Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. Mayor Pete shows us the trial by fire of it all, and also the jubilant grind.
  2. Spinning a winning, delicate love story would be almost impossible if not for the performances of the leads. Ali and Harris have impeccable chemistry, making us feel the profundity and stakes of their romantic relationship.
  3. A graceful, touching sampler of dilemmas few viewers are likely to have experienced, even as they become ever-more-common reality for the less fortunate in many nations.
  4. What’s refreshing about the debuting director’s approach is that it feels relatively egoless. His style is playful and energetic, often intercutting between multiple threads within a given song or scene, but it doesn’t feel as if Miranda is calling attention to himself so much as trying to open up the show.
  5. In the end, this is the movie — not “The Closer” — that deserves the widest possible audience.
  6. The portrait of Palestinian identity it finally presents is so superficial and regressive that its saving grace is that it’s also very difficult to believe.
  7. Opening with a riotous bombardment of sound and image that risks confusing and losing some viewers even as it sends others into rapturous delight, Labyrinth of Cinema then makes sense of the chaos and emerges as a touching plea for peace and an exuberant celebration of the artifice and transformative power of cinema.
  8. As inspirational college sports movies go, Heart of the Champions doesn’t go, or row, nearly far enough off the beaten path. It’s every bit as boilerplate as its generic title might indicate.
  9. [An] aggravatingly wispy and precious film.
  10. It’s a small, impressionistic, oddly heartfelt movie about beauty, stardom, adoration, exploitation, and loss. Oh, is it ever about loss.
  11. One Shot manages to avoid seeming an overly schematic technical stunt. The mayhem depicted isn’t always fully convincing, but it does have a certain live-wire edge.
  12. In Uppercase Print, the fangs of the past are sharp, but muzzled.
  13. Beans is a thoughtful, stirring reflection by someone who survived it all, quietly demanding acknowledgement not just of her land, but of her life.
  14. Clifford the Big Red Dog becomes a rowdy chase film — as agreeable as Clifford himself, as simultaneously cute and in-your-face, and as genially random in its ability to create chaos.
  15. With its prevailing sentiments on dating in the digital age feeling more than a decade old, and themes centered on honesty and shallowness ringing hollow, this feature is fairly forgettable.
  16. Wandel’s immersive, impressive debut is rigorous in its resolute focus on one little girl fighting a lonely, frightened battle for her future selfhood, in which what hangs in the balance is nothing less than the shape and measure of her developing soul.
  17. The tension provided by dank claustrophobia and threat of suffocation, as air supplies dwindle, makes this house a very scary place to be.
  18. Dangerous is a bits-and-pieces action thriller with a fluky premise and a lead actor good enough to embody it. Made in the slipshod, overlit style of a straight-to-streaming potboiler, it’s not a rip-off so much as a film built out of spare parts from other movies, to the point that it never fully becomes itself.
  19. A middling horror-thriller and social satire that opens with an intriguing premise but never probes its cashed-up characters deeply enough to create gripping drama from the heightened hedonism or existential crises they experience after acquiring new powers.
  20. Rather than taking a detached anthropological tour of the community, Bolognesi lets the Yanomami present themselves in their own words and on their own terms, thus enlivening everything from their mealtimes to their mythology.
  21. A fun, fast-paced and frequently amusing divertissement.
  22. The dark-side-of-the-L.A.-club-scene premise has potential, but the movie turns out to be a cut-and-paste thriller without any night-world bloom to it.
  23. Becoming Cousteau, Liz Garbus’s ardent and transporting documentary, is one of those movies that puts a life together so beautifully that you feel it heightening your awareness of everyday things.
  24. It’s a performance film, a delectable slice of nostalgia, and a testament to how one gorgeously raucous rock ‘n’ roll moment can reverberate through the decades.
  25. While its succession of emotionally loaded moments never crystallize into a vivid whole, the strong performances and highly effective use of music should put audiences in a forgiving mood.
  26. [A] generations-spanning yet emotionally and visually flat familial movie.
  27. Despite the bleak backdrop, Finch manages to stay true to the fuzzy ring of its basic idea, delivering a family-friendly movie that is big-hearted, comfortingly traditional and bolstered by a genuine love of dogs.
  28. A rather pedestrian presentation of a potentially fascinating story, Vanessa Lapa’s Speer Goes to Hollywood expands on a little-known footnote to the Hydra-headed history of the post-war fates of top Nazi lieutenants.
  29. [A] neatly observed, rueful Israeli dramedy.
  30. On some level, every “Paranormal Activity” film is about monsters caught on camera, but in this one the demons remain scariest when they’re sight unseen

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