Variety's Scores

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For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,136 out of 17782
  2. Mixed: 7,010 out of 17782
  3. Negative: 1,636 out of 17782
17782 movie reviews
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  1. The Grace Card
    Blessed with fine performances, credible dialogue and slick production values that belie a reportedly paltry budget, The Grace Card ranks among the better religious-themed indies released in recent years.
  2. Drive Angry 3D
    Despite amply funded f/x, including some spectacular muscle-car stunts, the movie motors to the grindhouse with squealing tires and guitars, gratuitous nudity and gore, and a scantily clad greasy-spoon waitress endearingly played by Amber Heard.
  3. The Adjustment Bureau
    Its fun first hour soon gives way to a leaden, expository approach that unwisely favors emotional stakes over speculative-fiction smarts.
  4. Hall Pass
    While the stabs at grown-up insight miss their targets, picture still packs more pure comedic punch than the Farrellys' last few offerings.
  5. Skateland
    This wan, mundane coming-of-ager focuses on kids enacting a pale imitation of '50s car-centered, "American Graffiti"-style time-killing, with the impediment of exceptionally dull dialogue.
  6. Heartbeats
    Splashy colors, oddball framing, super-cool threads and cranked-up retro music supply the picture's bizarre love triangle with a dance-club atmosphere that'll seduce young audiences of most any orientation.
    • 86 Metascore
    • 70 Critic Score
    Of Gods and Men
    As the film patiently (perhaps too much so for some) heads toward its foregone conclusion, Beauvois gradually raises his style to a level of baroqueness reminiscent of 1995's "Don't Forget You're Going to Die."
  8. Loveless
    Loveless exerts a low-energy, dread-tinged fascination that intrigues rather than wows.
  9. The Chaperone
    Nothing here -- technologically, linguistically or visually -- would not be more at home decades ago, when director Stephen Herek helmed "Bill and Ted's Excellent Adventure" and "The Mighty Ducks."
  10. Immigration Tango
    Though the actors don't flesh out or particularly fit their roles, they seem perfectly at ease with them and with each other.
  11. Now & Later
    Without fully fleshed-out generic or social contexts, left-wing documentarian Philippe Diaz's preachy mix of graphic free love and polemical diatribe fails to mesh as fiction, though it does make for superior porn.
  12. Big Mommas: Like Father, Like Son
    Kind of a drag when it resorts to frantic slapstick and tired action-comedy tropes, but modestly engaging during stretches that suggest the project would have worked better as an exuberant musical.
  13. I Am Number Four
    A flashy, lunkheaded sci-fi extravaganza sure to appeal to teenagers who like their interplanetary warfare bloodless, their high-school soaps squeaky-clean and their numbers countable on one hand.
  14. Unknown
    Beyond the occasional plot frissons and juicy supporting turns, it's an emotionally and psychologically threadbare exercise.
  15. Mooz-lum
    Evan Ross impresses with an implosive performance as Tariq Mahdi, a moody young African-American.
  16. Just Go with It
    Manages to misfire in two seemingly incompatible directions. A puerile kiddie-comedy without the anarchic energy, and a schmaltzy romantic comedy without the sweetness.
  17. Gnomeo and Juliet
    A welcome dose of honest silliness at a time when most family-oriented toons settle for smart-alecky.
  18. Dressed
    Tracks the race-to-the-deadline scramble of a personable young designer preparing an underfunded fashion show, but offers few threads that were not already more solidly and stylishly woven into "Unzipped," "Seamless" or "11 Hours."
  19. Certifiably Jonathan
    Winters deserves better.
  20. Justin Bieber: Never Say Never
    As much a legitimate documentary as it is a 3D concert film and teen girl squeal-delivery device, the film possesses surprising moments of candor on the toil of teenage superstardom.
  21. Even the Rain (Tambien la Lluvia)
    Iciar Bollain's fifth feature is her most ambitious and best, driving its big ideas home through a tightly knit Paul Laverty script that only falters over the final reel.
  22. Lovers of Hate
    The movie is witty only on occasion. But it lingers in the mind, thanks largely to its trio of actors -- especially Alex Karpovsky.
  23. Vidal Sassoon: The Movie
    Teper buries his material in gimcrack mod trappings that trivialize rather than celebrate Sassoon's accomplishments.
  24. Orgasm Inc.
    This must-see expose entertains as it horrifies.
  25. Carbon Nation
    Well intended but inert.
  26. Carancho
    Here he's (Trapero) lost his way, tripped up by an unexceptional script and the kind of mood-killing artificial spot lighting more often seen on TV dramas than widescreen thrillers.
  27. Poetry
    Calmer and less shattering than his masterly psychodrama "Secret Sunshine" (2007), Poetry is a deceptively gentle tale with a tender ache at its center, as well as a performance from Yun Jung-hee that lingers long in the memory.
  28. Cedar Rapids
    Though not as uproarious as "The 40-Year-Old Virgin," director Miguel Arteta's consistently entertaining white-collar laffer could do for Helms what that film did for Steve Carell.
  29. The Eagle
    While the movie doesn't wholly succeed, there's enough to like here -- including Channing Tatum's credible performance as a tradition-bound Roman soldier.
  30. The Roommate
    Formulaic and forgettable.
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