Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Fleifel gathers the messy detritus of everyday living, laughs at it, then shows the viewer what it means.
  2. A nostalgic coming-of-age sex comedy tastefully lecherous enough to indicate that its intended demographic is several decades past puberty.
    • 67 Metascore
    • 70 Critic Score
    The constant presence of music - think "Dazed and Confused," with the Magnetic Fields swapped in for Foghat - nails both the teenage fantasy of living life to a personal soundtrack, and a high-schooler's heightened hunger to experience everything all at once.
    • 62 Metascore
    • 70 Critic Score
    Anahí Berneri's promising feature debut (based on Pablo Pérez's autobiographical novel) is at once unsentimental and sympathetic; she evinces rare insight into a gay man's life and sexuality without cringing, passing judgment, or wallowing in pity.
  3. Vardalos's parodies of Greek family values are loving and witheringly hilarious.
  4. There’s plenty of prickly tenderness, for both mother and son, at the heart of Bad Hair. All children yearn for things beyond their reach, and if they’re honest about it, adults do too. It’s a feeling you never outgrow.
  5. Show 'Em What You're Made Of convincingly argues that these boy-men have something to say about the fickleness of fate — something they knew more about as young men than any of the cynics who dismissed them for dancing in unison. The hardest part will be convincing people to listen.
  6. Watts, who has the most difficult scenes, is splendidly mercurial; what's surprising is that those professional storm clouds Penn and Del Toro are here as powerfully restrained as she is electrifying.
  7. The film itself is solidly and conventionally crafted. Newsreels and stock footage alternate with fresh interviews with friends and scholars, steadfast supporters and unabashed detractors. The political life it maps out fascinates.
    • 83 Metascore
    • 70 Critic Score
    Something between a comedy of everyday absurdity and a family tragedy pushed into the realm of the hyper-real, Footnote uses its characters' differing relationships to authenticity as the basis for an enigmatic riff on representation.
  8. Even though it follows the map of every romcom before it, Holderman’s film still offers the too-rare chance to marvel at just how good these women are at their craft, how easily they inhabit the bodies and lives of other people.
  9. As you might hope for a film with a script from the great Jules Feiffer, Dan Mirvish’s Bernard and Huey bristles with anxious, circuitous, hilarious talk.
  10. Part morality play, part comment on our excessive energy consumption, One Hundred Mornings is often most affecting when it considers the most mundane points.
  11. It's better than the first.
    • 67 Metascore
    • 70 Critic Score
    Gunn doesn't reinvent the wheel but he does tighten its spokes a bit with some terrifying sequences and a witty, deadpan screenplay, and he leaves the audience hungry--for "Slither 2."
  12. Superior found-footage horror film Creep tellingly loses steam after it stops being a rote but tense game of chicken between a normcore derangoid (he likes hikes, hugs, and pancakes) and his wary victim.
  13. Despite its sci-fi hook, Movement and Location turns out to be a surprisingly resonant film about how impossible it is for most people — no matter their cosmic time zone — to carve out a life that's emotionally honest.
    • 69 Metascore
    • 70 Critic Score
    Pegg's comic chops elevate even the most juvenile of jokes, but it's Bell's daring and impolite performance that steals the show.
  14. Like the ravings of a keyed-up screenwriter, there's conviction, if not logic, in its madness, and that makes it fun and fascinating.
    • 67 Metascore
    • 70 Critic Score
    What saves this heavy, heavy material from sinking into the chill, familiar turf of the Small-Town Midwinter Tragedy is Green's practiced ear for verbal idiosyncrasy and off-kilter conversation rhythms.
  15. Josue tries to reclaim his narrative with this intimate, positive portrait, but while Shepard's brave and resourceful parents encourage her, they realized long ago that his death means he no longer belongs solely to them.
  16. It’s interesting that the most compelling parts of this film are the ones that convey how a taste of Hollywood can destroy a life, since this is yet another Hollywood film about that life.
  17. The movie is characterized by its crisp, cutting, classical framing, and comic timing. The style and approach recall classic Albert Brooks. Indeed, the beleaguered, cuckolded Joel would have been a great role for the young Brooks--adding a certain self-aggrandizing je ne sais quoi or a neurotic zetz that the appealing, but bland, Bateman lacks.
  18. An exercise in voyeurism, Maren Ade's provocatively titled, superbly performed, emotionally graphic Everyone Else is more fascinating than enjoyable.
  19. Despite the rough edges, you feel you’re in the hands of someone who enjoys telling a story, and knows how to do it — even when the story’s a disposable one such as this.
  20. It's ultra-serious, confined almost entirely indoors, and, with its Facebook pages and Google Maps walk-throughs, inextricably tied to the way we live right now. It's also well crafted and strikingly intimate.
  21. An important film despite some baffling presentational choices.
  22. This shocker is often shameless, not least in the climactic confrontation with Sister Bridget, but it's impossible not to be moved by the ending -- if only because the torture is finally over.
  23. The Piano Teacher's study in lurid sexual pathology occasions a tour de force by Isabelle Huppert as the title character.
  24. This lit-doc travelogue gains in power, insight, and urgency as it journeys.

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