For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Goosed by a couple gratuitous interludes of gory amateur surgery, the movie is eventful, with a high body count. But there’s never the baseline authenticity of atmosphere or character depth that might make so much action meaningful, or even particularly exciting.- Variety
- Posted Apr 14, 2025
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Reviewed by
Carlos Aguilar
The King of Kings is a serviceable if uninspired take on a story told countless times in just as varied formats.- Variety
- Posted Apr 14, 2025
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Reviewed by
Owen Gleiberman
A school-shooting drama needn’t be any one specific thing, but to ask an audience to sit through one is, implicitly, to promise some wrenching insight in return. Eric LaRue is just a lot of indie showboating signifying nothing.- Variety
- Posted Apr 11, 2025
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Reviewed by
Owen Gleiberman
Sinners works more than it doesn’t, even if it doesn’t always gel, but it’s a commanding demonstration of how lavishly spirited and “serious” a popcorn movie can be.- Variety
- Posted Apr 10, 2025
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Reviewed by
Peter Debruge
Action does not come naturally to the “Under the Same Moon” director, though the script poses an even bigger problem in G20, a movie whose short title manages to reflect both its high concept and shockingly low intelligence level.- Variety
- Posted Apr 9, 2025
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Reviewed by
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Reviewed by
Owen Gleiberman
It can seem churlish to complain that an undercover thriller is mission: implausible, but much of what happens in The Amateur seems…arbitrary.- Variety
- Posted Apr 8, 2025
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Reviewed by
Stephen Saito
In observing how Mackenzie absorbs feelings of shame for any time she’s disappointed him, they consider all those who hold onto romantic notions too long, finding a fresh take on a toxic relationship.- Variety
- Posted Apr 4, 2025
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Reviewed by
Peter Debruge
Much like Penny Lane’s endlessly amusing “Listening to Kenny G,” Yousef’s illuminating doc appeals to all sides, from Kinkade’s haters to his most ardent defenders, revealing dimensions altogether absent from his enormously popular oeuvre.- Variety
- Posted Apr 2, 2025
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Reviewed by
Peter Debruge
The movie’s hella derivative, but still quite entertaining, with an appealing cast and memorable characters.- Variety
- Posted Apr 2, 2025
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Reviewed by
Owen Gleiberman
A Minecraft Movie never stops goofing on itself, and that’s appealing.- Variety
- Posted Apr 2, 2025
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Reviewed by
Carlos Aguilar
One of the most necessary and scorching pieces of nonfiction storytelling in recent memory, “The Falling Sky” offers no comfort and points fingers with a ferocious righteousness as we stare into the abyss of the inescapable environmental catastrophe so-called “developed nations” have wrought.- Variety
- Posted Apr 2, 2025
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Reviewed by
Owen Gleiberman
It scrapes every last bit of romantic glamour off the image of combat, and I guess you could say that’s an achievement. But it’s an achievement, in this case, that seems to be saluting itself.- Variety
- Posted Mar 28, 2025
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Reviewed by
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Reviewed by
Peter Debruge
There’s a current of tragedy running beneath all of the couples here, as the characters create obstacles to their own happiness. It can feel a bit diagrammatic, as if the novelist were setting up impossible loves and then watching them fail. But there’s hope too, and however contrived the last scene may feel, there’s poetry in watching someone betting their future on yet another horse.- Variety
- Posted Mar 27, 2025
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Reviewed by
Owen Gleiberman
The Woman in the Yard never musters the imagination to horrify or even jolt you. It’s a tale of one-note inner demons.- Variety
- Posted Mar 27, 2025
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Reviewed by
Peter Debruge
Jason Statham is good at his job, which explains why he keeps booking the same kinds of movies — well, that and the fact that people keep watching them.- Variety
- Posted Mar 26, 2025
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Reviewed by
Stephen Saito
With such a wealth of talent at its disposal, The Luckiest Man in America is strangely never as satisfying as it should be.- Variety
- Posted Mar 26, 2025
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Reviewed by
Guy Lodge
Nobody is exactly who they appear to be in “When Fall is Coming,” but Ozon’s nimble, perceptive little film takes that as a given: When winter and mortality are beckoning, the past only counts for so much.- Variety
- Posted Mar 25, 2025
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Reviewed by
Siddhant Adlakha
It’s a strange-looking, odd-feeling film that gestures toward mystery and larger conspiracy, but it seldom pulls on these threads. Instead, it ends up an anodyne political drama that says little of note.- Variety
- Posted Mar 20, 2025
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Reviewed by
Todd Gilchrist
Locked is not without limited charms, but it ultimately fails to bridge the gap between putting audiences in the car with Eddie, and actually wanting to make them go for the ride.- Variety
- Posted Mar 20, 2025
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Reviewed by
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Reviewed by
Owen Gleiberman
As it turns out, this is one of the better live-action adaptations of a Disney animated feature.- Variety
- Posted Mar 19, 2025
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Reviewed by
Peter Debruge
If there was any doubt as to De Niro’s greatness, it’s laid to rest in these face-to-face confrontations. No star could’ve held his own quite so effectively against De Niro.- Variety
- Posted Mar 19, 2025
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Reviewed by
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Reviewed by
Peter Debruge
Nirvanna the Band the Show the Movie is nothing if not an homage to the lasting impact that junk culture can have on impressionable minds.- Variety
- Posted Mar 13, 2025
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Reviewed by
Peter Debruge
The movie’s razor-sharp visuals leave scratch marks on the back of your eyeballs, liable to burst back into your consciousness in subsequent dreams.- Variety
- Posted Mar 12, 2025
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Reviewed by
Stephen Saito
The results are mixed in ways the filmmakers probably didn’t intend, but they’re at once genuinely intriguing and enormously charming given the talent involved.- Variety
- Posted Mar 12, 2025
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Reviewed by
Owen Gleiberman
The director, Andrew Patterson, has a vision — of life, and of how to tell a story — that he enacts with so much confidence and verve that even when what he’s doing doesn’t totally work, you may find yourself going with it, because this is what independent filmmaking is about: unfurling a story on the high wire.- Variety
- Posted Mar 12, 2025
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Reviewed by
Stephen Saito
There’s too much passion and creativity on display to declare “O’Dessa” a complete catastrophe, but the committed performances and detailed production design and costumes all come across as the product of bibles’ worth of backstory that couldn’t possibly be carried over with the constraints of time.- Variety
- Posted Mar 12, 2025
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Reviewed by
Siddhant Adlakha
With its dramatic themes spread across two wildly different halves, it makes for a unique, propulsive thrill ride whose baffling existence is key to its enjoyment.- Variety
- Posted Mar 12, 2025
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Reviewed by
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Reviewed by
Owen Gleiberman
You might be wondering if “Clown in a Cornfield” is at least scary. No, it’s not, and it’s not trying too hard to be.- Variety
- Posted Mar 12, 2025
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Reviewed by
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Reviewed by
Owen Gleiberman
These people all look and sound so important that the message that blankets every moment of The Age of Disclosure is: They’re official. And what they have to say is official.- Variety
- Posted Mar 12, 2025
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Reviewed by
Joe Leydon
Mason, a close friend of Hutchins, constructs a propulsive and compelling narrative by skillfully interlacing interviews with people involved in the tragedy — including the OSHA investigator who uncovered a pattern of risky behavior on the “Rust” set — with news footage, police interrogations, and video recorded on cellphones and police minicams.- Variety
- Posted Mar 12, 2025
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Reviewed by