Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 85 Metascore
    • 80 Critic Score
    This entertaining, provocative film raises pointed issues about con artists and their sometimes-culpable "victims," and also speaks to the elusive pursuit of documentary truth.
  1. Wages of Fear rides for a cheap fall. Clouzot has copped out with cheap irony. [25 May 1967, p.31]
    • Village Voice
  2. The Dark Knight will give your adrenal glands their desired workout, but it will occupy your mind, too, and even lead it down some dim alleyways where most Hollywood movies fear to tread.
  3. The experience of watching this film is one of reflective exuberance. It's a movie about people who arrive sure of themselves and depart in the quiet confidence that all they know is that they know nothing.
  4. This is a film about the devastation of Inner Mongolia and the systematic annihilation of its migrant workers, but it is no mere coup d'œil of righteous advocacy. It is a work of film art.
  5. Bolstered by performances that convey profound grief and remorse without look-at-me histrionics, The Past is steeped in the believable micro details of its scenario while also expanding to universals.
  6. As a historical document, 24 Hour Party People may be most meaningful to fans whose epiphanies were experienced at least one remove away -- at a different place or time.
  7. Wright wouldn't recognize unobtrusive if it tapped him on the nose--he's cross- pollinated the first half of Atonement into an Oscar-buzzy brew of Masterpiece Theatre and "Upstairs, Downstairs," with the wild English countryside tamed into an artfully lit fairy glade, and into just enough of a bodice-ripper to reel in the youth market. And not a bad one at that.
  8. Better than a masterpiece - whatever that is - The Tree of Life is an eruption of a movie, something to live with, think, and talk about afterward.
  9. Spare yet tactile, a mysterious mixture of lightness and gravity, Alexander Sokurov's Alexandra is founded on contradiction. Musing on war in general and the Russian occupation of Chechnya in particular, this is a movie in which combat is never shown.
  10. Gross-out horror is never far from comedy and The Host, Bong Joon-ho's giddy creature feature, has an anarchic mess factor worthy of a pile of old "Mad" magazines.
    • 85 Metascore
    • 80 Critic Score
    For a movie that's both a study and a product of blood, sweat, and tears, an oft-cited mid-'60s quote from film and combat vet Samuel Fuller seems to apply: "Film is a battlefield," Fuller said in Jean-Luc Godard's Pierrot le fou. "There's love, hate, action, violence, death. In a word: emotions."
  11. Viewers must ultimately draw their own conclusions about Chan's identity, making Chan Is Missing a classic, albeit unsolvable, brainteaser.
  12. The world needs to see this spare, revelatory film and hear these girls' pained and sometimes proud confessions.
  13. Wilson’s film, a quiet wonder, emphasizes the courage it takes to choose the hard work of living.
  14. Remarkably unassuming, genuinely playful, and superbly executed, The Iron Giant towers over the cartoon landscape.
  15. Watching this movie is like freebasing sincerity — a scarce resource in our current entertainment hellscape. It’ll give you warm fuzzies for days.
  16. Passing Strange conjures a rare kind of theatrical magic with its emotionally raw, frequently euphoric portrait of the artist as a young man.
  17. Cinematic as it is, Meek's Cutoff has an uncanny theatricality. The scenes alternating between windswept emptiness and the dark void could be played on a barren stage. For all its detailed authenticity, this minimalist "Wagon Train" is less naturalistic than existential.
  18. Marquise is almost ironically uninflected, like a tense game of chess. But soon the no-nonsense two-shots and scarlet-satin self-consciousness let the story build to genuine fireworks. No costume-drama escapism here, just distilled social warfare.
  19. Fruitvale Station is intimate in the best way, thanks largely to Jordan's deft, responsive performance.
  20. A middlebrow domestic drama beating its wings against an experimental frame.
  21. Accomplishes the nearly impossible trick of updating viewers on the prevalence of genocide in the 20th and 21st centuries without rubbing our noses in our failure to stop it.
    • 85 Metascore
    • 80 Critic Score
    The tales told are bitter, horrific in detail...yet often leavened with irony and humor. Rupert Everett's low-key narration serves the film well.
  22. Josh Aronson's thoroughly engrossing documentary Sound and Fury is as much about children's rights as it is about the impact of cochlear-implant technology on a family in which deafness runs through three generations.
  23. A minor triumph of atmosphere and nightmare imaginings.
  24. Panahi is a maestro of anxiety. Whatever its political significance, this is a dark, sustained, and wrenching film.
  25. If Otar is, finally, a mite thin and predictably structured, that takes little away from the filmmaker and her cast, who work hard at fashioning the most outlandish special effect of all: believable human life.
    • Village Voice
  26. An almost ridiculously ebullient Bollywood-meets-Hollywood concoction--and one of the rare "feel-good" movies that actually makes you feel good, as opposed to merely jerked around.
  27. Juliet is never less than eye-catching, but is rarely more.

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