For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Carlos Aguilar
Ramchandani’s baffling screenplay contains the most obvious, stock archetypes of people recurrent in Hollywood’s uninteresting depictions of Latino communities. Yet, its dialogue, which ranges from the laughably stereotypical to the downright absurd in the context of a sweatshop, stands out as the most unforgivable affront.- Variety
- Posted Aug 30, 2024
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Courtney Howard
What should be a plucky, whip-smart character-driven actioner about an elderly assassin fighting career obsolescence morphs into a dusty, no-stakes patchwork of clichés that shrugs off any resonance, let alone entertainment value.- Variety
- Posted Feb 21, 2025
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Joe Leydon
This half-baked potboiler leaves one with the nagging suspicion that it was produced simply to meet some sort of quota, and cast with actors who came on board only because they lost bets.- Variety
- Posted Jun 27, 2025
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Peter Debruge
When it comes to customer satisfaction, does Amazon’s refund policy apply to stuff like this?- Variety
- Posted Jul 31, 2025
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Owen Gleiberman
Greenland: Migration is a dystopian dud. It’s like the boring middle section of a picaresque disaster film, minus the showy kickoff and catchy climax.- Variety
- Posted Jan 8, 2026
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Dennis Harvey
Provides scant entertainment value, intentional or otherwise.- Variety
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- Variety
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Reviewed by
Brian Lowry
Added together, there are about three minutes of funny material in Happy Gilmore, and pretty much all of them are in the trailer, leaving a sometimes painfully unfunny 90 minutes with which to contend.- Variety
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Dennis Harvey
Pic's nastiness is so insistent, one-dimensional and excessive it risks self-parody.- Variety
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Eddie Cockrell
Glacially paced, self-consciously acted and narratively risible.- Variety
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Joe Leydon
It's debatable whether the original 1974 "Black Christmas" is, as its most rabid fans claim, the mother of all slasher movies. But there can be no argument regarding the scant merits of its slapdash, soporifically routine remake, suitable only for the least discriminating of gore hounds.- Variety
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Peter Debruge
Dog Lover's Symphony feels as if an alien species had been studying Hollywood movies for 50 years and tried to make one themselves.- Variety
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Todd McCarthy
A Eurotrashy vidgame knockoff that misses its target by a mile. Numbingly unthrilling as it lurches from one violent encounter to another, the pic's dark roots in an electronic, non-dramatic medium are plain to see, and unsuspecting gamers lured to theaters will soon wish they were back home participating in the action themselves.- Variety
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Joe Leydon
A plodding patchwork of derivative fantasy-adventure, medieval production design, risible dialogue, unimpressive CGI trickery and haphazardly edited action sequences.- Variety
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Joe Leydon
Lazy, lame and painfully unfunny, Meet the Spartans is yet another scrambled-genre parody.- Variety
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Reviewed by
Joe Leydon
Obviously the product of minimal effort by all parties involved, Strange Wilderness is a slovenly, slapped-together stoner comedy.- Variety
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Justin Chang
A 23-minute movie dragged out, via some narrative gimmickry, to a punishing hour and a half.- Variety
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Todd McCarthy
Ludicrous in the extreme, the picture easily snatches from "Revolution" the prize as Al Pacino's career worst.- Variety
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- Variety
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Rob Nelson
The viewer, even from a seated position, deserves a championship belt for surviving this overlong actioner.- Variety
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Rob Nelson
Benefits of the first film's ancillary gross-out will jolt "Voltage" like a speedball shot to the groin, until word of mouth spreads like an STD.- Variety
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- Critic Score
Murky, unappealing The In Crowd is a femme-centered melodrama that makes an awkward stretch into thriller territory.- Variety
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Reviewed by
Robert Koehler
Few recent movies have conceived their central female character more contemptuously -- a fanatic for a lifestyle that appears to have come from the bestselling "The Rules."- Variety
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Derek Elley
A vulgar, Z-grade variant on last year's "Mystery Men" for those who didn't get their fill the first time around.- Variety
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Joe Leydon
A sloppy and shoddy piece of work, filled with just about every cliche and caricature common to low-budget, low-brow comedies with predominantly African-American casts.- Variety
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- Critic Score
A profoundly disappointing attempt to reinvigorate the animal movie genre with the classic ingredients of physical poetry and mythical storytelling.- Variety
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Reviewed by
Robert Koehler
A shoddy vehicle for Jamie Foxx to ride into the summer season on.- Variety
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Joe Leydon
Silly script, broad slapstick and overstated lead perfs by B-team cast might be acceptable to target audience.- Variety
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Robert Koehler
In its overwhelmingly artificial depiction of the street gangs that ruled Brooklyn's mean streets in the 1950s, Deuces Wild draws from a phony deck.- Variety
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Todd McCarthy
Feels like the most shameless effort yet in the renewed exploitation of the youth market.- Variety
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Reviewed by