's performance is an expert workshop of internalized emotions and silent forbearance.
  2. In a remarkable performance that won her a special award from the world cinema jury at this year's Sundance Film Festival, Chilean television vet Saavedra goes through one of the most uncanny psychophysical transformations I've ever seen in a movie without the benefit of obvious makeup or other prosthetics.
  3. The filmmaker might be accused of preaching to the choir were the story not so compelling and the performances so strong.
  4. What's truly extraordinary about this movie--which strikes me on two viewings as Maddin's masterpiece--is that it not only plays like a dream but feels like one.
  5. The unexpectedly impressive nature documentary Pandas is so visually dynamic that even the most pedantic (think Neil deGrasse Tyson level) skeptics will probably not mind listening to narrator Kristen Bell — speaking for writer–co-director Drew Fellman — rattle off 43 minutes’ worth of cutesy panda trivia.
  6. Villeneuve's proven he's got a strong punch. The trouble is, he barely aims.
  7. Call it the Passion of Jeanne: Accompanied for much of the movie by a single reverb-heavy guitar and a snare drum, Balibar demonstrates a carefully calibrated lack of affect and a voice as smoky as a carton of Gitanes.
  8. It's at once brilliant and inept.
  9. Despite its horror or rather partly because of it, The Honeymoon Killers is memorable more as a deliriously freakish love story than as a grand guignol.
    • Village Voice
  10. The film's length may well be intended to mirror the 72-day ordeal, but it's relentlessly wearing and lacking in nutritive fiber.
    • 81 Metascore
    • 10 Critic Score
    I haven't seen a film this year that so openly invited me to revile each and every one of its characters-and I reviewed "The Human Centipede."
  11. Wiseman's generally static camera spends prolonged periods of time in the classroom, at student gatherings, and in the halls of educational power, training a multifaceted gaze on opinions regarding an economic shift affecting faculty salaries, subsidized programs, student tuition, and the university's fundamental "public" character.
  12. Careful, dutiful, and beautiful, Blade Runner 2049 cannot achieve the sublime slipperiness of Scott’s masterpiece. Whether it even needs to is up to you.
  13. The movie is itself a rat-maze of one-sided mirrors, windows upon windows, anonymous hallways, compartmentalized instances of watching, being watched, seeing and not-seeing.
  14. A quiet, raggedly beautiful mini-epic, Eden isn't a success story; it's a failure story. But it's also a glittering acknowledgement of the fact that failing is the only path toward growing.
  15. In addition to reporting a scoop, Bartley and O'Briain do an excellent job in deconstructing the Venezuelan TV news footage of blood, chaos, and rival crowds.
  16. Another unforetold career acme: Christopher Guest's seductive and brilliantly modulatory A Mighty Wind, which trains its laser-sight on the decaying legacy of Peter, Paul and Mary-style pop-folk.
  17. Angkor Awakens: A Portrait of Cambodia is a superbly balanced picture of Cambodia then and now, a nation in a sort of stupor of post traumatic stress syndrome, denial and survivor's' guilt.
  18. A movie about soccer that doesn't spend a lot of time on the field, The Damned United, like everything Morgan writes, is an intimate character study, one that is enriched by a stellar ensemble of British pros, including Jim Broadbent as Derby's team owner.
    • 81 Metascore
    • 80 Critic Score
    On the one hand, Georgia is extremely painful; on the other, there's joy in the enterprise. [12 Dec 1995]
    • Village Voice
  19. A simple, solid, deeply affecting film.
  20. Few films shake and astonish like this one, even though nothing in it should be a surprise.
  21. A spare, formally ingenious, journalistically acute piece of filmmaking.
    • 81 Metascore
    • 80 Critic Score
    Into the river, miraculous landscape: Los Muertos connects with the elemental energies of sunlight, water, and leaf like nothing since Blissfully Yours. Indeed, that might have worked well for a title here -- that, or Heart of Darkness.
  22. Unadulterated labor is the focus of this blistering, beautifully modulated documentary from Mexican auteur Eugenio Polgovsky.
  23. But the directors elevate the picture to a level of emotional genius by filming the children's play as a full-on cinematic adaptation, shot and edited with seriousness and polish.
  24. [A] studious, rigorous, and surprisingly tender documentary.
  25. For most of its running time, Arrival is entrancing, intimate, and moving — a sci-fi movie that looks not up at the stars but rather deep within.
  26. Once it works its way through the first-timer's lookatme! snark, Juno evolves into a thing of beauty and grace. By the end, it's unexpectedly moving without ever once trolling for crocodile tears. It's a sneak attack.

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