Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Spider-Man: Homecoming is comics, unapologetically, as close as blockbuster filmmaking gets to cartooning.
  2. Old Dog has the look and feel of a documentary, which adds senses of urgency and immediacy to a tale that moves at a languid, but never boring, pace.
    • 80 Metascore
    • 90 Critic Score
    Expertly crafted documentary.
  3. Like many of the best movies about war and its lingering echo, The Hunting Party is full of dark humor. Writer-director Richard Shepard, maker of 2005's "The Matador," is becoming a master at finding the right tone, balancing the seriousness of his characters' purpose with the madness of their intentions.
  4. Textually, the setting's brutalist conflation between the far future and the distant past makes the film timeless, an elusive fable told with the viscous immediacy of a life on the diseased edge of civilization.
  5. The film has plenty of unflinching truth and emotion and outrage, and it ends with a gut punch. It's the subtly unreal quality of what we're seeing throughout, however, that truly highlights the obscenity of war.
  6. Grippingly plotted and exquisitely thoughtful, 52 Tuesdays is a poignant reminder that neither confusion nor crisis is doomed to be calamitous.
  7. This marvelous, mostly animated doc/drama hybrid couldn't have come along at a better time.
  8. Leisurely yet streamlined film, brilliantly adapted by British filmmaker Terence Davies from Edith Wharton's most powerful novel.
  9. Terror is existential in this highly intelligent, somewhat sadistic, totally fascinating movie.
  10. Like so much of his celebrated work, documentarian Frederick Wiseman's National Gallery is long, leisurely paced, wide-ranging, meticulously crafted, intellectually intricate, and touched with profundity.
  11. It's squirrelly, surprising, and elusive, but this beaut of a debut is no curio.
  12. The smartest, funniest cheap monster-movie import this side of June's "Trollhunter," Attack the Block is a near-perfectly balanced seasonal trifle: Anchored in social realism yet determinedly goofy, it's neither too eager for laughs nor overtly preachy.
  13. If only all blockbusters could be this exciting, engrossing, and beautiful.
  14. Road movies don't get any purer.
  15. The results are extraordinary. As understated as it is, the movie is both deeply absurd and powerfully affecting.
  16. A dance is not only motion, but emotion. This fascinating film reminds us how closely the two are linked.
  17. Meditative in its slowness and exquisite beauty, Portrait of a Garden is more than a fine documentary — it's a balm for the soul.
  18. The film is striking, at times even piercing, for the way it infiltrates some universal realities of marriage.
  19. This is one scary movie, not because we see ghosts or monsters, but because Kidman makes us feel her fear as our own.
  20. Knowing the real-life inspiration for On the Beach at Night Alone may help one appreciate the film’s moral trajectory a bit better. But the movie’s charms work on a much more immediate level, in the way it captures the ever-shifting dynamic between men and women, and the difficulty of matching one’s feelings to one’s words.
  21. Jeremy Kagan's excellent adaptation of William Gibson's stage play.
  22. As straightforward and plot-driven as any movie about life imitating art imitating life could possibly be.
  23. Like her namesake, the filmmaker Lizzie Borden took an ax...to cinema conventions and tidy political resolutions in her 1983 landmark Born in Flames.
  24. There is no test of behavioral range in Limelight that Chaplin does not pass superbly. [01 Oct 1964, p.15]
    • Village Voice
  25. There are long stretches in Sexy Beast that are so exhilarating it feels churlish to dwell on its flaws.
  26. Exactly the sort of mysterious and almost holy experience you hope to get from documentaries and rarely do, Jeff Malmberg's Marwencol is something like a homegrown slice of Herzog oddness, complete with true-crime backfill and juicy metafictive upshot.
  27. 35 Shots is Denis's warmest, most radiant work, honoring a family of two's extreme closeness while suggesting its potential for suffocation.
  28. Unassumingly powerful details make The Guardians one of the year’s most affecting love stories.
  29. Nymphomaniac is a jigsaw opus, an extended and generally exquisitely crafted riff. Story, theme, and character (despite Gainsbourg's captivations) bow to von Trier's gamesmanship, which makes his own promiscuities the film's true subject.

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