Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The Yes Men visit rural Uganda, Canadian oil fields, Zuccotti Park, and a climate change conference in Copenhagen, but in its best moments this loopy yet informative doc becomes a buddy movie.
    • 61 Metascore
    • 80 Critic Score
    Pulse-pounding thriller.
  2. The nitty-gritty science of global warming is tough enough to evaluate without the sort of hard-sell Ondi Timoner pushes on behalf of her subject, Bjørn Lomborg.
  3. Replete with superb performances led by a paranoid Sackhoff and unhinged Cochrane, it's the rare horror film to know how to tease malevolent mysteries and deliver satisfyingly unexpected, unsettling payoffs.
  4. The Kings of Summer plays like an extended sitcom episode, and not a very special one at that.
  5. Posey remains touching as the woman with happiness in sight but bewilderingly out of reach.
  6. It takes a minute for the film to move beyond a kind of gilded stasis, but once it does, it - and Plummer - are riveting.
  7. I'd take the stakes driven right through my platform pumps over listening to Bruce Vilanch jokes, but that's me.
  8. Unknown Pleasures suggests a coolly formalist reinvention of neorealism. The film is both distanced and immediate -- a fiction with the force of documentary.
  9. Single-dad sitcom is not Sir Ridley's forte but, anachronistically evoking the ring-a-ding-ding ambience of "Auto Focus" and "Catch Me If You Can," his mise-en-scène is as impeccable as Roy's pad.
    • 61 Metascore
    • 60 Critic Score
    Ultimately sacrifices nuance to tidy epiphanies about personal growth.
  10. The reverent pacing lags a bit, but the film's meditation on the struggle to find spirituality that reconciles Islam with tribal belief systems is powerful in its understatement, and its wordless observation of France's Malian community quietly evidences daily cultural preservation amid the hard labor.
  11. It's not the freshest scenario, and Baker lets Lucky sputter and moan about his fate for so long that we wonder, as his sensible girlfriend does, why we're bothering with such undiluted dickness.
  12. Like first sex, writer-director Maggie Carey's debut feature, The To Do List, is quick and messy, fitfully pleasurable, full of promise but not quite adept at getting everyone off.
  13. Given the upbeat, tender rhythms of the movie's love story, the climax--a cry of bottomless despair--comes as a profound shock. It's meant to, and though the ending is touched by the goofy absurdities of melodrama, Fox's mix-and-match sampling of apparently incompatible genres nails the nervous blend of vitality and desperation that is Israel today.
  14. The movie is monotonous, storyless, and at under 100 minutes, interminable.
  15. It's a smooth ride thanks to Monaghan, and an impressive ensemble.
  16. Yudin pulls lovely philosophical grace notes from his subjects as they illuminate some universal truths from their very specific world.
  17. Batra kills the mystery part of the story and instead pushes the adaptation toward that humanism, which renders a good chunk of the plot a wash. Good thing Batra’s really adept at the human portraits, though.
    • 61 Metascore
    • 50 Critic Score
    When Turnley ventures into broader political or sociological commentary, one wishes that he'd step back and let the music, uniformly and ass-shakingly irresistible, take center stage.
  18. Wendy J.N. Lee's Pad Yatra: A Green Odyssey powerfully connects the dots between the enormity of global warming as a phenomenon and the havoc it wreaks in ordinary lives.
  19. Thank You for Playing transforms a father's confession into a revealing work of art.
    • 61 Metascore
    • 30 Critic Score
    As it is, Witherspoon's sweet-as-peach-pie Southern accent only grates and writer-director Bright's incessant winking at the audience bespeaks a project that was running on empty before shooting started. [22 Oct 1996, p.88]
    • Village Voice
  20. There are no good or bad people in The Island, just a group of hapless schmucks who become more sympathetic as they get more desperate.
    • 61 Metascore
    • 70 Critic Score
    With On Her Majesty's Secret Service, Peter Hunt has directed what to my mind is the most engaging and exciting James Bond film.
    • 61 Metascore
    • 70 Critic Score
    Marko's story is far from novel, but its wicked evocation of hopelessness transcends any familiarities.
  21. Alternately grueling and soporific, Quitting is a movie about addiction that demands the viewer also give something up.
  22. This extraordinary story still sparks controversy in France, but in Berri's hands, it never comes alive...a shadow play of historical icons, rather than a portrait of people in love.
  23. The story is little more than overdetermined trials and triumphs. Kids won't care, but they won't fall for it either; unsurprisingly, it doesn't stand a chance of providing them with the memories the book provided their parents.
  24. Swank and splashy as it is, Frida leaves the lurking suspicion that Taymor might have preferred to stage her pageant as a puppet show.

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