Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. This beautifully crafted and lively romp around the 1880s stage world should enjoy its longest life as a vid classic.
  2. Her (Foster's) performance is contained in a schmaltzy, ultra-elaborate, overly long production.
  3. A remarkably inventive and audacious film that almost overcomes its flaws.
  4. A touching, old-fashioned charmer that ultimately satisfies.
  5. Succeeds far more often than not in delivering a credible, kaleidoscopic portrait of creative, and often famous, individuals.
  6. Koepp does a masterful job of grounding his intimations of the supernatural in a totally persuasive down-to-earth context.
  7. An intermittently powerful and meticulously crafted drama that falls short of its full potential due to considerable over-length and some shopworn, simplistic notions at its center.
  8. A sign that the Sandler comedy empire is expanding and reaching new depths of pure gross-out stupidity.
  9. Though it moves more slowly than the tortoise prominently featured in one sequence, Clouds of May is the kind of film that creeps up on the patient viewer.
  10. Original in every sense.
  11. A faithful adaptation that captures the haunting spirit and religious nature of the 1951 novel.
  12. The almost wall-to-wall music is glorious, with solo guitarist Howard Alden doing a sock job. Penn, incidentally, utterly convinces in the scenes in which he's seen "playing" the guitar.
  13. Schumacher takes a step in the right direction with Flawless, a small-scale, intimate serio-comedy.
    • 75 Metascore
    • 80 Critic Score
    Has what it takes to becomes the year's first heartfelt sleeper.
  14. It's good to see Schwarzenegger doing his thing again after what, for him, was a long sabbatical.
  15. Lee has made a brutal but sensitively observed film about the fringes of the Civil War.
  16. Toy Story 2 is to "Toy Story" what "The Empire Strikes Back" was to its predecessor, a richer, more satisfying film in every respect.
  17. 007 is undone by villainous scripting and misguided casting and acting in a couple of key secondary roles.
  18. An emotionally satisfying and brilliantly played take on the ups and (mostly) downs of a group of less-than-typical female friends.
  19. An entertainingly eccentric horror tale that envelopes the audience in a dreamy and bloody nightmare.
  20. But there's little sense of a longer dramatic arc stretching across the characters: Rozema can't seem to hold a single tone for more than a few minutes, and she has too many other axes to grind besides just getting the story up on the screen.
  21. Barry Levinson goes deep with Liberty Heights, and the result is a grand slam.
  22. With half a dozen roles to her credit, Portman is a natural performer who brings rough edges to any role she plays -- the movie is inconceivable without her.
  23. Mounted as an art film and is likely to divide both critics and the helmer's fans.
  24. The lack of a plausible leading lady is enough to sink what is otherwise an eye-catching, although heavily '90s-style, telling of one of history's most frequently filmed stories.
  25. A very vulgar pro-faith comedy rather than a sacrilegious goof, Dogma is an extraordinarily uneven film.
  26. Never quite catches fire in its too-deliberate attempt to appeal to all ages and all tastes.
  27. Girls -- a big part of the Pokemon crowd and what makes it such a humongous commercial success -- will feel left out in the cold.
  28. A remarkably mirthless and inept romantic comedy.
  29. Entertaining but never fully engrossing.

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