Variety's Scores

For 17,757 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17757 movie reviews
  1. There’s no lack of suspense, human interest or unique animal footage in this engrossing feature.
  2. As a Donnie Yen vehicle that showcases the star’s still-amazing physical skills and moves at a pacy clip for almost two hours, The Prosecutor has the storytelling energy and visual panache to smooth over the rough spots.
  3. Directed with piercing insight, emotional depth and true compassion by Miwa Nishikawa, Under the Open Skies tells the heartbreaking tale of a pariah whose soul is crushed by systemic discrimination and a world of hypocritical conformity.
  4. The poignancy of Super Happy Forever lies in its unseen tensions, its negative spaces, and the ellipsis of five years where its characters assumed they had all the time in the world to recreate this level of happiness.
  5. Gudegast, for all his casualness toward plausibility, is an energizing filmmaker. He keeps the mano-a-mano standoffs humming, and he’s got a sixth sense for how to showcase Butler as a glamorously disheveled schlock version of Dirty Harry–meets–Popeye Doyle-meets– “Lethal Weapon”-gone-lone-wolf.
  6. It’s a portrait that’s really a meditation on Riefenstahl — her life, her art, the question of her guilt. And one of the things it does is to remind you of what a singularly provocative and insidious and mysterious figure she was.
  7. Though R.T. Thorne’s dynamic siege thriller has some familiar moves, it is full of fresh ideas.
  8. Rather than simplistically lionizing the frikis, the directors honor their plight by portraying them as an example of how the human spirit perseveres even when nearly crushed.
  9. The lead characters are well-cast across the board, with Chase and McDonough especially effective as complex, unpredictable characters whose sporadic conflicts go a long way toward developing a rooting interest in both men.
  10. Sonic the Hedgehog 3 is wired-up synthetic fun. It’s a trivial kiddie flick that moves at the speed of your mind playing video games.
  11. At nearly every step, Mufasa’s challenges mirror those that Simba must later overcome, but the movie doesn’t celebrate Mufasa’s might so much as his modesty.
  12. The well-acted, confidently crafted indie Scrap probes messy family dynamics with low-key but taut acuity, avoiding the usual poles of dysfunctional-clan comedy or high drama driven by yelling matches and shocking revelations.
  13. The biggest single factor in making “Young Werther” an antic, pleasing gambit overall is English actor Booth. He channels a bit of the early Val Kilmer from “Top Secret!” and “Real Genius” in conjuring a hero who’s so nimble and amusing in his peacocking, we forgive him being his own biggest admirer.
  14. Although Collet-Serra brings creative solutions to each of the action sequences, the project is actually most effective when audiences are honed in on the core characters.
  15. The action in Kraven the Hunter is fine as far as it goes, but it rarely incites or bedazzles you.
  16. The Bibi Files is an important documentary, because it takes in the big picture of how Benjamin Netanyahu became so entrenched that he remade Israel in his own image, in much the same way that Trump has done in the U.S. and will now try to do even more.
  17. A Complete Unknown is a drama of scruffy naturalism, with a plot that doesn’t so much unfold as lope right along with its legendary, curly-haired, sunglass-wearing coffee-house troubadour hero. Yet the feel — the effect — is that of a musical.
  18. It may please the faithful, but it’s not quite epic enough to give less devoted viewers the same thrill they once felt from the live-action movies.
  19. Impressive in both its subject and suggested scope, Perry’s sweeping film reflects how the achievement of these women directly impacted the troops’ morale, despite the adversity they faced from skeptical superior officers.
  20. It’s a movie that captures how Martha Stewart’s penetration into American culture seems, in hindsight, as inevitable as it was unlikely.
  21. This is a story with numerous stinging ironies, albeit one told in a refreshingly nuanced, non-hyperbolic fashion that pays off very nicely indeed.
  22. The light and shade here is all in Peter Simonite’s splendid, inky-shadowed monochrome lensing; Huston’s visual sense outweighs his screenwriting.
  23. "Mango” tells a story that could have been told many different ways. Still, the path chosen feels unique — not least for conveying some awful truths by means palatable even to the most skittish viewer. It’s a peek down a long, dark tunnel that’s nonetheless suffused throughout by the light at its end.
  24. Though it leaves one wanting for more hard-hitting, confrontational exchanges with Payá, “Night Is Not Eternal” evinces the road to change as winding, perilous, and far from immaculate.
  25. Out of My Mind is a worthy and unique coming-of-age tale. Despite the speedbumps encountered, the filmmakers drive home the poignant message that a person’s disability shouldn’t impede their growth and independence.
  26. Visually striking as it is, with compositions that rival great Flemish paintings, the obsessive director’s somber retelling of F.W. Murnau’s expressionistic vampire movie is commendably faithful to the 1922 silent film and more accessible than “The Lighthouse” and “The Witch,” yet eerily drained of life.
  27. Directors Steffen Haars and Flip van der Kuil offer ideas of subversion that feel both long-outdated in concept and completely dull in execution, to the point that merely describing the film feels irresponsible, lest its premise accidentally lure curious viewers to the cinema.
  28. Writer and director Johan Grimonprez sets himself a difficult task with Soundtrack to a Coup d’Etat, yet accomplishes it with astonishing success. The film plays like both a dense historical text and a lively jazz concert while proving itself to be an invigorating piece of documentary filmmaking.
  29. You watch Our Little Secret, seeing through the paper-thin contrivances, tittering at the imbecilities, and somehow that all becomes part of the experience. It’s mainstream fodder as downgraded camp. It’s pablum so numbing it makes you feel good.
  30. Moana 2 is an okay movie, an above-average kiddie roller-coaster, and a piece of pure product in a way that the first “Moana,” at its best, transcended.

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