Village Voice (Consumer Guide)'s Scores

  • Music
For 223 reviews, this publication has graded:
  • 73% higher than the average critic
  • 0% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 9.2 points higher than other critics. (0-100 point scale)
Average Music review score: 82
Highest review score: 100 Pick A Bigger Weapon
Lowest review score: 16 A Day Without Rain
Score distribution:
  1. Negative: 2 out of 223
223 music reviews
    • 77 Metascore
    • 75 Critic Score
    Certainly he understands things about this society that his better-adjusted contemporaries don't. But he's woefully short on not just empathy but humorous self-deprecation.
    • 77 Metascore
    • 100 Critic Score
    Their beats beat Stetsasonic's.
    • 77 Metascore
    • 91 Critic Score
    On
    Pop isn't an ambition for these smart people with other things to do, it's a discipline--the tunes strong, the beats solid, the vocals lightly yearning and pungently sweet.
    • 77 Metascore
    • 91 Critic Score
    This unusually songful set is well up among their late good ones, its dissonances a lingua franca deployed less atmospherically than has been their recent practice.
    • 77 Metascore
    • 91 Critic Score
    Their second album isn't quite as good as their first album because its hooks are slightly less inescapable.... But the difference is slight, and other differences are positive.
    • 77 Metascore
    • 83 Critic Score
    OK, more news event than musical milestone. But a really great news event.
    • 77 Metascore
    • 91 Critic Score
    The drums get busy at times, but never fear--this sounds more like Rounds than it does like anything else. Just a little funkier.
    • 77 Metascore
    • 91 Critic Score
    In a bad time for young guitar bands, including many barely forgettable ones lumped under the trade name "emo," these ambitious yowlers are reason for hope.
    • 77 Metascore
    • 100 Critic Score
    A singer's record.
    • 77 Metascore
    • 83 Critic Score
    This is so pretty it's almost a poem about quiet lyricism--and so passive you want to put crystal meth in its apple juice.
    • Village Voice (Consumer Guide)
    • 77 Metascore
    • 83 Critic Score
    Eventually, the tunes fall into place. What never materialize in sufficient number are the billowing climaxes and cutting remarks that mark their best albums, meaning most of them.
    • 77 Metascore
    • 91 Critic Score
    It's the rare guitar geek who acts like strings and horns are where he's always belonged rather than where he hopes he'll fit in.
    • 77 Metascore
    • 91 Critic Score
    These aren't indelible tunes like "At Home He's a Tourist" or "Suspect Device." But months later they're still getting not just stronger but rawer, which isn't how this game usually works.
    • 76 Metascore
    • 50 Critic Score
    Boring strummed singer-songwritering with not terribly interesting electronica.
    • 76 Metascore
    • 91 Critic Score
    This is mannerist DOR more accomplished and less sentimental than its sources.
    • 76 Metascore
    • 91 Critic Score
    The first four tracks... [are] as powerful as any he's written.
    • 75 Metascore
    • 91 Critic Score
    Mouthy, destructive, confused, sexed-up but no sex object, Jemima Pearl is the pearl.
    • 75 Metascore
    • 91 Critic Score
    Some observers classify these ditties "country-punk," while other crankily insist they're "anti-folk," proving mainly that nobody knows what to make of simple little guitar-band songs on a scene where everyone's busy refining his or her artistic vision.
    • 75 Metascore
    • 91 Critic Score
    The best of these seven songs is a Stones cover, only not by as much as you first think, and the second-best is the opener ["Astronaut"], ditto.
    • 75 Metascore
    • 67 Critic Score
    At its most generous, this may be the music of the young Brian Wilson's dysfunctional dreams. But at its most pretentious it's his bad trip.
    • 75 Metascore
    • 91 Critic Score
    The lyrics are intelligent of course, clever and moral and street-conscious and just gnomic enough, but their art is in their beats and flow and tunes too.
    • 75 Metascore
    • 58 Critic Score
    Working on the humane assumption that all screamo records can't be equally horrible, the reviewerati have singled out this big-ticket effort... Unburdened by theory, however, I find that its distinction boils down to slightly subtler tunecraft and dynamic range.
    • 74 Metascore
    • 58 Critic Score
    There are better beats on the damn Jadakiss CD.
    • 74 Metascore
    • 58 Critic Score
    For her fans, the news is that she's invested her profits in studio musicians. Takes talent to make that more boring than solo acoustic, no?
    • 74 Metascore
    • 91 Critic Score
    In a time when so many bands don't know why they exist but keep on vanning anyway, his honest tale is touching and instructive.
    • 74 Metascore
    • 83 Critic Score
    Her best bunch of songs since--not Broken English, that's ridiculous, but Strange Weather or A Child's Adventure.
    • 74 Metascore
    • 83 Critic Score
    No, she hasn't regained her sense of humor, but aren't you fast losing yours?
    • 74 Metascore
    • 91 Critic Score
    It's vital beginning to end--vital even when it's misguided.
    • 74 Metascore
    • 83 Critic Score
    Now, done with that id shit, she finds her voice by pleading with her man to stay or come back as the case may be.
    • 74 Metascore
    • 91 Critic Score
    [Bell Orchestre] varies its cunningly sequenced, gratifyingly brief instrumental tracks with such old-fashioned amenities as textured melodies, pleasing dynamic shifts, and passages that, if they don't actually r-o-c-k, at least bound down the road in an excited manner.