For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Too much of “Bombshell” skims over Lamarr’s more troubling and troubled aspects to paint her in somewhat stock terms as the victim of keep-her-on-that-pedestal misogyny.- Variety
- Posted Nov 30, 2017
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Reviewed by
Dennis Harvey
Writer-director-star Steve Goldbloom’s debut feature is an uneven trifle overly dependent on the familiar, uninspired comedy of immature man-boys behaving badly. But it has an ace up its sleeve in the person of historied veteran Rita Moreno, whose unpredictable performance in an underwritten role gooses things to an amiable degree.- Variety
- Posted Nov 22, 2017
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Reviewed by
Dennis Harvey
As absorbing as much of this material is, the lengthy feature does not feel definitive: It commits the typical music-doc sin of devoting nearly all its time to a celebrated first professional decade, then hastily skimming past all events since.- Variety
- Posted Nov 21, 2017
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Reviewed by
Owen Gleiberman
The movie is “Fatal Attraction” for the age of the revolving-door hook-up, and in its fevered low-budget way it’s just clever enough to do what it sets out to do. It gives toxic masculinity its just desserts.- Variety
- Posted Nov 20, 2017
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Reviewed by
Guy Lodge
Pat Collins’ echoing, elegiac evocation of the spirit of Irish sean nós singer Joe Heaney is most interested in his haunted vocal gift, letting the troubled life that weathered it show through only in glimmers between the gorgeous songs.- Variety
- Posted Nov 16, 2017
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Peter Debruge
As kid-friendly Christmas movies go, this one actually goes out of its way to remind what the holiday represents, which should please parents looking for something a little more sophisticated (but just barely) than the VeggieTales cartoons.- Variety
- Posted Nov 16, 2017
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Reviewed by
Owen Gleiberman
The movie is no cheat. It’s a tasty franchise delivery system that kicks a certain series back into gear.- Variety
- Posted Nov 15, 2017
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Reviewed by
Guy Lodge
A thin, sparkless romantic comedy that takes satirical aim at a host of current hipster-culture targets, before concluding that merely identifying them is droll enough.- Variety
- Posted Nov 13, 2017
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Reviewed by
Joe Leydon
Written and directed by sibling filmmakers Ian and Eshom Nelms with equal measures of respect and skepticism for pulp conventions, the movie comes across as neither pastiche nor parody, but rather as a seriously down-and-dirty crime story with a savage sense of humor.- Variety
- Posted Nov 13, 2017
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Reviewed by
Owen Gleiberman
It’s a very tasteful heart-tugger — a drama of disarmingly level-headed empathy that glides along with wit, assurance, and grace, and has something touching and resonant to say about the current climate of American bullying.- Variety
- Posted Nov 13, 2017
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- Variety
- Posted Nov 10, 2017
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Reviewed by
Joe Leydon
A smartly constructed and sardonically funny indie with attitude that somehow manages the tricky feat of being exuberantly over the top even as it remains consistently on target.- Variety
- Posted Nov 9, 2017
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Reviewed by
Nick Schager
Survival is depicted as a double-edged sword in Destination Unknown, an accomplished and heartrending documentary.- Variety
- Posted Nov 9, 2017
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Reviewed by
Maggie Lee
Artfully subverting the spirit of such soulful, diaphanous romances as “Love Letter” and “Hana and Alice” from earlier in his own career, Iwai exposes the desperation and deceit involved in the search for love.- Variety
- Posted Nov 9, 2017
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Reviewed by
Guy Lodge
Acted and executed with brute conviction, if not much delicacy, by its writer-director-star, with an excellent foil in Jason Ritter’s boorish, baffled husband, the film feels overstretched in its latter half — with its central metaphor revealing only so many facets before the shock factor begins to pall.- Variety
- Posted Nov 9, 2017
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Reviewed by
Owen Gleiberman
In a strange way, the movie, as doggedly made as it is, remains stubbornly uncompelling. That, I think, is because Gibney’s own connection to the subject, while it charges him with righteous passion, has resulted in a rare loss of perspective.- Variety
- Posted Nov 9, 2017
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Reviewed by
Owen Gleiberman
It arrives at a moment when the crackling voltage of the culture wars — blue state vs. red state, Trump haters vs. Trump lovers — is coursing through every fiber of the nation. This means that a film like Daddy’s Home 2, in its stupido-on-purpose way, can seem almost relevant in its trivial hit-or-miss yocks.- Variety
- Posted Nov 9, 2017
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Reviewed by
Scott Tobias
The Final Year clings to a precooked thesis about the Obama Doctrine that misses the behind-the-scenes drama and candor of superior political documentaries like “The War Room” or “Weiner.”- Variety
- Posted Nov 9, 2017
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Reviewed by
Peter Debruge
Though he succeeds in creating the most memorable incarnation of Poirot ever seen on-screen (upstaging even Johnny Depp’s competing cameo), the movie is a failure overall, juggling too many characters to keep straight, and botching the last act so badly that those who go in blind may well walk out not having understood its infamous twist ending.- Variety
- Posted Nov 2, 2017
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Reviewed by
Owen Gleiberman
Frank Serpico is a finely etched and fascinating documentary.- Variety
- Posted Nov 2, 2017
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Nick Schager
In the stories of both men, Grieco’s film highlights the double-edged nature of eye-opening visuals, which are just as apt to enrage others and endanger the messenger as they are to achieve noble ends.- Variety
- Posted Nov 2, 2017
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Reviewed by
Nick Schager
Caring more about what its characters represent — and its empathetic representation of them — than about crafting a fully formed drama concerning flesh-and-blood people, Cone’s film has little more than its heart in the right place.- Variety
- Posted Nov 1, 2017
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Reviewed by
Alissa Simon
The gripping period drama offers a fresh, intelligent cinematic approach to a difficult topic.- Variety
- Posted Nov 1, 2017
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Reviewed by
Owen Gleiberman
The new film, while just okay enough to get by, takes a step back from the audacity of “Bad Moms” to something more cautiously conventional.- Variety
- Posted Nov 1, 2017
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Reviewed by
Owen Gleiberman
The great strength of The New Radical is that it’s not on its subjects’ side (or totally against them either). It’s the rare documentary that lets you decide.- Variety
- Posted Oct 31, 2017
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Reviewed by
Jay Weissberg
Rather than any outward show of police or physical repression, the directors suffuse their drama with a sense of paranoia and constant surveillance, chillingly capturing the fear of one man forced into a moral dilemma.- Variety
- Posted Oct 31, 2017
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Reviewed by
Guy Lodge
Paddington 2 is another near-pawfect family entertainment, honoring the cozy, can-do spirit of Bond’s stories while bringing them smoothly into a bustling, diverse 21st-century London — with space for some light anti-Brexit subtext to boot.- Variety
- Posted Oct 31, 2017
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Reviewed by
Alissa Simon
What makes this spiky dramedy so compelling are the Palestinian-Israeli protagonists, whose split lives have rarely been depicted on screen.- Variety
- Posted Oct 29, 2017
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Reviewed by
Peter Debruge
In addition to being a rather fine addition to the Christmas-movie canon, the film marks a useful teaching tool — a better option for classroom screenings than any of the previous “Carol” adaptations, once students have finished reading the novella.- Variety
- Posted Oct 29, 2017
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Reviewed by
Guy Lodge
A piercing, immersive, and superbly played convent drama in which the suppression of speech is witnessed at both an individual and institutional level.- Variety
- Posted Oct 26, 2017
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