For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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- Village Voice
- Posted Oct 15, 2013
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Reviewed by
Michael Nordine
Though far from perfect, Toad Road is also the first unique horror film to come along in years.- Village Voice
- Posted Oct 22, 2013
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Reviewed by
John Oursler
A nuanced, character-driven critique of the Catholic Church and its regressive stance on homosexuality.- Village Voice
- Posted Oct 29, 2013
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Reviewed by
Michael Nordine
Roothooft, for her part, gives one of the more nuanced and vulnerable performances in recent memory; she maximizes nearly every scene's potential without overplaying a single one.- Village Voice
- Posted Oct 10, 2013
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- Village Voice
- Posted Oct 8, 2013
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Reviewed by
Stephanie Zacharek
Mori — director of the 1991 documentary Building Bombs — assembles the information here with clarity and sensitivity.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
Chuck Wilson
In this entertaining documentary, the coolest kids in town sing the praises of cartoonist Gahan Wilson, whose work is a brilliant fusion of the personal and the political.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
John Oursler
Made for less than $500,000, Torn is proof that a little can go a long way. In fact, the microscale perfectly lends itself to the story's quiet revelations.- Village Voice
- Posted Oct 15, 2013
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- Village Voice
- Posted Oct 22, 2013
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Reviewed by
Steve Erickson
Fortunately, there's far more to his slickly directed film than mere virtual tourism.- Village Voice
- Posted Oct 15, 2013
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Reviewed by
Sherilyn Connelly
While it helps to already be a fan, it's imaginative and energetic enough to be entertaining for the uninitiated.- Village Voice
- Posted Oct 15, 2013
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Reviewed by
Stephanie Zacharek
The movie, while entertaining and extremely well crafted, is too self-conscious about its depravity to be either truly disturbing or disturbingly funny. Ticking along with metronome-like efficiency, it's more slick than sick.- Village Voice
- Posted Sep 23, 2014
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Simon Abrams
Boss is that rare Bollywood action film whose stars are worthy of the pedestal they're put on.- Village Voice
- Posted Oct 29, 2013
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Sam Weisberg
What gives Aftermath its peculiar strain of portent is Pasikowski's consistent suggestion of the futility of bold, desperate attempts to undo a wrong.- Village Voice
- Posted Oct 29, 2013
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Reviewed by
Chuck Wilson
A vibrant color scheme and the deliciously evil cackle of Christopher Plummer elevate this kid-friendly animated adventure from Canada.- Village Voice
- Posted Oct 29, 2013
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Reviewed by
Daphne Howland
Watching the animated memoir Approved for Adoption can stir a serenity like skipping stones on water for a delightfully long time.- Village Voice
- Posted Nov 5, 2013
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Reviewed by
Michael Atkinson
Seidl's visual style -- bitter-comic three-walled tableaux -- makes the scenario's tension between desire and reality almost unbearable, but Melanie offers hope by simple virtue of her youth, her unformed romantic folly, and her guileless courage.- Village Voice
- Posted Dec 6, 2013
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Reviewed by
Chuck Wilson
Tucci and the English-born Eve make a riveting team, and although the film's final twist undercuts all that has come before, Some Velvet Morning is provocation of the most artful kind.- Village Voice
- Posted Dec 10, 2013
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Reviewed by
Chris Packham
Despite the psychological extremes, writer-director Francesca Gregorini presents her characters as recognizably human balls of complexity, nudging but never forcing them toward a sad, beautiful conclusion.- Village Voice
- Posted Jan 7, 2014
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Amy Nicholson
Star Wars: The Force Awakens steers the franchise back to its popcorn origins. It's not a Bible; it's a bantamweight blast. And that's just as it should be: a good movie, nothing more.- Village Voice
- Posted Dec 16, 2015
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Reviewed by
Chris Packham
Sometimes academically clinical, and including infomercial-like narration by Jane Seymour, the film has a bright core of real emotion.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
Michelle Orange
No longer silent but still the lesser talker between them, Ilya is marvelously fluent in spatial forms.- Village Voice
- Posted Nov 12, 2013
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Reviewed by
Nick Schager
Director Rola Nashef's visuals can be clunky, and her script's conversational dialogue is occasionally stilted. Nonetheless, she draws her characters in sharp lines, so that the gaggle of customers who frequent Sami's workplace...feel not like types but, rather, like diverse individuals.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
Calum Marsh
The result is a pleasure, perhaps as much for audiences as for Polanski; it's a chance to luxuriate in the atmosphere of world-class Formula One, here a lavish free-love party interrupted now and again by a few laps on the track.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
Amy Nicholson
The older Cruise gets, the more he relies on his fists. (And his abs, and his nerves — he'll never let you forget he does his own stunts, and why should he?) His body is the wonder-gizmo, and Christopher McQuarrie, writer and director of the fifth entry, Rogue Nation, keeps the camera on him like a nature show about a hungry lion.- Village Voice
- Posted Jul 24, 2015
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Ernest Hardy
Writer-director Luiz Bolognesi's film doesn't push the envelope in terms of technique or style, but its fast-moving story roils with a righteous anger that is mesmerizing as Bolognesi whips up a Zelig-like overview of Brazil's tortured history.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
Alan Scherstuhl
The film offers a solid précis, but it's a curious fact that a well-made doc like this is still only about half as informative or detailed as a long magazine article on the same subject might be.- Village Voice
- Posted Nov 19, 2013
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Reviewed by
Nick Schager
Employing straightforward, music-free aesthetics that express the grim realities of his story, director Funahashi captures both grief and outrage in equal measure.- Village Voice
- Posted Dec 10, 2013
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Reviewed by
Michelle Orange
There are no simple denials, nor anything simple at all in Last of the Unjust. Only stories, recovered and retold, of a reality beyond their reach.- Village Voice
- Posted Dec 10, 2013
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Reviewed by
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- Village Voice
- Posted Jul 18, 2014
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