For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
With Cross jump-starting others on a liquid road to health, this glorified infomercial could saturate latenight TV after its April 1 bow.- Variety
- Posted Mar 31, 2011
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Reviewed by
Rob Nelson
Distinguished by splashy cinematography, engaging performances from Dennis Quaid and Helen Hunt as the girl's go-get-'em parents.- Variety
- Posted Mar 30, 2011
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Reviewed by
Justin Chang
An exuberantly crafted chase thriller that pulses with energy from its adrenaline-pumping first minutes to its muted bang of a finish.- Variety
- Posted Mar 30, 2011
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Reviewed by
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Reviewed by
John Anderson
The ability to mix humor and emotion is the strong suit of this upbeat, music-saturated documentary.- Variety
- Posted Mar 30, 2011
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Reviewed by
Jordan Mintzer
Starts off promisingly but peters out as the story, told practically sans dialogue, heads nowhere consistent.- Variety
- Posted Mar 29, 2011
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Reviewed by
Jay Weissberg
Greenspan's solid but unexceptional debut, ably carried by Brody's one-hander performance.- Variety
- Posted Mar 29, 2011
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Reviewed by
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Reviewed by
Rob Nelson
Waiting for Super to deliver the funny is an experience as long as the film itself.- Variety
- Posted Mar 28, 2011
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Reviewed by
Leslie Felperin
Neither scary, funny, nor anywhere near as clever as it seems to think it is, picture offers audiences few reasons to want to see it beyond its one-joke premise.- Variety
- Posted Mar 28, 2011
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Reviewed by
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Reviewed by
Ronnie Scheib
Like Sebastian Silva's "The Maid," Queen posits a radically different approach to class and gender empowerment.- Variety
- Posted Mar 28, 2011
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Reviewed by
Peter Debruge
However didactic the film's final scenes, there's no denying the sheer dramatic intensity Bier achieves.- Variety
- Posted Mar 28, 2011
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- Variety
- Posted Mar 27, 2011
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Reviewed by
Jay Weissberg
Very kid-friendly, the wordless pic could strike some as an overly-intellectualized attempt to fetishize remnant semi-pagan traditions in a picturesque corner of Italy's Calabria province.- Variety
- Posted Mar 27, 2011
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- Variety
- Posted Mar 25, 2011
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Reviewed by
Peter Debruge
Like Quentin Tarantino, Snyder is unapologetic about his influences -- the trashier the better -- though he's far less skilled in the art of pastiche.- Variety
- Posted Mar 24, 2011
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Reviewed by
Ronnie Scheib
Mia and the Migoo boasts a handsome, folkloric look that is often undermined by a ham-handed script.- Variety
- Posted Mar 24, 2011
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Reviewed by
Ronnie Scheib
Chalk suffers overall from a lack of subtlety, as problems abruptly get thrust into the foreground with little buildup or internal consistency.- Variety
- Posted Mar 24, 2011
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Reviewed by
Peter Debruge
In the lead, Gordon has the wide-eyed appeal of a young Matthew Broderick: He looks nothing like Kinney's crudely rendered cartoon character.- Variety
- Posted Mar 23, 2011
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Reviewed by
John Anderson
Though never intended to match "The Road" for gruesome veracity or Michael Haneke's "Time of the Wolf" for full-on mysterious dread, this Irish production doesn't cut much of its own niche in an overworked genre.- Variety
- Posted Mar 22, 2011
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Reviewed by
Boyd van Hoeij
A prolonged stay in a Belgian immigration detention center causes more than a few chinks in the armor of a strong-willed Russian femme in Illegal, Olivier Masset-Depasse's fascinating study of perseverance in the face of subhuman treatment.- Variety
- Posted Mar 22, 2011
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Reviewed by
Jay Weissberg
Utterly unpretentious and deeply touching.- Variety
- Posted Mar 22, 2011
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Reviewed by
Charles Gant
Brit thesp Paddy Considine makes a strong writing-helming feature debut with Tyrannosaur, recycling the same cast, characters and setup he used for his 2008 award-winning short "Dog Altogether."- Variety
- Posted Mar 22, 2011
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Reviewed by
Boyd van Hoeij
The emotional life of a Canuck bowling-alley handyman slowly turns to slush in Curling, the latest slice of arthouse misery from Quebecois director Denis Cote.- Variety
- Posted Mar 22, 2011
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- Variety
- Posted Mar 22, 2011
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Reviewed by
Ronnie Scheib
This curious blend of documentary and narrative, held together less by any plot device than by a rigorous aesthetic, proves all the more effective for being in service of casual naturalism.- Variety
- Posted Mar 22, 2011
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Reviewed by
Justin Chang
Schnabel's signature blend of splintered storytelling and sobering humanism feels misapplied to this sweeping multigenerational saga.- Variety
- Posted Mar 21, 2011
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Reviewed by
Joe Leydon
A modestly engaging domestic drama that earns few points for originality but rewards aud attention with persuasive performances, outbursts of robust humor and a vivid yet understated evocation of time and place.- Variety
- Posted Mar 21, 2011
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Reviewed by
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Reviewed by
Boyd van Hoeij
Eight years after the crowd-pleasing "8 Women" and a mostly impressive run of small-scale arthouse films, Francois Ozon effortlessly moves back to the mainstream with another sparkling, occasionally side-splitting adaptation of a French boulevard-theater play.- Variety
- Posted Mar 21, 2011
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Reviewed by
Alissa Simon
So lame that it barely gets a rise out of permanent erection jokes.- Variety
- Posted Mar 21, 2011
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Reviewed by
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Reviewed by
Ronnie Scheib
Lacks focus, stumbling from one emotionally fraught stopping place to another but arousing less and less curiosity along the way.- Variety
- Posted Mar 19, 2011
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Reviewed by
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- Critic Score
Script weaknesses overwhelm ethnographic interest, historical tragedy and some solid performances in period drama "The Gift to Stalin."- Variety
- Posted Mar 17, 2011
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