Variety's Scores

Select another publication »
For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,134 out of 17779
  2. Mixed: 7,009 out of 17779
  3. Negative: 1,636 out of 17779
17779 movie reviews
view
per page
  1. Drive My Car
    Hamaguchi’s filmmaking, always accomplished, reaches new heights of refinement and sensory richness here, principally via Shinomiya’s immaculate, opaline lensing.
  2. Ahed's Knee
    Quite possibly brilliant, and very definitely all but unbearable, Ahed’s Knee is filmmaking as hostage-taking. If such language seems charged, this is Nadav Lapid: All language is charged.
  3. Flag Day
    Even telling the story of this scarred, flawed, barely together family, Penn creates honest notes of nostalgia.
  4. Benedetta
    With its haters-be-damned approach to all things carnal, Benedetta is intended to arouse, thereby satisfying the most basic definition of pornography, even if Verhoeven (who claims a certain scholarly interest in the subject as well) does surround the titillating bits with illuminating insights into Renaissance religious life.
  5. The Souvenir: Part II
    Though fully distinct in its thematic and aesthetic fixations, The Souvenir Part II abuts its predecessor to form one of the medium’s most intimate, expressive portraits of the artist as a young woman — a mirror tilted just enough away from the filmmaker that the audience, too, can catch itself in the glass.
  6. After Yang
    The movie’s pulse seldom rises above resting, but the director invites audiences to dive as deep as they want to go into the film’s themes, to read subtext into body language, silence and the space between characters.
  7. Stillwater
    The movie’s more interesting for being less obvious.
  8. Dachra
    Originality may indeed be scarce in writer-director Abdelhamid Bouchnak’s debut narrative feature. Yet this gory goulash of city slickers, creepy yokels, editorial jolts and cannibalism largely transcends its derivative basic elements, thanks to his astute, richly atmospheric handling.
  9. Tiny Tim: King for a Day
    The last act of Tiny Tim: King for a Day is about Tiny’s descent, which the film portrays with a haunted majesty worthy of a Larry Karaszewski/Scott Alexander biopic.
  10. Scales
    With its glittering black-and-white cinematography, immersive sound design, eerie score and creepy reveal, the film taps into something primal and chilling, with the taut first third particularly strong. But the narrative’s momentum and clarity dissipate in the middle and final sections even as the visuals continue to impress. Still, the boldly inventive Scales marks Ameen as a talent to watch.
  11. The Price of Freedom
    The Price of Freedom is an absorbing, disturbing, and scrupulously well-researched documentary.
  12. The Phantom
    A fascinating and ultimately infuriating documentary.
  13. The Loneliest Whale: The Search for 52
    The result is a well-meaning but somewhat granola, partly engaging yet disorganized documentary, one that searches for an imprecise story and struggles to keep its chief ambitions afloat.
  14. The Witches of the Orient
    For all the film’s playful artistry, the effect is more scattershot.
  15. Fear Street Part Two: 1978
    Fear Street in general and the 1978 chapter in particular are at their best when forging their own path, which makes it a shame when they’re too reluctant to walk it.
  16. Larry Flynt for President
    Larry Flynt for President tells a story so wild that the documentary plays as a succulent time machine of sordid 1980s mishegas.
  17. Annette
    In this particular cocktail, Carax is boiling lead to Sparks’ soda-pop fizz, sucking all the fun from the root-beer float. What does go well with the French auteur’s honesty-insisting earnestness is Adam Driver’s over-committed lead turn.
  18. First Date
    More concerned with paying homage to ’90s-era Quentin Tarantino than telling a contemporary coming-of-age tale with believable stakes, co-helmers Manuel Crosby and Darren Knapp’s debut feature First Date saddles a young couple not with a romantic night out, but with a haphazard all-nighter crime-comedy that’s mostly unfunny and free of convincing suspense.
  19. The God Committee
    While The God Committee routinely resides on the precipice of preachiness, Stark’s script (via St. Germain’s source material) avoids one-note sermonizing and characterizations at most turns, instead maturely investigating the messy intersection of medicine, morality and commerce.
  20. Dance of the 41
    Its final beat, like the entirety of its fabulous, tragic final act, is as masterful as it is heartbreaking. As a whole, though, it remains too stilted, like a painstakingly staged tableau vivant of late-19th-century Mexico and the patriarchal power structures that undergirded it.
  21. Till Death
    Even as the twists and turns get ever more preposterous . . . Dale’s direction and Fox’s commitment go a long way toward making Till Death a glossy, entertaining lark. Just maybe not one with anything of substance to say about marriage as its cheeky title suggests.
  22. America: The Motion Picture
    No aspect of history is off-limits here, the result being a grab bag of references, battles, and jokes that are constantly trying to one-up each other in terms of absurdity.
  23. Long Story Short
    Though the high-concept relationship movie frequently trips over its own well-meaning sentiments, the sweet, earnest performances and sharp technical craftsmanship deliver a blissful feeling when the material comes up short.
  24. The Tomorrow War
    The Tomorrow War is a big, dumb, sometimes tedious, sometimes fun civilization-vs.-aliens showdown.
    • 79 Metascore
    • 90 Critic Score
    The One and Only Dick Gregory
    The first-rate doc, written and directed by Andre Gaines, is a reminder to anyone familiar with Gregory of the breadth and prescience of his work; to the uninitiated, it will be an eye-opener.
  26. 7 Days
    In the future, audiences may tire of movies about COVID-19. For the moment, however, 7 Days arrives as a funny, modest charmer.
  27. The Forever Purge
    As a satirical demagogic action movie, The Forever Purge is blatant, bare-bones, and entertainingly brutal.
  28. Fear Street Part One: 1994
    “Fear Street” may look like countless horror movies that have come before, but it’s desperately trying to be original, and that may pay off in the two installments to come.
  29. The Boss Baby: Family Business
    The film itself, unfortunately, is generally less interesting than the business matters behind it, a thoroughly competent affair that tosses in just enough off-the-wall elements to liven up a fairly basic retread of the original’s formula.
  30. Prime Time
    In “Corpus Christi,” Bielenia was electric, but then he had Mateusz Pacewicz’s great script to work with. Here, he retains some charisma in a hard-working performance, but it’s not enough to singlehandedly provide this screenplay with meaning.
Page:

Top Trailers

See all »
See all trailers »