For 17,782 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,136 out of 17782
-
Mixed: 7,010 out of 17782
-
Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Andrew Barker
Much like Neel's portraits, the film is marked by audacious understatement, neither whitewashing nor sensationalizing the artist's sterling achievements and messy personal life.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Nesselson
Layers of intrigue mesh with Hollywood-style efficiency, pitting sincere feelings against ruthlessly mercenary machinations. Also in Hollywood style, sincerity and integrity carry the day.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
Jaunty and fun for a while, with a cast of colorful locals who make the residents of "Vernon, Florida" seem normal, pic ultimately overstays its welcome and overstates its case.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
A mostly dull-blade exercise that offers little to think or scream about.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Nocturnal settings and musical interludes create their own kind of allure, but picture feels like an art film imitation, not an authentic art film itself.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
A taut, provocative, sometimes overreaching but always absorbing thriller.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
By the end, nothing much has happened, but all the same, picture casts a witchy kind of spell with its deep-breath pacing and undertow of unspecified malaise.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Sensual, dark in every sense, but a touch derivative, Red Road reps an impressive feature debut for Brit writer-helmer Andrea Arnold, an Oscar-winner for her knockout short "Wasp."- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Offers a diverting package of surreal, rude stoner and pop culture-based humor that will delight youthful viewers while bewildering stray elders.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Debruge
Like "300" and "Apocalypto," this latest bit of historical balder-dash stands in direct defiance of proven action-movie formulas, trusting its brutal concept and striking visuals to overcome a lack of star power.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
A disorienting cocktail of illogic and hysteria that requires an 11th-hour soliloquy just to explain what's happened.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A demolition derby starring some of the most expensive cars on Earth, Redline portrays a world so drenched in wealth it gives off a stench.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
A sensitive if literal-minded tale that demonstrates how Tibet's national identity is of a piece with its spiritual heart.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ken Eisner
Starring an excellent Paulo Costanzo (late of "Joey") as a twentysomething uberslacker who is nonetheless willing to fall into accidental success, pic is seasoned with fine perfs by JR Bourne as a charismatic, creepy hustler and Steph Song as Constanzo's sexy potential love interest.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
John Anderson
A satisfying and funny, if ironic, comedy intended for lovers of both the beast and/or sophisticated laughs.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Eddie Cockrell
What begins as a moderately interesting set of interconnected mysteries involving race and identity soon grows eye-rollingly laborious, not to mention increasingly derivative of Christopher McQuarrie's "Usual Suspects" script.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jay Weissberg
Despite a perfect cast of Resnais regulars plus the master's own impeccable crafting, the characters fail to grip, and with approximately 50 short scenes, development comes in fits and starts.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
If outrageous concepts were all, this latest fillip in the oft-eccentric history of Japanese "pink" (softcore sexploitation) cinema would be genius. But the crazy ideas in Takao Nakano's script just fitfully amuse under Mitsuru Meike's draggy direction.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jay Weissberg
An insightful and incisive portrait of a self-destructive paranoid artist whose importance is partly hidden by his own divisive nature.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
At several points, Chang is the only thing standing between his event and total chaos, as frustrated ticket-holders rush the gates.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
Squirmingly fun suspenser that brings Alfred Hitchcock's "Rear Window" into the era of vidcams and cell phones, serving up hearty, youth-skewing portions of PG-13 violence and bikini-bait along the way.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Planet Terror delivers only momentary kicks...while Tarantino's Death Proof is a juicy, delicious treat, its pleasures stem much less from the play with genre conventions than from great dialogue and electric performances.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Deborah Young
Lasse Hallstrom's breezy, fast-paced, somewhat loose-ended account of how he (Irving) did it offers a surprisingly layered vehicle for a maniacally conniving Richard Gere, backed up by a superb Alfred Molina as his accomplice.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Very striking stylistic control is exerted in this absorbing if overlong tale of angst-ridden high school competitors.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jay Weissberg
Results are breezy though toothless, with too much repetition and not enough originality.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
"Thing" suffers the familiar curse of Canadian seriocomedy -- just nice enough in content and stylistically like a telepic.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Joe Leydon
With plenty of cheap shocks but little real suspense, Hoboken Hollow is nothing more than an uninspired cavalcade of carnage, much of it shamelessly gratuitous.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Deborah Young
Using a simple storytelling style that grows stronger with each passing scene, Dry Season draws the viewer into its small two-character drama set in post-war Chad, while it offers a deep reflection on injustice and frustrated revenge.- Variety
- Read full review
-
Reviewed by