Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Much like Neel's portraits, the film is marked by audacious understatement, neither whitewashing nor sensationalizing the artist's sterling achievements and messy personal life.
  2. Layers of intrigue mesh with Hollywood-style efficiency, pitting sincere feelings against ruthlessly mercenary machinations. Also in Hollywood style, sincerity and integrity carry the day.
  3. Jaunty and fun for a while, with a cast of colorful locals who make the residents of "Vernon, Florida" seem normal, pic ultimately overstays its welcome and overstates its case.
  4. A mostly dull-blade exercise that offers little to think or scream about.
  5. Nocturnal settings and musical interludes create their own kind of allure, but picture feels like an art film imitation, not an authentic art film itself.
  6. A taut, provocative, sometimes overreaching but always absorbing thriller.
  7. By the end, nothing much has happened, but all the same, picture casts a witchy kind of spell with its deep-breath pacing and undertow of unspecified malaise.
  8. Sensual, dark in every sense, but a touch derivative, Red Road reps an impressive feature debut for Brit writer-helmer Andrea Arnold, an Oscar-winner for her knockout short "Wasp."
  9. Offers a diverting package of surreal, rude stoner and pop culture-based humor that will delight youthful viewers while bewildering stray elders.
  10. Like "300" and "Apocalypto," this latest bit of historical balder-dash stands in direct defiance of proven action-movie formulas, trusting its brutal concept and striking visuals to overcome a lack of star power.
  11. A disorienting cocktail of illogic and hysteria that requires an 11th-hour soliloquy just to explain what's happened.
  12. A demolition derby starring some of the most expensive cars on Earth, Redline portrays a world so drenched in wealth it gives off a stench.
  13. A sensitive if literal-minded tale that demonstrates how Tibet's national identity is of a piece with its spiritual heart.
  14. Starring an excellent Paulo Costanzo (late of "Joey") as a twentysomething uberslacker who is nonetheless willing to fall into accidental success, pic is seasoned with fine perfs by JR Bourne as a charismatic, creepy hustler and Steph Song as Constanzo's sexy potential love interest.
  15. Todd Robinson constructs a riveting thriller.
  16. A satisfying and funny, if ironic, comedy intended for lovers of both the beast and/or sophisticated laughs.
  17. What begins as a moderately interesting set of interconnected mysteries involving race and identity soon grows eye-rollingly laborious, not to mention increasingly derivative of Christopher McQuarrie's "Usual Suspects" script.
  18. Despite a perfect cast of Resnais regulars plus the master's own impeccable crafting, the characters fail to grip, and with approximately 50 short scenes, development comes in fits and starts.
  19. If outrageous concepts were all, this latest fillip in the oft-eccentric history of Japanese "pink" (softcore sexploitation) cinema would be genius. But the crazy ideas in Takao Nakano's script just fitfully amuse under Mitsuru Meike's draggy direction.
  20. An insightful and incisive portrait of a self-destructive paranoid artist whose importance is partly hidden by his own divisive nature.
  21. At several points, Chang is the only thing standing between his event and total chaos, as frustrated ticket-holders rush the gates.
  22. Squirmingly fun suspenser that brings Alfred Hitchcock's "Rear Window" into the era of vidcams and cell phones, serving up hearty, youth-skewing portions of PG-13 violence and bikini-bait along the way.
  23. Planet Terror delivers only momentary kicks...while Tarantino's Death Proof is a juicy, delicious treat, its pleasures stem much less from the play with genre conventions than from great dialogue and electric performances.
  24. Lasse Hallstrom's breezy, fast-paced, somewhat loose-ended account of how he (Irving) did it offers a surprisingly layered vehicle for a maniacally conniving Richard Gere, backed up by a superb Alfred Molina as his accomplice.
  25. Very striking stylistic control is exerted in this absorbing if overlong tale of angst-ridden high school competitors.
  26. Results are breezy though toothless, with too much repetition and not enough originality.
  27. "Thing" suffers the familiar curse of Canadian seriocomedy -- just nice enough in content and stylistically like a telepic.
  28. Thoughtful, surprisingly fast-moving documentary.
  29. With plenty of cheap shocks but little real suspense, Hoboken Hollow is nothing more than an uninspired cavalcade of carnage, much of it shamelessly gratuitous.
  30. Using a simple storytelling style that grows stronger with each passing scene, Dry Season draws the viewer into its small two-character drama set in post-war Chad, while it offers a deep reflection on injustice and frustrated revenge.

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