Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. A crudely funny farce that covers no new ground but sees its talented players running some surefire plays.
  2. Mildly scary but not particularly engaging on any other level.
  3. By far the least ambitious, and certainly the least interesting, animated feature to come out of Disney in quite some time.
  4. Visually resplendent but dramatically uneven.
  5. A textbook case in which the parts are greater than the whole.
  6. A crafty and well-crafted wrap-up that really does bring a satisfying sense of closure to the franchise.
  7. A mixed-genre detective pic, thriller and love story that shifts gears too often and doesn't know when to end.
  8. Lame stuntwork and subdued thrills indicate not just a low-budgeter, but a blindness to what target aud demands.
  9. Isn't even unintentionally funny enough to qualify as guilty pleasure a la "Valley of the Dolls."
  10. A collection of five femme-oriented vignettes that are not intricately linked dramatically but overlap characters, this observant, emotionally acute drama is distinguished by a pronounced poetic sensibility.
    • 13 Metascore
    • 20 Critic Score
    Something oddly appealing about this mushy romantic tale, but first-time feature writer-director Kris Isacsson doesn't have the skills to raise it far above its formulaic foundation.
  11. More interested in finding fresh ways to stage execution scenes than in finding meaning behind the human urge for self-appointed righting of wrongs, (the film) is stuffed with effects that have no lasting impact.
    • 19 Metascore
    • 20 Critic Score
    Appears headed for a deep-space rendezvous with audience indifference.
  12. Superior family entertainment.
  13. A few good laughs but few surprises in Next Friday, an amiably unfocused sequel.
  14. Like a light buffet of tasty morsels rather than a full and satisfying meal; all the episodes are more or less agreeable, but as a whole it lacks a knockout punch, one dynamite sequence that will galvanize viewers.
  15. In what's easily his most zealous and fully realized performance since "Malcolm X," Washington elevates the earnest, occasionally simplistic narrative to the level of a genuinely touching moral expose.
  16. A woefully under-realized story of small-time boxers enjoying perhaps their last moment in the spotlight.
  17. Taymor makes the action clear and easy to follow with her bold physicalization of the story and forceful direction of an astutely chosen cast.
  18. One of the holiday movie season's more pleasant surprises. A mischievously clever and slickly commercial sci-fi comedy.
  19. Performances are aces top to bottom
  20. Impeccably crafted but dramatically dull.
  21. Artfully evokes the physical realities of Irish poverty, but mostly misses the humor, lyricism and emotional charge of Frank McCourt's magical and magnificent memoir
  22. (Stone's) most accessible and purely enjoyable film in years.
  23. Never comes close to making the case that its subject is worthy of the viewer's interest.
  24. A solid central performance by Winona Ryder and a captivating wild turn by Angelina Jolie in the yarn's flashiest role.
  25. A string of striking set pieces hung on a dramatically shaky clothesline.
  26. Columbus' approach is intended to cloak such topics as mortality and human identity in the warm glow of greeting card sentiment, which renders the prescription palatable for mass consumption but hopelessly diluted.
  27. An unbeatable cast lends satisfying emotional texture.
    • 61 Metascore
    • 60 Critic Score
    Given what a tricky proposition it is to adapt a classic children's book for the screen, this take on E.B. White's Stuart Little does a more-than-passable job of resurrecting the story for a new generation.

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