Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. What can a movie tell us about the painter that the paintings do not? The effort has done no favors for Picasso or Rivera or Bacon.
  2. Flawed but fascinating.
  3. One
    Even more than the subtlety of the writing and acting, it's this sophisticated and emotionally potent visual strategy that suggests Barbieri's promise as a filmmaker and lifts One above the low-budget indie heap.
  4. He's selling nonsense fantasy in a movie that's nonsense fantasy, but boy is Tatum the real deal.
  5. There are moments when the tedium loosens you to melt into the landscape, and you swear you can hear the moss on the rocks start talking.
  6. An important film despite some baffling presentational choices.
  7. Scott Cohen's Red Knot exhibits such spot-on, heartbreaking honesty about behaviors that tear many couples apart — passive-aggressiveness, career obsession, seeking validation to soothe one's inadequacies — that it's easy to forgive Cohen his metaphorical excesses.
  8. Perhaps a radical re-editing of Fear X-like Lynch did on “Mulholland Drive”-could rescue the film's workaday unease from the dread taboo of derivative weirdness. It's half a movie, but a half that hums.
    • 61 Metascore
    • 40 Critic Score
    In the Pit's empathy feels strictly skin-deep, its insight even shallower.
  9. Foxx and Downey's disciplined duet come close to redeeming The Soloist from its visual excesses, but Wright leaves us with a parting shot of the dancing homeless that shamelessly exploits the very people he means to champion.
    • 61 Metascore
    • 70 Critic Score
    So tastefully subdued it makes Merchant Ivory look like Gaspar Noé. And while they never look bored, Smith and Dench are clearly slumming, having played these roles in other costume pics.
  10. Funniest movie of '08? Close enough, for those who don't mind monkeying around.
  11. Vargas lingers for long stretches over his personal story and his complicated relationship with his mother, still in the Philippines -- a place he dare not visit for fear of being unable to return. But his story is a vivid illustration of the pickle we're in.
  12. Though we're never allowed a close-up, Hofstätter's performance comes off as an unselfconscious tour de force, painfully real and culturally lost.
  13. The filmmakers have gotten extraordinary access to Mohamed and ravaged Somalia... But it's disappointing that they did not capture more scenes of Mohamed's wife and her family, who in the end are the ones who make the most momentous decision.
  14. Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast.
  15. Sharp and precise as its tableaux might be, though, Sleeping Beauty never burrows into the brain, and its tenuous provocations fizzle out quickly.
  16. Though the psychological layering and thematic ambition of the screenplay do not quite result in the depth intended, Hideaway's unsentimental performances will hook you.
  17. The most supremely odd American film of the year.
  18. This modest oater should tickle western fans.
  19. The movie's first hour is well-done, but realism and insight go out the window as soon as Samir crosses the U.S. border.
  20. The film itself is thinly conceived, except in the area of bodily misfunction. It plays like the murky B side to the immortal Gilliam-Jones epic "Monty Python and the Holy Grail."
  21. As with the more glamorously photographed "MicroCosmos," the climbing, scurrying, and munching eventually grows tiresome, but the film is not without its highlights.
  22. A highly talented filmmaker, Radtke draws intense, focused performances from these two inexperienced young actors.
    • 61 Metascore
    • 30 Critic Score
    Though filled with violent smackdowns, slackjawed interviews, and bizarre characters, Hough's doc never rises above the level of first-year student project, hobbled by scattershot editing, badly written intertitles, and useless directorial voice-over.
  23. The spectacle of pretty people floating languidly across the screen notwithstanding, Laurel Canyon is short on conviction and long on contrivance. McDormand, however, has a ball.
    • 61 Metascore
    • 60 Reviewed by
      Ed Park
    An anti-"Rififi" in which nearly everybody loses their cool, not after the big score goes down but repeatedly and neurotically throughout.
  24. Set largely in empty public spaces late at night, Blue Gate Crossing supplements its slender narrative with disarming performances and plangent atmosphere.
  25. Director John Stockwell keeps the proceedings casual, and the film is admirably at ease with its dutifully trite plot and porn-worthy dialogue (most of which vanishes under the crash of a wave or the roar of a jet-ski anyway).
  26. Wang mistakes affectless storytelling and character conception for rigor, and as a result huge portions of Beijing Bicycle are dull and repetitive.

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