Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Goosed by a couple gratuitous interludes of gory amateur surgery, the movie is eventful, with a high body count. But there’s never the baseline authenticity of atmosphere or character depth that might make so much action meaningful, or even particularly exciting.
  2. The King of Kings is a serviceable if uninspired take on a story told countless times in just as varied formats.
  3. A school-shooting drama needn’t be any one specific thing, but to ask an audience to sit through one is, implicitly, to promise some wrenching insight in return. Eric LaRue is just a lot of indie showboating signifying nothing.
  4. Sinners works more than it doesn’t, even if it doesn’t always gel, but it’s a commanding demonstration of how lavishly spirited and “serious” a popcorn movie can be.
  5. G20
    Action does not come naturally to the “Under the Same Moon” director, though the script poses an even bigger problem in G20, a movie whose short title manages to reflect both its high concept and shockingly low intelligence level.
  6. It can seem churlish to complain that an undercover thriller is mission: implausible, but much of what happens in The Amateur seems…arbitrary.
  7. In observing how Mackenzie absorbs feelings of shame for any time she’s disappointed him, they consider all those who hold onto romantic notions too long, finding a fresh take on a toxic relationship.
  8. Much like Penny Lane’s endlessly amusing “Listening to Kenny G,” Yousef’s illuminating doc appeals to all sides, from Kinkade’s haters to his most ardent defenders, revealing dimensions altogether absent from his enormously popular oeuvre.
  9. The movie’s hella derivative, but still quite entertaining, with an appealing cast and memorable characters.
  10. A Minecraft Movie never stops goofing on itself, and that’s appealing.
  11. One of the most necessary and scorching pieces of nonfiction storytelling in recent memory, “The Falling Sky” offers no comfort and points fingers with a ferocious righteousness as we stare into the abyss of the inescapable environmental catastrophe so-called “developed nations” have wrought.
  12. It scrapes every last bit of romantic glamour off the image of combat, and I guess you could say that’s an achievement. But it’s an achievement, in this case, that seems to be saluting itself.
  13. There’s a current of tragedy running beneath all of the couples here, as the characters create obstacles to their own happiness. It can feel a bit diagrammatic, as if the novelist were setting up impossible loves and then watching them fail. But there’s hope too, and however contrived the last scene may feel, there’s poetry in watching someone betting their future on yet another horse.
  14. The Woman in the Yard never musters the imagination to horrify or even jolt you. It’s a tale of one-note inner demons.
  15. Jason Statham is good at his job, which explains why he keeps booking the same kinds of movies — well, that and the fact that people keep watching them.
  16. With such a wealth of talent at its disposal, The Luckiest Man in America is strangely never as satisfying as it should be.
  17. Nobody is exactly who they appear to be in “When Fall is Coming,” but Ozon’s nimble, perceptive little film takes that as a given: When winter and mortality are beckoning, the past only counts for so much.
  18. It’s a strange-looking, odd-feeling film that gestures toward mystery and larger conspiracy, but it seldom pulls on these threads. Instead, it ends up an anodyne political drama that says little of note.
  19. Locked is not without limited charms, but it ultimately fails to bridge the gap between putting audiences in the car with Eddie, and actually wanting to make them go for the ride.
  20. As it turns out, this is one of the better live-action adaptations of a Disney animated feature.
  21. If there was any doubt as to De Niro’s greatness, it’s laid to rest in these face-to-face confrontations. No star could’ve held his own quite so effectively against De Niro.
  22. Nirvanna the Band the Show the Movie is nothing if not an homage to the lasting impact that junk culture can have on impressionable minds.
  23. Ash
    The movie’s razor-sharp visuals leave scratch marks on the back of your eyeballs, liable to burst back into your consciousness in subsequent dreams.
  24. The results are mixed in ways the filmmakers probably didn’t intend, but they’re at once genuinely intriguing and enormously charming given the talent involved.
  25. The director, Andrew Patterson, has a vision — of life, and of how to tell a story — that he enacts with so much confidence and verve that even when what he’s doing doesn’t totally work, you may find yourself going with it, because this is what independent filmmaking is about: unfurling a story on the high wire.
  26. There’s too much passion and creativity on display to declare “O’Dessa” a complete catastrophe, but the committed performances and detailed production design and costumes all come across as the product of bibles’ worth of backstory that couldn’t possibly be carried over with the constraints of time.
  27. With its dramatic themes spread across two wildly different halves, it makes for a unique, propulsive thrill ride whose baffling existence is key to its enjoyment.
  28. You might be wondering if “Clown in a Cornfield” is at least scary. No, it’s not, and it’s not trying too hard to be.
  29. These people all look and sound so important that the message that blankets every moment of The Age of Disclosure is: They’re official. And what they have to say is official.
  30. Mason, a close friend of Hutchins, constructs a propulsive and compelling narrative by skillfully interlacing interviews with people involved in the tragedy — including the OSHA investigator who uncovered a pattern of risky behavior on the “Rust” set — with news footage, police interrogations, and video recorded on cellphones and police minicams.

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