For 17,760 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,121 out of 17760
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Mixed: 7,003 out of 17760
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Negative: 1,636 out of 17760
17760
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
This open-air thriller is decently crafted by director Lucky McKee (whose prior films have landed closer to horror terrain), and it eventually summons up enough seriocomic neo-noir perversity to comprise a fun, semi-guilt-free ride.- Variety
- Posted Oct 12, 2017
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Reviewed by
Owen Gleiberman
For a long time now, Alfred Hitchcock’s “Psycho” has been two movies, and the hypnotic film-geek documentary 78/52 is an ingenious and irreverent master class in both of them.- Variety
- Posted Oct 12, 2017
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Reviewed by
Andrew Barker
As admirable as its aims may be, however, M.F.A.’s themes call for a careful, consistent tone that it is rarely able to maintain, and an increasingly ridiculous third act squanders much of the empathy and engagement that Leite works so hard to build in the early going.- Variety
- Posted Oct 12, 2017
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Reviewed by
Peter Debruge
It’s a gripping and powerfully emotional portrait of yee-haw heroism, pitting a squad of cocky, calendar-purty white dudes against an adversary with no creed or color, just an unquenchable appetite for destruction.- Variety
- Posted Oct 12, 2017
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Catherine Bray
this compassionate film is as much about its very specific Cambodian setting as it is the characters, with the film’s standout star its neon-pastel location work.- Variety
- Posted Oct 12, 2017
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Reviewed by
Guy Lodge
There’s a lot happening on the surface of Alfredson’s perplexing winter wonder-why, but considerably less going on inside.- Variety
- Posted Oct 11, 2017
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Reviewed by
Owen Gleiberman
Happy Death Day is “Groundhog Day” dipped in blood, and if the movie isn’t all that clever, it’s just clever enough to get by.- Variety
- Posted Oct 11, 2017
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Peter Debruge
The Foreigner amounts to an above-average but largely by-the-numbers action movie in which Chan does battle with generic thugs and shadowy political forces.- Variety
- Posted Oct 10, 2017
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Amy Nicholson
Beat by beat, My Little Pony: The Movie is at once clichéd and exceptional.- Variety
- Posted Oct 5, 2017
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- Variety
- Posted Oct 5, 2017
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Reviewed by
Geoff Berkshire
With the gripping appeal of a great epic novel, Kief Davidson and Pedro Kos’ documentary spans three decades of diligent work on the frontlines of global health crises to prove, in moving detail, the difference dedicated professionals can make in seemingly hopeless situations.- Variety
- Posted Oct 5, 2017
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Reviewed by
Peter Debruge
By approaching Marshall as an idealistic young trial lawyer, the film stands on its own as a compelling courtroom drama, complete with surprising revelations — and while we hope things will go his way, this case could just as easily prove the one that motivated his future crusade.- Variety
- Posted Oct 4, 2017
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Reviewed by
Guy Lodge
The film’s tone and outlook is changeable throughout — down to a striking, only semi-successful framing device of docu-style testimonies that hover deliberately between worlds.- Variety
- Posted Oct 4, 2017
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Reviewed by
Dennis Harvey
This “origin story” is a somewhat mixed bag. But it’s also an earnest and well-crafted attempt at course-correction, straying from stock slasher recyclage to provide a different story that actually connects a few dots in the very tangled cinematic “Chainsaw” universe to date.- Variety
- Posted Oct 4, 2017
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Reviewed by
Dennis Harvey
Even at two full hours, “Take Every Wave” must do a lot of condensing. Still, as ample and awesome as Hamilton’s exterior doings are, one gets something of a classic “authorized portrait” vibe here in that he’s not about to let us get too far into his head.- Variety
- Posted Oct 2, 2017
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Reviewed by
Andrew Barker
As dull as it gets, Flatliners never sinks all the way into outright fiasco, and there’s enough talent both behind and in front of the camera to keep things on the right side of basic competence. The actors do what they can with the material, and Oplev happens upon a few decent visual ideas.- Variety
- Posted Oct 1, 2017
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Reviewed by
Peter Debruge
Villeneuve earns every second of that running time, delivering a visually breathtaking, long-fuse action movie whose unconventional thrills could be described as many things — from tantalizing to tedious — but never “artificially intelligent.”- Variety
- Posted Sep 29, 2017
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Reviewed by
Dennis Harvey
While its storytelling wavers, there’s nothing unsteady about the movie’s overall packaging craftsmanship.- Variety
- Posted Sep 28, 2017
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Reviewed by
Owen Gleiberman
The central reason that Last Flag Flying fails to take wing is that its characters don’t ring true. Not really. You never feel, in your bones, that you’re watching battle-scarred veterans.- Variety
- Posted Sep 28, 2017
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Reviewed by
Guy Lodge
Sympathetic as Thor’s journey to awareness is, Heartstone’s languid, rollingly repetitive storytelling never quite justifies its weighted focus on his character at the expense of his friend’s more active anguish; a more judicious edit could place both in sharper relief.- Variety
- Posted Sep 28, 2017
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Reviewed by
Dennis Harvey
Jane provides as much insight as we might hope for (in visual media at least) into a personality whose life might seem well-documented to the point of redundancy.- Variety
- Posted Sep 27, 2017
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Reviewed by
Owen Gleiberman
Clive Davis: The Soundtrack of Our Lives...is an example of how a movie can be flagrantly hagiographic, sentimental, and hypnotized by its own subject — and still make you want to keep watching it.- Variety
- Posted Sep 27, 2017
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Reviewed by
Joe Leydon
Taken strictly on its own terms, the film adaptation is an arrestingly and sometimes excruciatingly suspenseful psychological thriller lightly garnished with horror-movie flourishes...and driven by a compelling lead performance that is entirely worthy of a description too often misapplied to lesser work: tour de force.- Variety
- Posted Sep 26, 2017
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Reviewed by
Alissa Simon
Director-writer-animator Ann Marie Fleming creates an entertaining, educational, and poignant tale about identify and imagination that is filled with stories and poetry.- Variety
- Posted Sep 25, 2017
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Reviewed by
Dennis Harvey
Realive ultimately aims to be all about matters of the heart, and in that realm Gil’s imagination proves disappointingly limited.- Variety
- Posted Sep 25, 2017
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Reviewed by
Jessica Kiang
We might lament declining attention spans in general, but more chilling than anything in Friend Request is the idea that anyone’s whole attention could possibly be absorbed by so flimsy and forgettable a film, one that seems made with the sole aim of being perfectly adequate background noise for something else.- Variety
- Posted Sep 22, 2017
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Reviewed by
Dennis Harvey
Though the “Patient, film thyself” concept is starting to risk overexposure...Unrest is a high-grade example of the form that’s consistently involving, with content diverse enough to avoid the tunnel-visioned pitfalls of diarist cinema.- Variety
- Posted Sep 21, 2017
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Jay Weissberg
[A] concise, clearly told and deeply effective documentary.- Variety
- Posted Sep 21, 2017
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- Variety
- Posted Sep 21, 2017
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Reviewed by
Nick Schager
Empathetic and yet ultimately too draggy to elicit much engagement with its paper-thin story, Elizabeth Blue proves at once well-intentioned and inert.- Variety
- Posted Sep 20, 2017
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Reviewed by